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« on: August 03, 2019, 08:34:06 PM »
3i6 north AMERICAN MYTHOLOGY
Manuel d^archeologie amcricaine. By H. Beucliat. Paris, 1912. ^‘Mythology of Indian Stocks North of Mexico,’^ by A. F. Cham- berlain, in JAFL xviii (1905). Also, same author, "^Hndians, North American,” in Encyclopaedia Britannica, nth ed.
‘‘Ethnology in the Jesuit Relations,” by J. D. McGuire, in JJj new series, hi (1901). (Guide to the materials in JR.)
Ill COLLECTIONS AND PERIODICALS
Publications of the Smithsonian Institution, Washington, D. C.: Contributions to North American Ethnology^ vols. i-vii, ix, iB77~93-
Annual Report of the Bureau of American Ethnology^ 1881 ff. Bulletin^ Bureau of American Ethnology^ 1887 ff.
Report of the United States National Museum^ 1884 ff-
Publications of the American Museum of Natural History, New York:
Anthropological Papers, 1907 ff.
Memoirs, 1898 ff.
Bulletin, 1881 ff.
Publications of the American Ethnological Society. F. Boas, editor* Leyden, 1907 ff. (Texts and translations.)
Publications of the Field Columbian Museum. Anthropological Series* Chicago, 1895 ff.
University of California Publications in Archaeology and Ethnology* Berkeley, Cal, 1903 ff.
Memoirs of Canada Department of Mines. Anthropological Series* Ottawa, 1914 ff.
Transactions of the Canadian Institute. Toronto, 1889 ff.
Proceedings and Transactions of the Royal Society of Canada. Mont- real, 1st series, 1883-95; series, 1895 ff.
‘‘Ethnological Survey of Canada,” in Reports of the British Associa-- tionfor the Advancement of Science, i 8 g 7 -igo 2 . London, 1898- 1903.
Comptes rendus du Congres international des Americanistes. Paris and elsewhere, 1878 ff.
Publications of the Hakluyt Society. Vols. Hxxix, London, 1 847-89, Publications of the Champlain Society. Toronto, 1907 ff.
Jesuit Relations and Allied Documents. R. Thwaites, editor, Vols, i— Ixx. Cincinnati, 1896-1901,
BIBLIOGRAPHY
317
Early W estern Travels, R. Thwaites, editor. Vols. i-xxxii. Cleve- landj 1904-07.
V oyageSj relations et memoires originaux pour servir d Fhistoire de la dkouverte de V Amerique, H. Ternaux-Compans, editor. Tomes i-xx. Paris, 1837-41. (Mainly Latin America.)
Library of Aboriginal American Literature, D. Brinton, editor. Vols. i-vi. Philadelphia, 1882-85.
Encyclopaedia of Religion and Ethics, James Hastings, editor. Edin- burgh and New York, 1908 ff.
American Anthropologist, Vols. i-xi, Washington, 1888-98; new series, vols. i ff., New York, 1899 ff*
Journal of American Folk-Lore, Boston and New York, 1888 ff.
Memoirs of the American Folk-Lore Society, Boston and New York, 1894 ff.
IV. GENERAL WORKS {a) Descriptive
Catlin, George, [a]. Illustrations of the Manners and Customs and Condition of the North American Indians, 2 vols. 2d ed., Lon- don, 1866.
. Letters and Notes on the Manners^ Customs^ and Condi- tion of the North American Indians, 2 vols. New York and London, 1844.
De Smet, Life^ Letters and Travels of Father Pierre- Jean De Smet, S,J, Chittendon and Richardson, editors. 4 vols. New York,
Lafitau, J. F., Mceurs des sauvages ameriguains. Tomes i-ii. Paris, 1724. (An edition in 4 vols. was also issued simultaneously.)
Schoolcraft, H. R., [a], Algic Researches. New York, 1839.
. Historical and Statistical Information Respecting the His- tory^ Condition and Prospects of the Indian Tribes of the United States, Parts i-iv. Philadelphia, 1851-57.
(J) Critical
Brinton, D. G., [a], Myths of the New World, 3d ed., Philadelphia, 1896.
, American Hero Myths. Philadelphia, 1882.
[c], Essays of an Americanist. Philadelphia, 1890.
Lowie, Robert H., ‘‘The Test-Theme in North American Myth- ology,’’ in JAFL xxi (1908).
3i8 north AMERICAN MYTHOLOGY
Powell, J. W., Sketch of the Mythology of the North American Indians/’ in i ARBE (i88i).
Radin, Paul, Literary Aspects of North American Mythology {Museum Bulletin No, id, Canada Department of Mines), Ottawa, 1915.
V. SELECT AUTPIORITIES Chapter I
Amundsen, R., The Northwest Passage, London, 1908.
Boas, F,, [a], ‘‘The Central Eskimo,” in 6 ARBE (1888).
, “The Eskimo of Baffin Land and Hudson Bay,” in
BAM XV (1901).
[c], “Eskimo Tales and Songs,” in JAFL ii, vii, x (1889-97).
Gosling-, W. G., Labrador. London, 1910.
Murdoch, John, “Ethnological Results of the Point Barrow Ex- pedition,” in p ARBE (1892).
Nansen, F., Eskimo Life, 2d ed., London, 1894.
Nelson, E. W., “The Eskimo about Bering Strait,” in 18 ARBE (1899).
Peary, R., The Conquest of the Pole, New York, 1911.
Rasmussen, Knud, The People of the Polar North, London, 1908.
Rink, H., Tales a?id Traditions of the Eskimo, London, 1875,
Stefansson, V., My Life with the Eskimo, New York, 1913.
Thalbitzer, William, [a], “The Heathen Priests of East Green- land,” in 15 Internat, Amerikanisten-Kongress, Vienna, 1910.
, “Eskimo,” in Handbook of American Indian Languages
{40 BBE^ part i). Washington, 191 1. (Bibliography of Eskimo literature.)
Chapters II-III {a) Algonquian Tribes
Barbeau, C. M., Huron and Wyandot Mythology {Memoirs of Canada Department of Mines, A nthropological Series, No. 1 1 ) . Ottawa,
Blair, E. FL, Indian Tribes of the Upper Mississippi and the Great Lakes Regions, z vols. Cleveland, ign. (Early documents.)
Brinton, D. G., [d], The Lendpe and their Legends {Library of Abo-* riginal American Literature, v). Philadelphia, 1885.
Copway, George, The Ojibway Nation, London, 1850.
BIBLIOGRAPHY
319
Dixon, R. B., [a], *^The Mythology of the Central and Eastern Algonkins,” in JAFL xxii (1909).
Heckewelder, John G. E., Account of the Indian Nations. Phila- delphia, 1819. (Hiawatha legend.)
Hoffman, W. J., [a], ‘^The Midewiwin or Grand Medicine Society of the Ojibwa,’’ in 7 ARBE (1891).
Jones, William, Fox Texts {Publications of the American Ethnologic cal Society y i). Leyden, 1907.
JR. Especially Le Jeune’s ^‘Relations.’’
Leland, Charles G., The Algonquin Legends of New England. Boston, 1884.
Mechling, W. H., Male cite Tales {Memoirs of Canada Department of Mines. Anthropological Series^ No. iv). Ottawa, 1914.
Owen, Mary A., Folklore of the Musquakie Indians. London, 1904.
Parkman, Francis, [a], The Jesuits in North America. Boston, 1867.
. History of the Conspiracy of Pontiac. Boston, 1868.
Rabin, Paul, [a], ‘‘Winnebago Tales,” in JAFL xxii (1909).
, Some Myths and Tales of the Ojihwa of Southeastern On- tario {Memoirs of Canada Department of Mines. Anthropological Series^ No. 2). Ottawa, 1914.
Rand, S. T., Legends of the Micmacs. New York and London, 1894.
Speck, F. G., Myths and Folk-lore of the Timiskaming Algonquin and Timagami Ojihwa {Memoirs of Canada Department of Mines. Anthropological Series^ No. 9). Ottawa, 1915.
{b) Iroquoian Tribes
Canfield, William W., The Legends of the Iroquois. New York, 1912.
Colden, Cadwallaber, The History of the Five Nations of Canada. 2 vols. New York, 1902.
Converse, Harriet M., “Myths and Legends of the New York State Iroquois,” in Bulletin 125^ New York State Museum. Albany, 1908.
Hale, Horatio, The Iroquois Book of Rites {Library of Aboriginal American Literature^ ii). Philadelphia, 1883.
Hewitt, J. N. B., [a], “Iroquoian Cosmology,” in 21 ARBE ( 1903 )*
— , artt. “Hiawatha,” “Tawiscaron,” “Tarenyawagon,” in
30 BBE.
320 NORTH AMERICAN MYTHOLOGY
JR. Especially Brebeufs ‘‘Relation’^ from the Huron Mission and Jogues’ Letter from the Iroquois country.
Morgan, L. H., League of the Iroquois. H. M. Lloyd, editor. 2 vols., New York, 1901.
Smith, Erminnie A., “Myths of the Iroquois,” in 2 ARBE (1883).
Chapter IV {a) Iroquoian Tribes
Mooney, James, [a], “Sacred Formulas of the Cherokee,” in 7 ARBE (1891),
, “Myths of the Cherokee,” in ig ARBE, part i (1900).
Royce, Charles C,, “The Cherokee Nation of Indians,” in 5 ARBE (1887).
{b) Muskhogean Tribes
Bushnell, D. L, [a], “The Choctaw of Bayou Lacomb, Louisiana,” in 48 BBE (1911).
, “Myths of the Louisiana Choctaw,” in AAj new series,
xii (1910).
Gatschet, a. S., [a], A Migration Legend of the Creek Indians (Library of Aboriginal American Literature^ iv), Philadelphia, 1884.
MacCauley, Clay, “The Seminole Indians of Florida,” in 5 ARBE
(1887).
Speck, F. G., “Notes on Chickasaw Ethnology and Folklore,” in JAFL XX (1907).
(c) Uchean Stock
Gatschet, A. S., , “Some Mythic Stories of the Yuchi Indians,” in AA vi (1893).
Chapters V-VI (a) Northern Athapascan
Jette, P. J., [a], “On the Superstitions of the Ten’a Indians,” in AnthropoSj vii (1912).
, artt. in Journal of the Anthropological Institute of Great
Britain and Ireland^ xxxviii-xxxix (1908-09). (Texts and myths.)
Lofthouse, Bishop, “Chipewyan Stories,” in Transactions of the Canadian Institute^ vol. x, part i (1913).
Morice, A. G., [a], “The Great Dene Race,” in Anthropos^ i-Y (1906-10).
BIBLIOGRAPHY
321
Morice, a. G., , artt. in Transactions of the Canadian Institute^ Pro^ ceedings and Transactions of the Royal Society of Canada^ Comptes rendus du Congres international des Americanistes .
Petitot, Emile, Traditions indiennes du Canada nord--ouest, Alen- 9on, 1887.
{b) Algonquian and Kiowan
Dorsey, G. A., [a], ‘‘The Arapaho Sun Dance,” in PCM iv (1903).
, “The Cheyenne,” in PCM ix (1905).
Dorsey and Kroeber, “Traditions of the Arapaho,” in PCM v
(1903)-
Grinnell, George B., [a], Blackfoot Lodge Tales, New York, 1892,
McClintock, Walter, The Old North Trail. New York, 1910.
Mooney, James, [c], “Calendar History of the Kiowa Indians,” In 17 ARBE^ part i (1898).
WissLER and Duvall, “Mythology of the Blackfoot Indians,” in PAM ii (1909),
{c) Siouan Tribes
Dorsey, G. A., [c], “Traditions of the Osage,” in PCM vii (1904).
Dorsey, J. Owen, [a], “Dhegiha Texts,” in Contributions to North American Ethnology^ vi (1890).
, “Omaha Sociology,” in 5 ARBE (1883).
W? ‘‘Osage Traditions,” in 6 ARBE (1888).
[d], “A Study of Siouan Cults,” in ii ARBE (1894).
[e], “Siouan Sociology,” in 15 ARBE (1897).
Eastman, Charles A., [a], The Soul of the Indian. Boston, 1911.
, Indian Boyhood, New York, 1902.
Fletcher, Alice C., and La Flesche, F., “The Omaha Tribe,” in 27 ARBE (1911).
Lowie, Robert H., [a], “The Assiniboine,” in PAM iv (1910).
Mooney, James, [d], “The Ghost-Dance Religion,” in 14 ARBE, part 2 (1896).
Will and Spinden, “The Mandan Indians,” in Peabody Museum Papers, hi. Cambridge, 1906.
{d) Caddoan Tribes
Dorsey, G. A., [d], Mythology of the Wichita, Washington, 1904.
— [e], Traditions of the Skidi Pawnee, Boston and New York,
1904,
322 NORTH AMERICAN MYTHOLOGY
Dorsey, G. A., [f], Traditions of the Caddo, Washington, 1905.
[g], The Pawnee^ Mythology^ part i. Washington, 1906.
[h], Traditions of the Arikara, Washington, 1904.
Fletcher, Alice C., ‘‘The Hako: a Pawnee Ceremonial/’ in 22 ARBE^ part 2 (1903).
Grinnell, George B,, , The Story of the Indian, New York, 1898.
[c], Pawnee Hero Stories and Folk-Tales, New York, 1909.
Chapter VII (a) Salishan Tribes
Farrand, L., “Traditions of the Quinault Indians,” in MAM iv (1909).
McDermott, Louisa, “Folklore of the Flathead Indians of Idaho,” in JAFL xiv (1901).
Teit, James, [a], Traditions of the Thompson River Indians of British Columbia {Memoirs of the American Folk-Lore Society , vi). Boston and New York, 1898.
, “The Thompson River Indians of British Columbia,”
in MAM ii (1900).
[c], “The Lillooet,” in MAM iv (1909).
[d], “The Shuswap,” in MAM iv (1909).
{b) Shahaptian Tribes
Packard, R. L., “Notes on the Mythology and Religion of the Nez Perces,” in JAFL iv (1891).
Spinden, H, J., [a], “Myths of the Nez Perce Indians,” in JAFL xxi (1908).
, “The Nez Perce Indians,” in Memoirs of the American
Anthropological Association, ii (1908).
(r) Shoshone an Tribes
Kroeber, a. L., [a], “Ute Tales,” In JAFL xiv (1901).
Lowie, Robert H., , “The Northern Shoshone,” in PAM ii (1908).
Mason, J. A., “Myths of the Uintah Utes,” in JAFL xxiii (1910).
Mooney, James, [d], “The Ghost-Dance Religion,” in 14 ARBE, part 2 (1896).
BIBLIOGRAPHY
3^3
Powell, J. W., ^‘'Sketch of the Mythology of the North American Indians,’’ in J ARBE (i88i).
Sapir, Edward, ‘'^Song Recitative in Paiute Mythology,” in JAFL xxiii (1910).
Chapter VIII {a) Southern Athapascans
Bourke, John G., [a], ‘‘The Medicine Men of the Apache,” in g ARBE (1892).
Goddard, P. E., [a], “ Jicarilla Apache Texts,” in PAM vhi (1911).
Matthews, Washington, [a], Navaho Legends {Memoirs of the American Folk-Lore Society^ v). Boston and New York, 1897.
, “The Mountain Chant: a Navajo Ceremony,” in 5
ARBE (1887).
[c], “The Night Chant: a Navaho Ceremony,” in MAM vi
(1902)
Stevenson, James, “Ceremonial of Hasjelti Dailjis and Mythical Sand-Painting of the Navajo Indians,” in 8 ARBE (1891).
{h) Piman and Yuman Tribes
Bourke, John G., , “Cosmogony and Theogony of the Mojave Indians,” in JAFL ii (1889).
DuBois, C. G., “The Mythology of the Dieguehos,” in JAFL xiv (1901).
James, George W., The Indians of the Painted Desert Region, Bos- ton, 1904.
Kroeber, a. L., , “Preliminary Sketch of the Mohave Indians,” in A A, new series, iv (1902).
Lumholtz, Carl, [a]. Unknown Mexico, 2 vols. New York, 1902.
. New Trails in Mexico, New York, 1912.
Russell, Frank, “The Pima Indians,” in 26 ARBE (1908).
Chapter IX
Cushing, F, H., [a], “Zuhi Fetiches,” in 2 ARBE (1883).
, “Outlines of Zuni Creation Myths,” in jj ARBE (1896).
[c], Zu^i Folk Tales. New York, 1901.
Dorsey, G. A., , Indians of the Southwest, Published by Atchison, Topeka & Santa Fe Railroad, 1903. (Bibliography.)
Dorsey and Voth^ “The Stanley McCormick Hopi Expedition,” in FCM iii (1901-03).
NORTH AMERICAN MYTHOLOGY
324
Fewkes, J. W.5 [a], ^‘Tusayan Katcinas/’ in 15 ARBE (1897),
, ^^Tusayan Snake Ceremonies,’’ in 16 ARBE (1897).
— [c], ‘^^Tusayan Flute and Snake Ceremonies,” in Jp ARBE
(1900).
[d], ‘^‘Tusayan Migration Traditions,” In ig ARBE (1900). •
[e], ^‘^Hopi Katcinas,” in 21 ARBE (1903).
[f], ^‘The Tusayan Ritual: a Study of the Influence of Envi- ronment on Aboriginal Cults,” in Annual Report of the Smithso^ nian Institution^ 1896.
Lummis, Charles F., Pueblo Indian Folk Stories. New York, 1910. Stevenson, Matilda Coxe, [a], “The Religious Life of the Zuni Child,” in 5 ARBE (1887).
, “The Sia,” in ii ARBE (1894).
[c], “The Zuni Indians,” in 2j ARBE (1904).
VoTH, H. R., “The Traditions of the Hopi,” in FCM viii (1905).
Chapter X {d) Californian Tribes
Bancroft, Hubert Howe, The Native Races of the Pacific States of North America^ iii, “Myths and Languages”; also, “Authori- ties Quoted,” i, for bibliography. New York, 1875.
Curtin, J eremiah, [a]. Creation Myths of Primitive A merica. Boston, 1912.
Dixon, R. B., , “Shasta Myths,” in JAFL xxiii (1910).
[c], “Maidu Myths,” in BAM xvii (1902-07).
[d], Maidu Texts {Publications of the American Ethnological
Society y iv). Leyden, 1912.
Goddard, P. E., , “Hupa Texts,” In UFC i (1904).
[c], “Kato Texts,” in UFC v (1907-10).
Kroeber, a. L., [c], “Indian Myths of South Central California,” in UFC iv (190s).
[d], “The Religion of the Indians of California,” in UFC iv
(1905)-
[e], “Wishosk Myths,” in JAFL xviii (1905).
Merriam, C. Hart, The Dawn of the World: Myths and Weird Tales Told by the Mew an Indians of California. Cleveland, 1910*
Powers, Stephen, “Tribes of California,” in Contributions to North American Ethnology ^ iii (1877).
BIBLIOGRAPHY
32s
(J) Oregonian Tribes
Boas, F., [d], ‘^Chinook Texts,” in 20 BBE (1894).
[e], ‘‘Kathlamet Texts,” in 26 BBE (1901).
Curtin, Jeremiah, , Myths of the Modocs. Boston, 1912. Frachtenberg, L. J., [a], Coos Texts {Columbia University Con- tributions to Anthropology^ i). New York, 1913.
, Lower Umpqua Texts {Columbia University Contributions
to Anthropology^ iv). New York, 1914.
Gatschet, a. S., [c], ^‘Oregonian Folk-Lore,” in JAFL iv (1891).
[d], ‘‘^The Klamath Indians of Southwestern Oregon,” in
Contributions to North American Ethnology^ ii (1891).
Sapir, Edward, Wishram Texts {Publications of the American Eth- nological Society^ ii). Leyden, 1909.
Chapter XI
Boas, F., [f], ‘‘The Kwakiutl Indians,” in Report of the United States National Museum, 1895.
[g], Indianische Sagen von der Nord-Pacifischen Kiiste. Berlin,
1895. (Reprinted from Zeitschrift fur Ethnologic, xxiii-xxvii.)
[h], “Tshimshian Texts,” in 2^ BBE (1902).
, Tshimshian Texts {Publications of the American Ethnolog- ical Society, iii). Leyden, 1912.
[j], “The Mythology of the Bella Coola Indians,” in MAM ii
(1900),
[k], “The Kwakiutl of Vancouver Island,” in MAM viii
(1909).
[ 1 ], “Tshimshian Mythology,” in 31 ARBE (announced).
Boas, F., and Hunt, G., [a], “Kwakiutl Texts,” in MAM v (1905).
, “Kwakiutl Texts. Second Series,” in MAM xiv (1908).
.Johnson, E. Pauline, Legends of Vancouver. 8th ed., Vancouver,
1913.
Jones, L. F., A Study of the Tlingits of Alaska. New York, 1914. SwANTON, John E., [a], “Contributions to the Ethnology of the Haida,” in MAM viii (1909).
, “Haida Texts,” in MAM xiv (1908).
[c], “Haida Texts and Myths,” in 2g BBE (1905).
[d], “Tlinglt Myths and Texts,” in 39 BBE (1909).
[e], “The Tlingit Indians,” in 26 ARBE (1908).
212
« on: August 03, 2019, 08:33:23 PM »
59. War and War-Gods. — Most North American Indians are courageous warriors, though tribes vary much in their reputations. On the Great Plains the northern Athapascans form an exception, having, as a rule, little inclination for fighting. The Californian tribes, also, were on the whole peaceful, and in the South-West the Pueblo Dwellers, valorous in defence, were little given to forays. The Sun and the Thunder are the war-divinities of the greater part of the continent; in the South-West the war-gods are the twin sons of the Sun. Usually the Indian warrior relied more upon his personal tutelary or Medicine-Spirit — especially the Bear, Wolf, and E.agle — than upon any war-god of a national type. The bearing of palladia into battle was common, however; and the loss of such a treasure was regarded as a great disaster. See Notes 25, 37, 55* Text refer-’ ences: Ch. 11 . il. — Ch. V. i, ix. — Ch. VIII. ii. — Ch. IX, iii. 60. Feather-Symbolism. — The use of feather-symbols is one of the most characteristic features of Indian dress and rituals. Eagle feathers, denoting war-honours, are in the nature of insignia; but there are many ritualistic uses in which the feathers seem to be primarily symbols of the intermediation between heaven and earth which is assigned to the birds. Feathers thus have a ghostly or spiritual char- acter. Boas records a story in which a house is haunted by feathers and shadows ([g] xxv. i, 13), and one of the most curious of Plains legends is the Pawnee tale of Ready-to-Give, whom the gods restored to life with feathers in place of brains. In the South-West feathers are attached to prayer-sticks addressed to the celestial powers. Cf. Notes 21, 27, 30, 31, 40, 61, Text references: Ch. V. vii (Fletcher, The Hakoy is perhaps the most important single source on feather- symbolism). — Ch. VI. vi (for stories of Ready-to-Give, G. A. NOTES 307 Dorsey [e], No. 10; [g], Nos. 39-76; Grinnell [c], pp. 142-60). — Ch. VIIL i, iii. — Ch. IX. iii. 61. Sacred Poles. — The most conspicuous use of sacred poles is in the Sun-Dance rite, where the central object of the Medicine Lodge is a post adorned with emblematic objects, especially a bundle tied transversely so as to give the general effect of a cross. Sacred poles appear as palladia in a number of instances. The Creek migra- tion-legend recounts such a use, and the Omaha tribal legends refer not only to the pillar mentioned in Ch. V. ix, but to another and older sacred post of cedar. In the Hedawichi ceremony of the same tribe a pole made from a felled tree was a symbol of life and strength, and of cosmic organization. The relation of these pillars to the pole employed in the Sun-Dance, all forming a single ritualistic group, seems obvious. The transition from poles to xoana, or crude pillar- like images, is apparent in the wooden statuettes made by the Zuhi and other Pueblo, which are little more than decorated stocks. On the North-West Coast an entirely individual development is found in the carved ‘^totem-poles’’ and grave memorials carved with totemic figures; but these seem to be heraldic rather than ritualistic in inten- tion. See Notes 4, 42, 65. Text references: Ch. IV. vii (Gatschet [a]). — Ch. V. ix (Fletcher and La Flesche, pp. 216-60). — Ch. VIII. V (Lumholtz [a]). — Ch. IX. iii. — Ch. XL i, ii. 62. Magic. — Magic is the science of primitive man, his means of controlling the forces of nature. Imitative and sympathetic magic underlie most Indian rites to a degree that frequently makes it im- possible to determine where magic coercion of nature gives place, in the mind of the celebrant, to symbolic supplication. Both elements are present in all the important ceremonies, and it is often a matter of interest or prepossession on the part of the reporter as to which — 'magic or worship — will be emphasized in his record. Magic motives in myth are too numerous to classify, but a few types may be men- tioned. (l) Transformations (see Notes 5, 41). (2) Magic increase and replenishment. The idea underlying this form is: Given a little of a substance, it may be magically increased; possibly animal and vegetable multiplication is the analogy which suggests this; at all events it seems less difficult for the primitive mind to imagine con- tinuity and increase than creation ex nihilo. Typical notions are the creation of the earth from a kernel of soil, the stretching of the world, the continuous growth of the heaven-reaching tree or rock, the constant replenishment of a vessel of food which, like the widow’s cruse, is never exhausted during need, or is emptied only by an orphan after all others have partaken. (3) Songs and spells. The Indian has an inveterate belief in the power of words, and even thoughts, to produce mechanical and organic changes; hence the importance of NORTH AMERICAN MYTHOLOGY 308 song in his rituals, and the tabus which forbid songs to be sung out of season (a hunting song in the closed season, for example). (4) The magic flight. This is an incident that recurs many times: the hero is pursued by a monster; as he flees he creates successive ob- stacles by means of charms, which the monster in turn overcomes (an example is given Ch. VI. i). The conception of the perilous way to the underworld or spirit-world is related to this idea (see Note . (5) Magic use of stones, wands, and other talismans. See Notes 4, 27, 30, 35, 60, 61. Text references: Ch. VI. i, vii. — Ch. VIL ii. — Ch. VIIL hi, iv. — Ch. IX. iv. — Ch. X. iv (Goddard [c], Nos. 1,2). 63. Old Man. — The personage usually called “Old Man’^ is a distinctly Western figure who seems to be in some instances a per- sonification of the Great Spirit, though for the most part he is clearly a member of the “Trickster-Transformer’’ group. The Blackfeet and Arapaho, western Algonquians, share this character with their neighbours of Siouan and Salish stocks (cf. De Smet, p. 525; Wissler and Duvall, Nos. 1--23). Old Man is the hero of the raft story and the diving animals in Arapaho myth, their version of which, as given by G. A. Dorsey ([a], pp. 191--212; also, Dorsey and Kroebcr, Nos. I, 2, 3), is one of the best recorded. It is interesting to note in this legend that the raft is made of four sticks — the cruciform symbol of the quarters — and that it supports a calumet, personified as “Flat- pipe,” the “Father,” and representing the palladium of the tribe. This connects both with the far north and the extreme south, for the story of the raft is known to the Athapascans of the North, while the Navaho and Pueblo traditions of the floating logs and the cruciform symbol are an interesting southern analogue (cf. S JRBJS, p, 278; and Chh. VIIL iv; IX, v). The Cheyenne creator, “Great Medicine’^ (G. A. Dorsey , pp. 34-37), is a similar, if not an identical being, personifying the Great Spirit, or Life of the World, as a creative in- dividual. This Cheyenne myth tells of a Paradisic age when men were naked and innocent, amid fields of plenty, followed by a period in which flood, war, and famine ensued upon the gift of understanding. The Crow (Siouan) name for the creator, “Old Man Coyote” (FCM ii. 281), is an interesting identification of this character with Coyote. See Notes 6, 48. Text references: Ch. VI. ii (J. O. Dorsey [d], p. Si3).-Ch. VILiii,v.
64. Hermaphrodites. — Unsexed beings appear not infrequently, especially In the mythology of the western half of the continent. Matthews ([a], note 30) says: The word (translated “hermaphrodite”) “is usually employed to designate that class of men, known perhaps in all wild Indian tribes, who dress as women, and perform the duties usually allotted to women in Indian Camps.” The custom is certainly wide-spread. Father Morice describes it among the northern Atha-
NOTES
309
pascans; and De Smet (p. 1017) gives a noteworthy Instance of the reverse usage: “Among the Crows I saw a warrior who, in conse- quence of a dream, had put on women’s clothing and subjected him- self to all the labors and duties of that condition, so humiliating to an Indian. On the other hand there is a woman among the Snakes who once dreamed that she was a man and killed animals in the chase. Upon waking she assumed her husband’s garments, took his gun and went out to test the virtue of her dream; she killed a deer. Since that time she has not left off man’s costume; she goes on hunts and on the war-path; by some fearless actions she has obtained the title of ‘brave’ and the privilege of admittance to the council of the chiefs.” Perhaps the most interesting case recorded is that of Wewha, a Zuhi man who donned woman’s attire, described by Mrs. Steven- son ([c], p. 310) as “undoubtedly the most remarkable member of the tribe . . . the strongest both mentally and physically.” The assumption of woman’s attire and work by youths reaching puberty is a matter of choice. This choice the boy makes for himself among the Zuhi, and doubtless also in the other Pueblos where the practice exists. “Hermaphrodites” have a certain mythic representation in Zuhi ceremonies, and it is noteworthy that the Zuhi Creator is a bi- sexed being, “He-She” (M. C. Stevenson [a], pp. 23, 37). Among the tribes of the North-West Coast mythic hermaphrodite dwarfs, life-destroyers, appear as denizens of the moon (Boas [g], xxiii. 3; [j], p, S3). Text references: Ch. VIII. ii. — Ch. IX. vii. — CL XL v.
65. Masks and Effigies. — The use of masks in rites intended as dramatic representations of deities finds its highest development in the South-West (among the Navaho and Pueblo tribes) and on the North-West Coast, though it is not limited to these regions. The purpose of the mask is impersonation, but their employment is not on the purely dramatic plane, since they can be worn only by persons qualified by birth or initiation — i. e. the mask is to some extent regarded as an outward expression of an inward character already possessed. In both regions masks are associated with cere- monies in honour of ancestral spirits or clan or society tutelaries rather than concerned with the worship of the greater nature-powers. The use of masks has to a degree affected myth: the Zuni regard the clouds as masks of the celestial Rain-Makers; the Sun and Moon are masked persons; and in the North-West an interesting mythic inci- dent is the laying aside of animal masks and the consequent conver- sion of the animal-beings of the First Age into mankind. Wooden images of divine beings also occur in these same regions, and with some ritual use, but on the whole idols are rare in America north of Mexico; objects of especial sanctity are more often in the nature of “Medicine,” and even tribal sacra have the character of talismans
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rather than of symbols. Elaborate masques, or ceremonies in which maskers are the chief performers, are given in the Pueblos during the season in which the katcinas, or ancestral spirits, are supposed to be present. A similar division of the ritual year, for a like reason, obtains in the North-West. It is difficult to characterize these rites precisely. They are not ancestor-worship in the Oriental or classi- cal sense; for while the spirits of ancestors are supposed to be repre- sented, they are associated with mythic powers and totemic tute- laries rather than with the well-being of households and clans as such. Rites at the grave and prayers to the dead are a Pueblo cus- tom, but the deceased are addressed primarily in their mythic rdk of the Rain-Makers. On the whole, the distinctly ancestral character is more marked in the South-West, where the masks are chiefly anthropomorphic, while the totemic signification is more in evidence in the mainly animal masks of the North-West. See Notes 4, 27, 30, 61. Text references: Ch. VIII. iv. — Ch. IX. iil (Fewkes [a], pp. 265, note, 312; [e], p. 16; M. C. Stevenson , pp. 20-21, 62 ff., 316, 576 ff.)* — Ch. XL ii (SwANTON [c], pp. 26, 28; [d], No. 41; Boas and Hunt [a], pp. 499, 503, 508, 509; Boas [g], xxii. i).
-66. The Swastika. — Cruciform symbols arc pre-Columbian in both the Americas. Probably the commonest form is the swastika, the symbolism of which is certainly in some, and perhaps in most, uses that of an emblem of the World-Quarters and their presiding powers. The most elementary geographical frame is the cross, each arm of which, for cult purposes, is provided with an extension for the support of the genii of the directions — especially tlie powers of wind and storm. The circular horizon is a natural image with which to circumscribe this cross; and thus is derived a kind of primitive projection of the plane of earth. The sky above is conceived as an inverted bowl; not infrequently the earth beneath is symbolized by a corresponding bowl (as in the Pawnee Hako ceremony, while the Pueblo Dwellers, who live in a land environed by mountain and mesa, employ terraced bowls in the same sense); and thus the spher- ical universe is defined in all but word (cf. the ‘^two kettle” palladium of the ‘"Two Kettle Sioux” — a division of the Teton). It is inter- esting to note that in the Sia cosmogony the first act of Spider, about to create the world, is to draw a cross and to station goddesses at the eastern and western points. See Notes ii, 31, and cf. Thomas Wilson, "'^The Swastika,” In Report of the United States National Museum^ 1894; and jo BBE^ ‘Xross.” Text references: Ch. IX. ii, vi.
67. Seven Cities of Cibola. — The Kingdom of Cibola,” with its ‘‘seven cities,” was discovered by Fray Marcos of Niza in 1539, and the consequence of his glowing description was the Coronado ex-
NOTES
311
pedition of 1540, which resulted In the first contact of the Spaniards with the Pueblo Indians. The “seven cities” are identified as a group of pueblos of which Zuni is the modem representative, and Zunian legends still recount the history of the period. It was while among the Pueblos that Coronado learned of “Quivira” and set out for that country, guided by an Indian whom the Spaniards called “the Turk,” and who is believed to have been a Pawnee. This is interesting in connexion with the many affinities of Pawnee and South-Western rites (cf. Fletcher, pp. 84--85 and Note 35, supra). It is supposed that Coronado penetrated into what is now Kansas on this expedition, and that the great chief Tartarrax, of the province of Plarahey, was a Pawnee chieftain. See 30 BBE^ “Qui- vira,” “Zuni.” Text reference: Ch. IX. ii.
68. Number. — Four is generally said to be the “sacred number” of the North Americans, and it occurs as the natural consequence of the emphasis on the World-Quarters in cult practices. Possibly the number three, which is occasionally found in Indian myths, simi- larly reflects ritualistic relations to the Upper, Middle, and Lower Worlds, while the combination of the two gives the sacred seven, employed in Pueblo rites, or (with the Mid-World omitted) six. Usually four is the magic number in myths — the “fourth time is the charm.” The duration of Pueblo ceremonial periods of five and nine days has been explained as the addition of a day of preparation to a four-day period or its double. On the Pacific Coast the impor- tance of the Quarters in ritual is not great; consequently four as a mythic number is not so common there as elsewhere. See Note 31. Text reference: Ch. IX. iv.
69. Culture Hero. — The term “culture hero” is not infre- quently applied to the Trickster-Transformer, who is, however, a demiurge on his heroic side. A second group of beings who may be regarded as culture heroes are the mortals who make journeys to supernatural abodes and bring thence to mankind not only medicine- powers but gifts of various sorts. The acquisition of fire, of maize, of utensils, and of methods of hunt and chase are the chief events about which these myths centre. Usually some sort of tribal palla- dium is acquired along with any distinct innovation in the mode of life. “Medicine” heroes, who institute new rites and found societies, appear in all important collections of myths; and the Messianic promise of the return of a departing hero is again a frequent inci- dent, suggesting the Quetzalcoatl legend of the Aztecs. See Notes 44 ? 54? $4 57 * references: Ch. VI. vi. — Ch. IX. vl, vii. — Ch. XL iv (Boas [j], pp. 32-33)*
70. Creation of Men. — The creation of mankind in Indian legends, as distinct from metamorphosis or from descent from
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312 NORTH AMERICAN MYTHOLOGY
earlier beings animal or semi-human in form, Is usuallf a rather unimportant theme, with little mythic expansion. Men are made from clay, sticks, feathers, grass, ears of maize, and, In one interest- ing myth recorded by Curtin, from the bones of the dead. Some- times they are ^‘earth-born,” or issue from a spring or swamp; and in the North-West carved images are vivified to become human ancestors. See Notes 15, 18, 34, 35, 46, 57, Text references: Ch, IX. vi. — Ch. X. V (Goddard [c], p. 185; Kroeber [e], p. 94; Curtin , pp. 39'-4S)-“Ch. XL ii (Boas [g], xxii. i, 2); iv (Boas [j]j PP* 29-32).
BIBLIOGRAPHY
BIBLIOGRAPHY
I. ABBREVIATIONS
AA .
ARBE
BAM.
BBS .
FCM
JAFL
JR ? MAM PAM.
UFC .
American Anthropologist.
Annual Report, Bureau of American Ethnology. Bulletin, American Museum of Natural History. Bulletin, Bureau of American Ethnology. Anthropological Series, Field Columbian Museum. Journal of American Folk-Lore.
Jesuit Relations, Thwaites edition and translation. Memoirs, American Museum of Natural History. Anthropological Papers, American Museum of Natural History.
University of California Publications in American Archaeology and Ethnology.
Note. — Citation by the author’s name refers to the work noted under “General Works” or “Select Literature” (below). Where the same author has several works listed, they are distinguished by letters in the list and correspondingly referred to in the Notes.
II. BIBLIOGRAPHICAL GUIDES
Handbook of American Indians North of Mexico (50 BBE). Espe- cially in part I (Washington, 1907), art. “Bureau of American Ethnology”; in part 2 (Washington, 1910), “Bibliography,” pp. 1179-1221.
List of Publications of the Bureau of American Ethnology with Index to Authors and Tides {5^ BBE). Washington, 1914.
The Literature of American History. A Bibliographical Guide. J. N. Lamed, editor. Boston, 1902.
The Basis of American History (vol. ii of The American Nation, Hart, editor). By L. Farrand. Especially pp. 272-89. New York, 1904,
Narrative and Critical History of America. By Justin Winsor. Vol. 1 , Aboriginal America, “Bibliographical Appendix.” Boston, 1889.
Native Races of the Pacific States of North America. By H. H. Ban- croft. Vol. i, “Authorities Quoted.” New York, 1875.
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302 NORTH AMERICAN MYTHOLOGY 85 16, 26; [e]. No. 17). — CL XL v (Boas [g], ili. i, 8; v. 2; viii. 8; xiii. 66). 52. The Bear. — It is doubtless the cave-dwelling and hibernat- ing habits of the bear, coupled with his formidable strength, that give him his position as chief of the underworld Manitos. In the Midewi- win the bears are the most important of the malignant Manitos bar- ring the progress of the candidate during his initiation. See Hoffman [a], pp. 167-69, and cL Note 14. Text references: Ch. III. vi. — Ch. X. vi (Powers, p. 342; Dixon [c], No. 9; Goddard [c], No. 17; Merriam, pp. 103, III; Kroeber [c], p. 180, No. 10). — Ch. XL v. 53. Return of the Dead. — Stories on the theme of Orpheus and Eurydice are sufficiently frequent to form a class by themselves. In some cases the return of the beloved dead is defeated because of the breaking of a tabu, as in the Greek instance; in others the seeker is given wealth or some other substitute; in still others the dead is returned to life, but usually with an uncanny consequence; altogether ghastly are the stories where the revivification is only apparent, and the seeker awakes to find himself or herself clutching a corpse or skeleton. See Notes 10, 12, 17. Text references: Ch. III. vii (JR x. 149-53; Smith, p. 103). — Ch. VI. v (G. A. Dorsey [g]. Nos. lo, 34). — Ch. VII. iii, vi (W. D. Lyman, The Columbia River ^ New York, 1909, pp. 28-31). — Ch. X. vii (Kroeber [c]. Nos. 24, 25; Powers, p. 339). — Ch. XL vii. 54. Hiawatha. — For the story of Hiawatha consult 50 BBE, “Dekanawida,^’ ^Tiiawatha,” Wathototarho’’; Plale, Iroquois Book of Rites^ a study of the traditions of the League as retained by the Iroquois and reduced to writing in the eighteenth ccntuiy; Morgan, i. 63-64; Smith; Beauchamp, ‘‘Hi-a-wat-ha,’* in JAFL iv; School- craft [a], i.; , part iii, pp. 314 ff. Text reference: Ch. III. viii.
55. Hair and Scalp. — Of the parts of the body, the hair and the heart seem to be particularly associated with the life and strength of the individual. The scalp-lock was a specially dressed wisp or braid of hair, separated out when the boy reached manhood, and it was this that was taken as a trophy from the slain. The custom of scalping seems to have originated in the east and from there to have spread westward, replacing the older practice of decapitation, which, on some parts of the Pacific Coast, was never superseded. Plair-sym- bolism appears not only in scalping, but in the wide-spread custom of giving a pregnant woman a charm made of the hair of a deceased relative whose rebirth was hoped for (cf. JR vi, 207, for an early instance). Hair-combing episodes are frequent in myth, usually with a magic significance. In Iroquois cosmogony Ataentsic combs the hair of her father, apparently to receive his magic power. Hia- watha’s combing of the snakes from the hair of Atotarho is perhaps
NOTES
303
a symbolic incident. The character of Atotarho’s hair may be in- ferred from Captain John Smith’s description of that of the chief priest of the Powhatan: ‘‘The ornaments of the chief e Priest was certain attires for his head made thus. They tooke a dosen or 16 or more snakes, and stuffed them with mosse; and of weesels and other vermine skins, a good many. All these they tie by their tailes, so as all their tailes meete in the toppe of their head, like a great TasselL Round about this Tassell is as it were a crown of feathers; the skins hang about his head, necke and shoulders, and in a manner cover his face” {Description of Virginia^ 1612, “Of their Religion”). See Note 37. Text references: Ch. III. viii (Morgan, i. 63). — CL V. ix (Fletcher and La Flesche, pp. I22-26).
56. Gamblers. — American Indians are inveterate gamesters, and their myths accordingly abound in stories of gambling contests, in which the magic element is frequently the theme of interest. See Note 21. Text references: Ch. IV. vi (Mooney , pp. 311-15). — Ch. VII. hi (Teit [a]. No. . — Ch. VIII. ii (Matthews [a], “Origin Myth”); iv (Matthews [a], “The Great Shell of Kintyel”; cf. Goddard [a], No. 18; Russell, p. 219). — Ch. IX. vi.
57. Migration-Myths and Histories. — Migration-myths and more or less legendary histories are possessed by all the more ad- vanced North American tribes. Such traditions are usually closely interwoven with cosmogonic stories, so that there are formed fairly consistent narratives of events since the “beginning.” Chronology is generally vague, though there are some notable attempts at exac- titude (see Ch. VI. vii). Text references: Ch. IV. vii (Gatschet [a]; Mooney , pp. 350-97). — Ch. VI. vii (G. A. Dorsey , pp. 34 ff.; Mallery, “Picture Writing of the American Indians,” in 10 ARBEy ch. x; Mooney [c], pp. 254-64). — Ch. IX. iv (see especially G. P. WiNSHiP, “The Coronado Expedition,” in 14. ARBE; cf. Note 67, infra),
58. Petalesharo. — See5oR-8jF,“Petalesharo.” The story is told by Thomas M’Kenney, Memoirs Official and Personaly New York, 1846, ii. 93 ff., but Dr. Melvin R. Gilmore, recently of the Nebraska State Historical Society, states that the Skidi of today deny its truth; the Morning Star sacrifice lapsed, they say, by common consent. Dr. Gilmore has very kindly given the writer the following data re- garding Petalesharo and the Morning Star sacrifice which correct many statements current in government and other publications:
“In the contact of two races of widely variant modes of thought and manners of life there is abundant room for misunderstandings and mistaken ideas to be formed of each by the other, and when one race possesses the art of writing and the other does not, the people with the superior advantage may, without any wrong intention,
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perpetuate false views and impressions equally with true statements of facts. Thus the misapprehension of one observer is thereafter propagated and confirmed by every writer who deals with the given subject. In such light, I think, is to be regarded the character of Pita Leshara [Petalesharo], and especially one deed commonly as- cribed to him in white men’s accounts,
‘'^Pita Leshara was chief of the Tshawi [Chaui] tribe of the Pawnee nation. He was a forceful character, wise, brave, and benevolent, and was in the height of his power just at the time that his nation was coming into the closest contact with the white race. Because of his outstanding ability and force of character, and because he was a chief, the whites popularly regarded him as the principal chief of the nation.
^‘Of the four tribes, originally independent, but in later times confederated into the Pawnee nation, one, the Skidi, possessed the rite of human sacrifice, the ofiFering of certain war captives, pro- vided that at the time of their capture they had been devoted by the consecrational vows of their captors. This ceremony was prac- tised by the Skidi Pawnee until some time after the middle of the nineteenth century. It died out at that time because of the various influences incident to increasing contact with, and more constant propinquity of, the white race. The cessation of this practice oc- curring contemporaneously with the period of Pita Leshara’s public activities, a belief obtained among white people, and crystallized into a dictum, that it was due to a mandate of the chief that the practice of the rite ceased. But the observance of religious ceremo- nies does not originate nor terminate by mandate.
“By careful inquiry among the old people of the Pawnee I am unable to find any support for either of the statements current among the whites that Pita Leshara was head chief of the nation and that he, by edict, caused the Skidi tribe to abandon their pecu- liar ritual. The following account will serve as an example of the information on the subject given me very generally by old people now living who were contemporaries of Pita Leshara. My informant in this instance was White Eagle, a chief of the Skidi Pawnee. He was about eighty-three years old at the time he gave me this account in 1914. His father was the last priest, or Ritual Keeper, of the rite of human sacrifice who performed the ceremony, and White Eagle himself, as his father’s successor, now has in his keeping the sacred pack pertaining to the sacrifice and described below.
“White Eagle’s account follows. I told him the current story, an educated young Skidi named' Charles Knifechief being our in- terpreter. White Eagle listened with attention and at the close he said; Ht is not a true account. Now let me tell you. At one time
NOTES
30s
there was a Skidi chief named Wonderful Sun (Sakuruti Waruksti), This chief ordered the [Skidi] tribe on the buffalo-hunt. So they made ready with tents and equipment. The people went south- west, beyond the Republican River. While they were in that region, they came into the vicinity of a Cheyenne camp. One of the Chey- enne women was gathering wood along the river bottom many miles from camp. Some Pawnees overtook her and made her captive. The Pawnees at this time had finished the hunt and were returning home. They brought the captive Cheyenne woman along. A man of the Skidi declared the woman to be waruksti [a formula of conse- cration], They continued on the return journey and camped on the way at Honotato kako [the name of an old village site on the south bank of the Platte River where the Tshawi, Kitkahak [Kitkehahti] and Pitahawirat [Pitahauerat], the other three tribes of the Pawnee nation, had formerly resided]. From this place they travelled along the south bank of the Platte to the ford at Columbus. Before they crossed the river one of the old men of the Skidi, a man named Big Knife (Nitsikuts), went up to this woman and shot her with an arrow. He did so because he thought that the white men at Columbus would take her away from them and send her back to her own people if they learned that the Skidi had a captive. And now this story as I have told it to you is the real truth of the reason that the Skidi Pawnee no longer continued the sacrifice. The captor of the Chey- enne woman was a man named Old Eagle. He pronounced her to be waruksti. Big Knife killed her because she had been made wa- ruksti. The story of Pita Leshara is untrue. If he had interfered, he would have been killed, because he had no authority over the Skidi. He was chief of the Tshawi.^
“The sketch [mentioned below] was made by Charles Knifechief as he sat interpreting for us. He has drawn a Pawnee earth lodge in the distance as seen from the Place of Sacrifice. The door-way of the house opens toward the rising sun. The victim was bound by the hands to the upright posts, standing on the upper of four hori- zontal bars, the ends of which were bound to the upright posts. White Eagle said that the human sacrifice was not connected with the planting ceremony, but was for atonement, planting being con- trolled by another Sacred Pack. He declared that he has the Human Sacrifice Pack which he inherited from his father, but he was not instructed in the ritual, so that it is now lost. He said that the body was sacrificed to the birds of the air and to animals, and was left on the scaffold until it was consumed. The victim was put to death by the authorized bowman of the ritual, by shooting with the four sacred arrows. After the archer had thus slain the sacrifice, four men advanced with the four ancient war-clubs from the Sacred Pack
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and in turn struck the body, after which it was at the will of the populace. The Sacred Pack pertaining to this ritual contains the sacred bow, the four sacred arrows, four sacred war-clubs, and a human skull, the skull of a man who was a chief long ago, distin- guished by his great human sympathy.”
Despite White Eagle’s statement that the sacrifice was not con- nected with agricultural rites, it may still be noted that neighbour- ing tribes associated the Pawnee offering of human beings with agriculture. Thus an Omaha narrative (J. 0 . Dorsey [a], p. 414) declares that the Pawnee greased their hoes” in the flesh of a vic- tim “as they wished to acquire good crops.”
The illustration to which Dr. Gilmore refers, and which is repro- duced, through his courtesy, opposite p. 76, is of particular interest since there is, so far as the author knows, no other existing picture of the manner in which the famous sacrifice to the Morning Star was con- ducted. Text reference: Ch. V. i. Cf. De Smet, pp. 977-88.
59. War and War-Gods. — Most North American Indians are courageous warriors, though tribes vary much in their reputations. On the Great Plains the northern Athapascans form an exception, having, as a rule, little inclination for fighting. The Californian tribes, also, were on the whole peaceful, and in the South-West the Pueblo Dwellers, valorous in defence, were little given to forays. The Sun and the Thunder are the war-divinities of the greater part of the continent; in the South-West the war-gods arc the twin sons of the Sun. Usually the Indian warrior relied more upon his personal tutelary or Medicine-Spirit — especially the Bear, Wolf, and Eagle — than upon any war-god of a national type. The bearing of palladia into battle was common, however; and the loss of such a treasure was regarded as a great disaster. See Notes 25, 37, 55. Text refer-- ences: Ch. 11 . ii. — Ch. V. i, ix. — Ch. VIII. ii. — Ch. IX. iii.
60. Feather-Symbolism. — The use of feather-symbols is one of the most characteristic features of Indian dress and rituals. Eagle feathers, denoting war-honours, are in the nature of insignia; but there are many ritualistic uses in which the feathers seem to be primarily symbols of the intermediation between heaven and earth which is assigned to the birds. Feathers thus have a ghostly or spiritual char- acter. Boas records a story in which a house is haunted by feathers and shadows ([g] xxv. i, 13), and one of the most curious of Plains legends is the Pawnee tale of Ready-to-Give, whom the gods restored to life with feathers in place of brains. In the South-West feathers are attached to prayer-sticks addressed to the celestial powers. Cfi Notes 21, 27, 30, 31, 40, 61. Text references: Ch. V. vii (Fletcher, The Hako, is perhaps the most important single source on feather- symbolism). — Ch. VL vi (for stories of Ready-to-Give, G. A.
NOTES
307
Dorsey [e], No. 10; [g], Nos. 39-76; Grinnell [c], pp, 142-60). — Ch. VIII. i, iii. — Ch. IX. Hi.
61. Sacred Poles. — The most conspicuous use of sacred poles is in the Sun-Dance rite, where the central object of the Medicine Lodge is a post adorned with emblematic objects, especially a bundle tied transversely so as to give the general effect of a cross. Sacred poles appear as palladia in a number of instances. The Creek migra- tion-legend recounts such a use, and the Omaha tribal legends refer not only to the pillar mentioned in Ch. V. ix, but to another and older sacred post of cedar. In the Hedawichi ceremony of the same tribe a pole made from a felled tree was a symbol of life and strength, and of cosmic organization. The relation of these pillars to the pole employed in the Sun-Dance, all forming a single ritualistic group, seems obvious. The transition from poles to xoana, or crude pillar- like images, is apparent in the wooden statuettes made by the Zuhi and other Pueblo, which are little more than decorated stocks. On the North-West Coast an entirely individual development is found in the carved “totem-poles’’ and grave memorials carved with totemic figures; but these seem to be heraldic rather than ritualistic in inten- tion. See Notes 4, 42, 65. Text references: Ch. IV. vii (Gatschet [a]). — Ch. V. ix (Fletcher and La Flesche, pp. 216-60). — Ch. VIII. v (Lumholtz [a]). — Ch. IX. iii. — Ch. XL i, ii.
62. Magic. — Magic is the science of primitive man, his means of controlling the forces of nature. Imitative and sympathetic magic underlie most Indian rites to a degree that frequently makes it im- possible to determine where magic coercion of nature gives place, in the mind of the celebrant, to symbolic supplication. Both elements are present in all the important ceremonies, and it is often a matter of interest or prepossession on the part of the reporter as to which — 'magic or worship — will be emphasized in his record. Magic motives in myth are too numerous to classify, but a few types may be men- tioned. (l) Transformations (see Notes 5, 41). (2) Magic increase and replenishment. The idea underlying this form is: Given a little of a substance, it may be magically increased; possibly animal and vegetable multiplication is the analogy which suggests this; at all events it seems less difficult for the primitive mind to imagine con- tinuity and increase than creation ex nihilo. Typical notions are the creation of the earth from a kernel of soil, the stretching of the world, the continuous growth of the heaven-reaching tree or rock, the constant replenishment of a vessel of food which, like the widow’s cruse, is never exhausted during need, or is emptied only by an orphan after all others have partaken. (3) Songs and spells. The Indian has an inveterate belief in the power of words, and even thoughts, to produce mechanical and organic changes; hence the importance of
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and in turn struck the body, after which it was at the will of the populace. The Sacred Pack pertaining to this ritual contains the sacred bow, the four sacred arrows, four sacred war-clubs, and a human skull, the skull of a man who was a chief long ago, distin- guished by his great human sympathy.’’
Despite White Eagle’s statement that the sacrifice was not con- nected with agricultural rites, it may still be noted that neighbour- ing tribes associated the Pawnee offering of human beings with agriculture. Thus an Omaha narrative (J. 0 . Dorsey [a], p. 414) declares that the Pawnee greased their hoes” in the flesh of a vic- tim ^‘as they wished to acquire good crops.”
The illustration to which Dr. Gilmore refers, and which is repro- duced, through his courtesy, opposite p. 76, is of particular interest since there is, so far as the author knows, no other existing picture of the manner in which the famous sacrifice to the Morning Star was con- ducted. Text reference: Ch. V. i. Cf. De Smet, pp. 977-88.
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the underworld. In Algonquian tradition (and the same notion is found among Siouan and other Plains tribes), the younger brother is dragged down to the underworld by vengeful monsters. An under- world relative of one of the brothers appears also in the South-West, where the father of the elder is always the Sun, while the younger is sometimes regarded as the son of the Waters, welling up from below. Almost always the elder brother, or first-bom in case of twins, is the hero, the doer; while the younger is frequently a magician and clairvoyant. It seems evident that the brothers represent respectively the upper and underworld powers of nature, and it is doubtless for this reason that Flint is described as the favourite of his mother Ataentsic (the Earth) in Iroquois myth. In the South-West Coyote often takes the evil part: thus the maladroit creations assigned to Flint by the Iroquois are there the work of Coyote. Hero brothers occur in other types of myth, and it is interesting to note that the younger brother is the one to whom medicine-powers are ascribed. See Notes 45, 69. Text references: Ch. III. i, ii. — Ch. VI. i, iii (G. A. Dorsey [h], No. i), vii. — Ch. VIL ii, iii. — Ch. VIII. i, ii (Mat- thews [a]; James Stevenson, pp- 279-80); iv (Matthews [c], “The Stricken Twins”). — Ch, IX. vi, vii. — Ch. X. iii (Frachtenberg [a], No. i); vi Dixon [d], No. 3; Kroeber [c], p. 186).
45. Yoskeha and Tawiscara. — The names of these twins are variously spelled — as loskeha, louskeha or Jouskeha, Tawiskara,
X — 21 '
296 NORTH AMERICAN MYTHOLOGY
Tawiscaron, Tawiskala, etc. Yoskeha, called ‘‘Sapling” by the Onondaga and “Maple Sapling” by the Mohawk, has been identi- fied with the sun or light by Brinton ([a], p. 203), though there seems better reason in Hewitt’s view that he is “the reproductive, rejuvenat- ing power in nature” (“Cosmogonic Gods of the Iroquois,” in Pro- ceedings of the American Association for the Advancement of Science ^ 189s). Tawiscara is rendered by Brinton “the Dark One,” and in- terpreted as “the destructive or Typhonic power.” “Flint” is the name given to Tawiscara by the Onondaga; the Mohawk designate him by the Huron name which in their language signifies “flint” or “chert”; while the Seneca know him by the epithet “Warty” (cf. Note 37). He is described as “a marvelously strange personage . . . his flesh is nothing but flint . . . over the top of his head, a sharp comb of flint.” Brebeuf s narrative tells how, when Tawiscara was punished by Jouskeha and fled, “from his blood certain stones sprang up, jike those we employ in France to fire a gun” (JR x. 131). In Cherokee myth Tawiscala appears in association with the Algon- quian “Great Rabbit,” which would indicate, what is indeed obvious, that Yoskeha and Manabozho are one and the same. Hewitt re- gards Flint (Tawiscaron, which he interprets as from a root signify- ing “ice”; see jo BBE^ “Tawiscaron”) as a personification of Winter; while Sapling, whom he identifies with Teharonhiawagon, personifies Summer; but this can be, at best, only in a secondary mode. The name Teharonhiawagon Flewitt interprets as meaning literally “He- is-holding-the-sky-in-two-places,” referring to the action of the two hands (50 BBE^ “Teharonhiawagon”). Other interpretations are: Lafitau, i. 133, Tharonhiaouagon, “il affermit le ciel de toutes parts”; Brinton [a], p. 205, Taronhiawagon, “he who comes from the sky”; Morgan, ii. 234, Tarenyawagon, stating that he was “the sender of dreams”; Hewitt [a], p. 137, Tharonhiawakon, “he grasps the sky,” i. e. in memory. Mrs. Smith (p. 52) says that little more is known of this god than that he brought out from Mother Earth the six tribes of the Iroquois. The name is not much used, the cosmogonies pre- ferring an epithet, as Odendonnia (“Sapling”), which is probably also the meaning of Yoskeha. See Notes 38, 44, 47, 69, Text refer- ences: Ch. III. i. — Ch. IV. vi.
46. Metamorphosis. — Transformations are of course common mythic incidents. They may be classified into (i) phoenix-like period- ical rejuvenations, as in the case of Sapling (Yoskeha) in Iroquoian and of Estsanatlehi in Navaho myth; (2) the metamorphosis of the People of the First Age into the animals or human beings of the final period, in which men now live; (3) incidental changes of form,, as dis- guises assumed by magicians or deities, “swan-shift” episodes, were- folk incarnations, all in the general field of folk-tales; (4) reincarnation
NOTES
297
or transmigration changes, which may be from human to animal form, as in the Tllngit concept that the wicked are reborn as ani- mals, or the Mohave belief that all the dead are reincarnated in a series of animal forms until they finally disappear; (5) transforma- tions, frequently by way of revenge, wrought by a mythic Transformer or other deity. Especially in the North-West and South-West stone formations are explained as representing transformed giants of earlier times; ( 6 ) animal trait stories, in which the distinctive character- istic of an animal kind is held to be the result of some primitive change, usually the consequence of accident or trick, wrought in the body of an ancestral animal. See Notes 3, 5? iB, 35, 40, 41, 43, 48, 62. Text references: Ch. III. i (Hewitt [a]). — cL IV. iv, v (Mooney , pp. 293, 304, 310-11, 320, 324; Bushnell [a], p. 32). — Ch. VII. ii (Kroeber [a], No. 10; Mason, No. 25; Powell, pp. 47-51); hi (Teit [a]. No. 27). — Ch. VIIL i. — Ch. X. v (Curtin [a], Introd.; Merriam, Introd.). — Ch. XI. vi (Boas and Hunt , p. 28).
47. Manabozho and Chibiabos. — These two are the Algonquian equivalents of the Iroquoian Yoskeha and Tawiscara. Manabozho, the Great Hare, is one of the most interesting figures in Indian myth, and probably he owes his importance to a variety of traits: the hare’s prolific reproduction and his usefulness as a food animal were the foundation; his speed gave him a symbolic character; and per- haps his habit of changing his coat with the seasons enhanced his reputation as a magician. At all events, in one line of development he becomes the great demiurge, the benefactor of mankind, spirit of life, and intercessor with the Good Spirit; while in another direc- tion he is evolved into the vain, tricky, now stupid, now clever hero of animal tales, whose final incarnation, after his deeds have passed from Indian into negro lore, appears in the “Brer Rabbit” stories of Joel Chandler Harris. In Indian myth the relation between the demiurgic Great Hare and the tricky Master Rabbit varies with tribe and time. The tendency is to anthropomorphize the Great Hare or to assimilate his deeds to an anthropomorphic deity. This has gone farthest with the Iroquois, by whom indeed the conception of a rabbit demiurge may never have been seriously entertained. The Iroquoian Cherokee have many Rabbit stories, but they are folk- tales rather than myths. Among the Abnaki there seems to be a clear separation between Glooscap, the demiurge, and the Rabbit (cf. Rand, Leland) ; Glooscap is, however, an obvious doublet of the Hare, having all his tricky and magic character. It is interesting to note that among the Ute, of the western Plateau, where, as in the far North, the rabbit is a valuable food animal, the Rabbit again becomes an important mythic being, though still subordinate to the
298 NORTH AMERICAN MYTHOLOGY
Coyote, which effaces him everywhere in the West. Apparently the Coyote or some other Wolf was the original companion or brother'’ of the Hare; for in practically every version in which two animals are present as the Hero Brothers, one is a carnivore. In the east it is often the lynx, which, like the wolf, preys upon the rabbit. Sometimes birds replace quadrupeds, as in the Omaha myth of “Haxige” (J. 0 . Dorsey [a]), where the duck and buzzard appear; but the relation of prey and carnivore is constant. It is at least note- worthy that the food animal should be the eminent hero in Forest Region myth, while the beast of prey takes this rdle on the Plains and westward. The Algonquian names and epithets for the Great Hare are many; Messou, Manabush, Minabozho, and Nanaboojoo are mentioned in the text (cf. Note i). Chibiabos (also Chipiapoos), the companion of Manabozho, almost invariably occurs in the form of a carnivore, as the marten, lynx, or wolf. In the interesting Pota- watomi version given by De Smet (pp. 1080-84) two mythic cycles seem to be mingled: Chakekenapok, with whom Nanaboojoo fights, is clearly Flint, the wicked twin of the Iroquoian tale; Chipiapoos, the friendly brother, is Algonquian, and the same being who be- comes lord of the ghost-world after being dragged down by the water monsters; Wabasso is clearly another name for the Great Hare, and from the nature of the reference it is plausible to suppose that the Arctic hare is meant — i. e. Nanaboojoo-Wabasso and Chiplapoos- Cliakekenapok are in reality only two persons. See Notes 15, 44, 45, 49. Text reference: Ch. III. ii (Rand, No. lx; HoFr'MAN , pp. 87, 1 13-14; [a], p. 166; for general references, see Note 15).
48. Hero-Transformer-Trickster. — A being who is at once a demiurge, a magical transformer, and a trickster both clever and gullible is the great personage of North American mythology. In some tribes the heroic character, in some the trickster nature pre- dominates; others recognize a clear distinction between the myths, in which creative acts are ascribed to this being, and the folk-tales or fictions, in which his generally discreditable adventures are narrated. Of the mythic acts the most important ascribed to him are: (i) the setting in order of the shapeless first world, and the conquest of its monstrous beings, who are usually transformed; (2) the prime rdle in the theft of fire, the sun, or daylight; (3) the restoration of the world after the flood; and (4), the creation of mankind and the insti- tution of the arts of life. Where these deeds are performed by some other being, only the trickster character remains in a group of fairly constant adventures, nearly all of which have close analogues in European folk-tales. The important hero-tricksters are: (i) the Great Hare, or Master Rabbit, of the eastern part of the continent; (2) Coyote, the chief hero of Plains folk-tales and in the far West
NOTES
299
the great demiurge; (3) the Raven, which plays the parts of both demiurge and trickster on the North-West Coast; and (4) “Old Man/’ who is chiefly important in the general latitude of the Oregon trail, from Siouan to Salish territory. In some instances (as in cer- tain Salish groups) there are a number of hero-trickster characters, Coyote, Raven, Old Man, and the Hero Brothers all being present; such cases seem to be the consequence of indiscriminate borrowing. See Notes 40, 44, 45, 47, 63, 69. Text references: Ch. III. ii. — Ch. IV. vi (Mooney , pp. 233, 273, quoted). — Ch. VI. vi. — Ch. VII. iii (for references see Note ii); v (Teit [c], p. 621). — Ch. VIII. i, ii, V, vi (Goddard [a], Nos. 15, 16, 23, 33, etc.). — Ch. X. iii, vi (Goddard . No. 2; Dixon . No. 10). — Ch. XL vi (Boas [g], esp. xvii~xxv; Swanton [a], pp. 27-28; , p. 293; [c], pp. 110-50; [d], pp. 80-88).
49. The Deluge. — The conception of an abyss of waters from which the earth emerges, either as a new creation or as a restoration, is found in every part of the American continent. Not infrequently both the evocation of the world from primeval waters and its subse- quent destruction by flood occur in the same myth or cycle, and in many instances what passes for a creation-story is clearly nothing more or less than the post-diluvian renewal of the earth. The same episode of the diving animals is found in connexion, now with the creation, now with the deluge, so that it is difficult to say to which myth it originally belonged. On the whole, it is best developed and most characteristic in the East and North, where its cosmogonic features are also most clearly evolved. The other most familiar deluge motive, the upwelling of a flood because of the wrath of underworld water monsters, is characteristic in the South-West, though it also occurs in the Manabozho stories, generally in conjunction with the diving incident. Physiographic conditions no doubt affect the cir- cumsta;nces of the myth. Thus in the arid South-West the idea of primeval waters is generally absent; the flood is an outpouring of underworld waters, which we may presume is associated with the sudden floodings of the canyons after heavy rains in the mountains; it is curious to find the incidents of the South-Western myth repeated in the North-West (cf. Boas [g], xxiv. i ; Swanton [d], p. no), although this is not the customary form in that region. Again, in California the notion of a refuge on a mountain-peak is common, and here, too, we find the cataclysm of fire in conjunction with that of water, indicating volcanic forces. Most, if not all, of the incidents of the Noachian deluge are duplicated in one or other of the American deluge-myths — the raft containing the hero and surviving animals, the sending out of a succession of animals to discover soil or vege- tation, the landing on a mountain, even the subsequent building of
300
NORTH AMERICAN MYTHOLOGY
a ladder to heaven, the confusion of tongues, and the dispersal of mankind. There is no reasonable question but that these incidents are aboriginal and pre-Columbian, although in some instances later coloured by knowledge of the Bible talc; and it is hardly a matter of wonder that the first missionaries were convinced that Indian mythology is only a perverted reminiscence of the events narrated in the Scriptures. See Notes 9, 15, 48, 50, 51. Text references: Ch. III. iii iJRv. 155-57; ji. 157-S9; Hoffman , pp. 87-88, 13 1 ff.; Perrot, Memoire, ch. I, English translation in Blair, i.). — Ch. IV. iv (Bushnell ). — Ch. VI. i, ii; — Ch, VII. iii. — Ch. VIII. ii, V, vi. — Ch. IX. vi, vii. — Ch. X. iii (Kroeber [c]; [d], pp. 342-46; Powers, p. 383); iv (Powers, pp. 144, 161, 227, 383; Kroeber [c], pp. 177, 178, 184, 189; Nos. I, 7, II, IS, 25, 37; Merriam, pp. 75, 81, 139; Dixon [c]. Nos. i, 2 ; [d]. Nos. i, 2; Curtin [a]). — Ch. XI. vi (Boas [g], xxiv. i).
50. The Serpent. — Snakes seem naturally associated with under- world-powers, and are so in many instances, notably the snake rites of the Hopi (Ch. IX. v); but the great mythic serpent of Indian lore is quite as much a sky- as a water-being — probably he is mainly the personified rainbow and lightning and therefore associated with both sky and water. Commonly he is represented as plumed or horned; frequently he carries a crystal in his head; in the North-West the Sisiutl has a serpent head at each end and a human face in the middle. Flying snakes occur in Navaho myth as a genre; the Shoshoni regard the rainbow as a great sky-serpent, and the rainbows on the waters of Niagara may be the suggestion which makes this cataract the home of a great reptile. The Sia (M. C. Stevenson , p. 69) have a series of cosmic serpents — one for each of the quarters, one for heaven, and one for earth; the heaven-serpent has a crystal body, and it is so brilliant that the eyes cannot rest upon it; the earth-serpent has a mottled body, and is to be identified with the spotted monster which rules the waters beneath the world and, in South-Western myth generally, causes the flood that drives the First People to the upper world. The most frequent identification of the serpent, however, is with lightning. It is partly as connected with the lightning, partly as associated with the underworld-powers, that the snake becomes an emblem of fertility, especially in the South-West, There may be some connexion with the same idea in the frequent myth of the in- tercourse of a woman with a serpent. In many hero-stories the rep- tile appears as an antagonist of the Sun or the Moon or of the Hero demiurge. Sometimes he is the husband of Night, and an obvious impersonation of evil. On the Pacific Coast the horned serpent is a magic rather than a cosmic being, though the latter character is by no means absent. Very frequently medicine-powers are ascribed to
NOTES
301
snakes, and there are numerous myths of potencies so acquired by visits to the snake-people. In the incident of the hero swallowed by the monster, this being is in many cases a serpent, as in the Iroquois version. E. G. Squier {American Review^ new series, ii, 1848, pp. 392-~98) gives a type of the Manabozho story with the following incidents: (i) the seizing of the “cousin” of Manabozho, as he was crossing the ice, by Meshekenabek, the Great Serpent; (2) Mana- bozho’s transformation of himself into a tree and his shooting of the Serpent; (3) the flood caused by the water serpents, and the flight of men and animals to a high mountain, whence a raft is launched containing the hero and many animals; (4) the diving incident; and (S) Manabozho’s remaking of the earth. See Notes 2, 9, 41, 49. Text references: Ch. III. iv (Hoffman , pp. 88-89, 125 ff.; Rand, Nos, I, xxxiii; Mooney , pp. 320-21). — Ch. IV. vi. — Ch. VL i (Morice, Transactions of the Canadian Institute^ v. 4-10); iv (Powell, p. 26). — Ch. VII. iv. — Ch. IX. hi (M. C. Stevenson [c], pp. 94 if., 179; Fewkes [f], p. 691); V (jo BBE^ “Snake Dance”; Fewkes , [c]; Dorsey and Voth, especially pp. 255-61; 349-53; Voth, Nos. 6, 7 > 27, 37). — Ch. XL ii (Boas [f], p. 371; [g], vi. 5, 5a; viii. 3, 4; xvii. 2; [j], pp. 28, 44, 66).
51. The Theft of-Fire. — The Promethean myth is one of the most universal in America. Sometimes it is the sun that is stolen, sometimes the daylight; but in the great majority of cases it is fire. The legend frequently has a utilitarian turn, describing the kinds of wood in which the fire is deposited. Usually the flame is in the keeping of beings who are obviously celestial, but there are some curious variations, as in the North-West versions which derive fire from the ocean or from ghosts (cf. Boas [g], xvii. i). It is impossible to believe that the fire-theft stories refer to the actual introduction of fire as a cultural agency; more likely the ritualistic preservation and kindling of fire, with the distribution of the new fire by relays of torch-bearers — rites of which there are traces in both North and South America — constitute the basis of the myth in its com- monest form, that is, theft followed by distribution by relays of animals. See Notes 13, 40. Text references: Ch, III. v (Hoffman , pp. 126-27; Mooney [d], p. 678; De Smet, pp. 1047-53); vi (Hewitt [a], pp. 20i ff., 317 ff.). — Ch. IV. iv (Mooney , pp. 240-42). — Ch. VII. ii (W. D. Lyman, The Columbia River^ New York, 1909, pp. 22-24; cf. Eels, Annual Report of the Smithsonian Institution^ 1887, part i); iv (Kroeber [a], No. i; Lowie , No. 3; Packard, No. i; Teit [a], Nos. 12, 13; [c]. No. ii). — Ch. X. iv, vi (Curtin [a], p. 365; , p. 51; Merriam, pp. 33, 35, 43-53, 89, 139; Goddard , No. 12; [c], Nos. 3, 4, 5; Frachtenberg [a], No. 4; Dixon , No. 3; [c], No. 5; [d], No. 8; Kroeber [c], Nos.
215
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NOTES 289 references: Ch. IL vi (Mooney , pp. 345-47). — Ch. III. vi. — Ch. IV. V (Mooney , p. 324). — Ch. VII. ii (J. H. Williams, The Mountain that Was God^ Tacoma, 1910).
34. Mother Earth. — The personification of the Earth, as the mother of life and the giver of food, is a feature of the universal mythology of mankind. It prevails everywhere in North America, except among the Eskimo, where the conception is replaced by that of the under-sea woman, Food Dish, and on the North-West Coast, where sea deities again are the important food-givers, and the under- world woman is no more than a subterranean Titaness. In many localities the myth of the marriage of the Sky or Sun with the Earth is clearly expressed, as is to be expected of the most natural of all allegories. The notion that the dead are buried to be born again from the womb of Earth is found in America as in the Old World (cf. A. Dieterich, Mutter Erde^ Berlin, 1905); and there is more than one trace of the belief in an orifice by which the dead descend into the body of Earth and from which souls ascend to be reborn. De Smet (p. 1378) mentions a cavern in the Yellowstone region which the Indians named “the place of coming-out and going-in of under- ground spirits,” and the South-Western notion of the Sipapu is an instance in point; other examples appear in the mythologies of the Creek, Kiowa, and Mandan. In the South-West, where large ground- nesting spiders abound, the Spider Woman seems to be a mythic incarnation of the earth; though elsewhere, very generally, this in- sect is associated with aerial ascents to and descents from the sky, by means of web-hung baskets, and Spider itself is often masculine. In the Forest and Plains regions the conception of the life of the earth as due to a Titaness, fallen from heaven, is the common one; and the magic Grandmother who appears in so many hero-myths is certainly in some cases a personification of the earth. See Notes 7, ii, 18, 28, 35, 43, 70. Text references: Ch. II. vii (Hewitt [a], p. 138). — Ch. V. vii (Fletcher, pp. 31, 190, 721, et passim; Fletcher and La Flesche, pp. 376 ff.; cf. Fletcher, “A Study of Omaha Indian Music,” m Archceological and Ethnological Papers] Peabody Museum, 1893, i; H. B. Alexander, The Mystery of Life, Chicago, 1913). — Ch. VI. ii (J. 0 . Dorsey [d], p. 513). — Ch. VIIL v, vi. — Ch. IX. iii, vii (M. C. Stevenson , p. 22; Cushing , p. 379; Fewkes
p. 688).
35. Corn Spirits. — Spirits of the maize and other cultivated plants are prominent figures in the mythologies of all the agricultural peoples. Ordinarily they are feminine, the Algonquian Mondamin being an exception. Corn, Squash, and Bean form a maiden triad in Iroquois lore, and in the South-West there is a whole group of maiden Corn Spirits. Hopi girls of marriageable age wear their hair in two
2go
NORTH AMERICAN MYTHOLOGY
whorls at the sides of the head, imitating the squash blossom, which is with them the symbol of fertility. As a rule Corn Spirits are far more vital in ritual than in myth. Ears of maize are important as sacra or fetishes in numerous rites, especially in the South-West and among the Pawnee, who show many South-Western affinities; ears and grains of different colours are conspicuous in the symbolism of the world-quarters; blades and stalks are often employed in adorning altars; and corn meal [maize flour] is in constant use in South-West- ern ceremonial. A similarly ritualistic use is made of other plants. In the South-West the creation of men from ears of maize is a fre- quent incident. See Notes 7, 24, 31, 34, 39. Text references: Ch. II. vii (Converse, pp. 63-66; Smith, p. 52). — Ch. III. i (JR x. 139), viii. — Ch. IV. iv (Mooney , pp. 242-49). — Ch. V. vii
(Fletcher). — Ch. VI. hi (G. A. Dorsey [h]. Nos. 3-7; cf. [e],
No. 4), vii. — Ch. VIII. i, ii. — Ch. IX. hi, v, vi (Fewkes , pp.
299-308; [e], pp. 22, 58, 118; [f], p. 696; M. C. Stevenson [cj, pp.
29-32, 48-57; Cushing , pp. 391-98, 430-47).
36. Fairies. — The fairy folk of Indian myth are generally dimin- utive and mischievous. A romantic version of the myth of the mar- riage of a human hero with a sky-girl is given by Abbe Em. Domenech (Seven Years’ Residence in the Great Deserts of North America^ Lon- don, i860, i. 303 ff.), which he calls the Legend of the Magic Circle of the Prairies.’’ There are on the prairies, he says, circles denuded of vegetation which some attribute to buffaloes, while others regard them as traces of ancient cabins. The myth tells of a hunter who saw a basket containing singing maidens descend from the sky to such a circle, where the girls danced and played with a brilliant ball. He succeeded in capturing one of the girls, who became his wife; home-sick for the sky-world, she, with their baby, reascended to the heaven during the hunter’s absence; but her star-father commanded her to return to earth and bring to the sky her husband, with tro- phies of every kind of game. All the sky-people chose, each for himself, a trophy; and they were then metamorphosed into the cor- responding animals, the hunter, his wife, and son becoming falcons. The dancing and singing sky-girls, on the magic circle, certainly sug- gest the fairy dances and fairy rings of European folk-lore. Text references: Ch. II. vii (Copway; Converse, pp. 101-07; Smith, pp. 65-67; Mooney , Nos. 74, 78), — Ch. IV. vi (Mooney , pp.
330-35)-
37. Great Heads, Cannibal Heads, Pursuing Rocks, etc. —
Myths of heads that pursue in order to devour or destroy are found in every part of America. In some instances they have obvious significations, but it is not difficult to surmise that the idea is older than the meanings. Possibly it is connected with the custom of de-
NOTES
291
capitation which prevailed in America everywhere before scalping largely displaced it; possibly the tumble-weed of the Plains, in the autumn borne along by the wind like a huge ball, may have some- thing to do with the idea; possibly it was suggested by the analogy of sun and moon, conceived as travelling heads or masks, or by the tor- nado — (the Iroquois have Great Head” stories in which the heads are apparently wind-beings). In many examples there is a cosmo- gonic suggestion in the myths. In Iroquois cosmogony the severed body and head of Ataentsic are transformed into the sun and moon, and there is a Chaui (Pawnee) tale of a rolling head that is split by a hawk and becomes the sun and moon (G. A. Dorsey [g]. No. 5). The cosmogonic character of the legend appears also in the Carrier version (Ch. VI. i), though this same tradition as told by the Skidi Pawnee (G. A. Dorsey [e]. No. 32) shows no cosmogony. Arapaho stories (Dorsey and Kroeber, Nos. 32-34) are instances in which a travelling rock is substituted for a head; in one instance (ib., No. 5) the pursuer is a wart, and it is interesting to note that Flint” bears the epithet “Warty” in Seneca cosmogony (Hewitt [a]). Pur- suing heads and rocks appear in the far West as well as in the East (examples are McDermott, No. 8, Flathead; Kroeber [a]. No. 2, and Mason, Nos. 10, ii, Ute; Matthews [a], sect. 350, Navaho; Goddard [a]. No. 10, Apache). Usually they are bogies or monsters — folk-lore beings rather than mythic persons. A curious story found among the Iroquois (Canfield, p. 125, variants of which are very common in the North-West, e. g.. Boas [j], p. 30; [g], viii. 18; xvii. 8, 9; XX. 8; xxi. tells of a cannibal head which is transformed into mosquitoes after it has been killed and burnt. One of the most in- teresting versions is a Californian story preserved by Dixon ([c], No. 14; cf. Curtin [a], “Hitchinna,” , “Ilyuyu”), which tells of a man who dreams that he eats himself up; afterward he goes to gather pine-nuts, and his son throws one down and wounds him; he licks the blood, likes its taste, and eats all of himself but the head, which bounces about in pursuit of people until it finally leaps into the river. In connexion with head stories it is worth noting that a number of myths relate to a tribal palladium or “medicine” consist- ing of a skull (e. g. G. A. Dorsey [e]. Nos. i, 12). See Notes 2, 19, 27, 38. Text references: Ch. II. vii (Smith, pp. 59-62). — Ch. VI. i (Morice ; Lofthouse, pp. 48-51; Lowie [a], No. 22). — Ch. XL iv.
38. Stone Giants. — Apparently these beings are personifica- tions of implements of stone, especially flint, and they find their best mythic representative in “Flint” of Iroquoian cosmogony. In the far West birds with flint feathers or heroes armoured with flint knives appear. The Chenoo with the icy heart is a familiar concep-
292
NORTH AMERICAN MYTHOLOGY
tion in eastern Canada and New England, and may refer to rocky recesses in which cores of ice are preserved through the summer. Like other giants, the Stone Giants arc usually cannibals. See Notes» 2, 19, 37, 46. Text references: Ch. IL vii (Smith, pp. 62-64; Mooney , Nos. 8, 67, p. 501; Leland, pp. 233-51; Rand, Converse, etc.). — Ch. III. i, ii. — Ch. IV. vi (Bushnell [a]; Mooney fb]). — Ch. VII. ii (Powell, pp. 47-51; Lowie , p. 262). — Ch. IX. iii.
— Ch. X. V (Merriam, pp. 75-82).
39. The Seasons. — The seasons that appear in North American myth are almost invariably two, the hot and the cold, summer and winter. Other divisions of the year occur, especially among agricul- tural tribes (see 30 BBE, “Calendar”)? governing ritual, but even here the fundamental partition of the year is twofold. What may be called the supernatural division of the year into seasons, in one of which the ancestral gods are present and in the other absent, with a corresponding classification of rites, is found both in the South-West and on the Pacific Coast, and it is in these two regions, likewise, that we meet the interesting suggestion of antipodes — i. e. of underworld seasons alternating with those of the world above. Everywhere the open season — spring to autumn — is the period in which the great invocations of the powers of nature take place in such ceremonies as the Busk (Ch. IV. iii), the Sun-Dance (Ch. V. vi), the liako (Ch. V. vii), and the Snake-Dance (Ch. IX. v); while rites in honour of the dead or of ancestral and totemic spirits occur (like their classical analogues) in autumn and winter. Text references: Ch. IL viii (Con- verse, pp. 96-100; Rand, Nos. xl, xlvi; Schoolcraft , part iii, p, 324 — obviously the original of the form used by Longfellow, Hiawatha^ canto ii; JR vi. 161-63). — Ch. IV. iii (Gatschet [a], pp. 179-80; Speck, JAFL xx. 54-56; MacCauley, pp. 522-23; 20 BBE “Busk”); vi (Mooney , p. 322). — Ch. V. ii, vi (jo BBE , “Sun Dance”; J. 0 . Dorsey [d], pp. 449-67; Mooney [c], pp. 242-44; McClintock, chh. xi-xxiii; G. A. Dorsey [a], ). — Ch. VI. i (Lofthouse). — Ch. VII. iii (Teit [a], No. 10; , p. 337)-
— Ch. VIII. iv. — Ch. IX. iv (M. C. Stevenson [c], pp. 108 ff.; Fewkes [a], pp. 255 ff.; [e], pp, 18 ff.; [f], p. 692). — Ch. X. iv (Curtin [a], “Olelbis”). — Ch. XI. iii (Boas [f], pp. 383 ff., 632 ff.).
40. Animal Elders. — One of the most distinctive of American mythic ideas is the conception that every species of animal is repre- sented by an Elder Being who is at once the ancestor and protector of its kind. These Elders of the Kinds appear in various rdles. Where a food animal is concerned — deer, buffalo, rabbit, seal, etc. ' — the function of the Elder seems to be to continue the supply of game; he is not offended by the slaughter of his wards provided the tabus are properly observed. Some tribes believe that the bones of deer are
NOTES
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reborn as deer, and so must be preserved, or that the bones of fish returned to the sea will become fish again. Many myths tell of pun- ishment wreaked upon the hunter who continues to slay after his food necessities are satisfied. The Elders of beasts and birds of prey are the usual totems or tutelaries of hunters and warriors; the Elders of snakes, owls, and other uncanny creatures are supposed to give medicine-powers. Divination by animal remains and the use of charms and talismans made of animal parts are universal. Magic animals that have the power of appearing as men and men who can assume animal forms occur along with stories of the swan-shift type, in which the beast- or bird-disguise is stolen or laid aside and human form is retained. Frequently animals assume symbolic rdles. Thus the porcupine is an almost universal symbol for the sun, and the mink and red-headed woodpecker appear in a like relation; the bear is frequently an underground genius, and is conceived as a powerful being in the spirit-world; the birds are regarded as intermediaries between man and the powers above; the turkey, in the South and the South-West, is a mythic emblem of fertility, and an interesting episode in the Hako ritual tells how the turkey was replaced by the eagle as the symbolic leader of the rite, on the ground that the fer- tility of the turkey was offset by its lack of foresight in the protec- tion of its nests (Fletcher, pp. 172-74); the whole Hako Ceremony is dominated by bird-symbolism. Animal-beings are rarely to be re- garded as deities in any strict sense. Rather they are powerful genii and intermediaries between men and gods. In the cosmogonic cycles three animals, the hare, the coyote, and the raven, appear as creative agents, but they are beings that belong to the domain of myth rather than to that of religion. Two incidents in which animals conspicu- ously figure are found the length and breadth of the continent: (i) the diving of the animals after soil from which the earth may be magi- cally created or renewed — most frequently encountered east of the Rocky Mountains, — and (2) the theft of fire — or of the sun or of daylight — by relays of animals who bear afar the brand snatched or stolen from the fire-keepers. The myth of the origin of the animals (Note 41) is almost as ubiquitous. See Notes 3, 4, 5, 9, 13, 18, 46, 47, 48, 50, 52. Text references: Ch. 11 . viii {JR vi. 159-61; ix. 123-25; xxxix. 15). — Ch. III. i. — Ch. IV. iv, vi (Mooney ). — Ch. V. vii (Fletcher). — Ch. VI. vi (the legend of the Nahurak as here recorded follows a version given by White Eagle — Letekots Taka — a Skidi chief, to Dr. Melvin R. Gilmore, recently of the Nebraska State Historical Society; see also Grinnell [c], pp. 161-70; G. A. Dorsey [g], Nos. 84, 85); vii (Mallery, 10 JRBE, ch. x). — Ch. VIL iii. — Ck IX. iii, V. — Ch. X. V (Curtin [a], Introd.; Merriam, Introd.). — Ch. XL iv.
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41. Origin of Animals. — A North American myth found prac- tically throughout the continent tells of the release of the animals from a cave, or chest, or the inside of a cosmic monster, whence they distributed themselves over the earth. This event is sometimes placed in the First Age, as an episode of a creation-story, sometimes it follows the cataclysmic flood or conflagration which ends the pri- meval period. The people of the First Age are very generally repre- sented as human in form but animal in reality, and a frequent story tells of the transformation of the First People Into the animals they really are, as soon as genuine human beings appear. The converse of this recounts how the original animal-beings laid aside their animal masks and became human beings and the ancestors of men at the beginning of the human era. Often both the transformation and the liberation stories appear; in such instances the liberated animals are usually of the food or game varieties. A vast body of traditions and incidents account for the origin of animal traits; and it is these legends which represent what is perhaps the most primitive stratum of Indian mythology. See Notes 36, 40. Text references: Ch. II. viii (JR X. 137; Hewitt [a], pp. 194-97; 232-41; 302-09). — Ch. III. ,i. — Ch, IV. iv (Mooney , pp. 242-49); v (Mooney , pp. 261- 311; p. 293, quoted; Bushnell [a], pp. 533 ^ 34 ; M, P- — Ch. VII. iv (McDermott, No. 2; W. D. Lyman, The Columbia River y New York, 1909, pp. 19-21). — Ch. IX. vi. — Ch. X. iv. — Ch. XI. vi.
42. Heaven Tree. — The conception of a great tree in the upper world magically connected with the life of nature occurs in more than one instance. In the Mohawk cosmogony (Hewitt [a], p. 282) it is said to be adorned with blossoms that give light to the people in the sky-world, while in the Olelbis myth (Curtin [a], “Olelbis’’) the celestial sudatory is built of oak-trees bound together with flowers. The Tlingit regard the Milky Way as the trunk of a celestial tree. In many stories on the Jack-and-the-Beanstalk theme, the hero or heroine ascends to the sky on a rapidly growing tree, sometimes be- lieved to be a replica of a similar tree in the world above. In South- Western genesis-stories the emergence from the underworld is by means of magically growing trees, reeds, sunflowers, and the like. Ascents to and descents from the sky occur with a variety of other methods: the tradition of an upshooting mountain or rock, common in California, is clearly related to the tree conception; the rainbow bridge is a frequent idea, and is sometimes, like the Milky Way, regarded as the Pathway of Souls; in the South-West lightning is conceived as forming a bridge or ladder; and a similar idea in con- nexion with the fall of Ataentsic is the Fire-Dragon episode; descents and ascents by means of a basket swung from spider-spun filaments
NOTES
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are common In Plains mythology, while magic shells, boats, and bas- kets, raised to the sky by song or spell, occur east and west; on the West Coast the arrow chain is frequent. The cult use of poles, orig- inating from magically endowed trees, is associated with some of the most picturesque myths and important rites. See Notes 13, 14, 6i. Text references: Ch. III. i, vi {JR xii. 31-37; Schoolcraft , part iii, p. 320; Hoffman , p. 181). — Ch. IV. iv (Gatschet [a]). — Ch. VI. iv (see Note 13, for references). — Ch. VII. Iii. — Ch. VIII. ii. — Ch. IX. vi. — Ch. X. iii (Curtin [a], ‘'Olelbis’’); vi (Powers, p. 366).
43. Ataentsic. — Spelled also, JR viii. 117, Eataentsic. Hewitt (^‘Cosmogonic Gods of the Iroquois,” in Proceedings of the American Association for the Advancement of Science, 1895) gives Eyatahentsik, and regards her as goddess of night and earth- She is also named Awenhai (“Mature Flowers”). Cf. 30 BBE, “Teharonhiawagon,” and Lang, Myth, Ritual and Religion, 3d ed., London, 1901. See Note 34. Text reference: Ch. III. i.
44. Hero Brothers. — A common feature of American cosmo- gonic myths is the association of two kinsmen, usually described as brotkers or sometimes as twins. In Iroquoian legend one of the brothers is good, the other evil, and the evil brother is banished to
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quoted in the text, from JR xxxiii. 225, the similar statement in xxxix. 13: ‘^And certainly they have not only the perception of a divinity, but also a name which in their dangers they invoke, without knowing its true significance, — recommending themselves Ignoto Deo with these words, Airsekui Sutanditenr^ the last of which may be translated by miserere nobis.^^ Morgan, Appendix B, sect. 62, says: ^‘Areskoui, the God of War, is more evidently a Sun God. Most of the worship now given to the Great Spirit belongs histori- cally to Areskoui.” This seems to concede the case; Areskoui is, like Atahocan, a name for the Great Spirit, addressed in times of peril by an epithet, the Saviour.” Cf. Note 6. Text reference: Ch. II. ii.
26. Oki. — The Huron Oki is regarded by Brinton ([a], p. 64) as of Algonquian origin. A Powhatan Oke, Okeus, is mentioned by Captain John Smith, and a few other traces of it are found in Algon- quian sources. Lafitau, i. 126, calls “Okki” a Huron god, and so it appears in the early Relations {JR v. 257; viii, 109-10; x. 49, 195), though Nipinoukhe and Pipounoukhe {JR v. 173) are Montagnais. It is not certain whether oki is a term belonging to the same class as manito^ or whether it is the proper name of a supreme being, as Lang regarded it {Myth^ Ritual and Religion^ 3d ed., London, 1901, Introd.). Text reference: Ch. II. hi.
27. Stones. — Stones are of great importance in both Indian ritual and myth; they are regarded as magically endowed, and a not infre- quent notion is that if potent stones be broken they will bleed like flesh. Their principal ceremonial uses are four in number, (i) The
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sweat-bath — a universal North American institution, used for healing and purification, and regarded as capable of effecting magical trans- formations — consists of a small hut, large enough for the body of the patient, which is filled with steam by means of water thrown upon heated stones. (2) Stone fetishes, particularly nodules crudely representing animals, which are sometimes partly shaped by hand, form one of the commonest types of personal “medicine” (cf. espe- cially Cushing [a]). (3) Stones of a special kind are frequently used symbolically. This is particularly true in the South-West, where crystal, turquoise, and black stones are symbols of light, the blue sky, and night. The magic properties of white stones and crystals appear in myths from many quarters: it is with crystal that the Eskimo youth slays the Tunek (see p. 3); a crystal is in the head of the Horned Serpent (cf. Note 50); a suggestion of crystal-gazing is in the Comox myth recorded by Boas ([g], viii. 10), where the serpent gives a transparent stone to a man who thereupon falls as if dead, while the stone leads his soul through all lands. (4) Rocks in situ are venerated for various reasons, as seats of power or as nat- ural altars. Mythic themes in which stones are important include: (i) stories of the placing of fire in flint and quartz; (2) stories of “Flint” and the Stone Giants; (3) “Travelling Rock” stories; (4) stories of red-hot rocks hurled by giants — apparently volcanic myths; (5) stories of magic crystals and jewels; ( 6 ) cosmogonies with a stone as the earth kernel; and (7) stories of living beings changed into rocks, though sometimes only a part of the body is so trans- formed. See Notes 31, 32, 37, 38, 62. Text references: Ch. IL iii, vii. — Ch. V. be (Fletcher and La Flesche, pp. S7a-'7i). — Ch.
VI. ii (Fletcher and La Flesche, pp. 565-71: the name of the Omaha “Pebble Society,” Inkugthi athin, means literally, “they who have the translucent pebble”); iii (G. A. Dorsey [e], No. i). — Ch.
VII. iii. ~ Ch. VIII. i, ii, iii. — Ch. IX. iii.
28. Kitshi Manito. — This term is apparently the original after which the English “Great Spirit” is formed, and Hoffman [a] renders “Kitshi Manido” as “Great Spirit.” This is a Chippewa form; the Menominee “Kisha Manido” and “Masha Manido” he trans- lates “Great Mystery” or “Great Unknown.” S 3 BBE^ p. 143, note, states: “The word manido is defined by Baraga as ‘^spirit, ghost.’ The following explanation of the word . . . was given by Rev. J. A. Gilfillan: Kijie Manido^ literally, ^he who has his origin from no one but himself, the Uncreated God.’” De Smet, passim^ employs “Great Spirit.” The case for a spirit supreme over the evil forces of nature is not so clear as that for the beneficent Great Spirit, although there is some early evidence of Algonquian provenience that points strongly in this direction. Thus Le Jeune in the early
NOTES
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Relation of 1634 writes: ^‘Besides these foundations of things good, they recognize a Manitou, whom we may call the devil. They re- gard him as the origin of evil; it is true that they do not attribute great malice to the Manitou, but to his wife, who is a real she-deviL The husband does not hate men’’ {JR vi. 175 )- The wife of Mani- tou, we are informed, is “the cause of all the diseases which are in the world” (cf. p. 189); and it is possible that she is the Titaness who was cast down from heaven, as the eastern cosmogonies tell, and from whose body both beneficent and maleficent forces arise. Mother Earth is, on the whole, beneficent, although Indian thought fluctuatingly attributes to her the fostering of noxious underworld powers. Bacqueville de la Potherie, Histoire de VAmerique septen-- trionale, Paris, 1753? i* ff-? says of the northern Algonquians, with whom he was associated, that they recognized a Good Spirit, Qui-- •chemanitoUy and an evil, Matchimanitou^ but the latter is clearly the name for a “medicine spirit,” magical rather than evil. The same statement is probably true with regard to the Abnaki Matsi Niouask which Abbe Maurault contrasts with the good Ketsi Niouask {His-- ioire des Abenakis^ Quebec, 1866, pp. 18--19); and we may suppose it to have been the original force of the Potawatomi distinction be- tween Kchemnito, “goodness itself,” and Mchemnito, “wickedness personified,” recorded by De Smet, p. 1079. The devil is less a moral being than a physiological condition, at least in his aboriginal status (cf. the Hadui episode In Iroquoian cosmogony, Hewitt [a], pp. 197- 201, 232--36, 333~3S)* Mitche Manito is described in the Hiawatha myth as a serpent, — a universal symbol. The Menominee have a name “Matshehawaituk” (Hoffman , p. 225) for a similar being. See Notes 3, 6. Text reference: Ch. II. iv.
29. Human Sacrifice. — Human sacrifice, in one form or another, appears in every part of aboriginal America. It is necessary to dis- tinguish, however, sporadic propitiations from customary and ritual- istic offering of human life. The latter, north of Mexico, is rare, (l) The sacrifice of captives taken in war, frequently with burning and other tortures, was partly in the nature of an act of vengeance and a trial of fortitude, partly a propitiation of the Manes of the dead; captives made by a war-party were much more likely to be spared if it had suffered no casualties. The tearing out and eating of the heart of a slain enemy or sacrificed captive was not unusual, the idea being that the eater thus receives the courage of the slain man (cf. JR i. 268). The symbolism of the heart as the seat of life and strength occurs in numberless mythic forms and reaches its ex- treme consequences in the Mexican human sacrifices, the usual form of which consisted in opening the breast and drawing forth the heart of the victim. Possibly the mythic references to this form of offering.
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occurring in the South-West (cf. M. C. Stevenson , pp. 34, 39, 45, 47), point to a like custom, more or less remote. (2) The sacrifice of children, especially orphans, is not uncommon. A number of instances are mentioned in the Creek migration-legend (cf. Ch. IV. vii); in the cosmogonies of the Pueblo Indians there are references to the sacrifice of children to water monsters, a rite obviously related to the Nahuatlan offering of children to the tlaloque, or water-gods; the myth also appears among the Piman-Yuman tribes, and doubt- less refers to the same practice. De Smet mentions a Columbia River instance of a child offered to the Manes of one of its companions (De Smet, p. 559). (3) The sacrifice of slaves, especially in the rites of the Cannibal Society, prevailed until recently on the North-West Coast, and is mentioned in the myths of this region. (4) The most notable instance of ritualistic sacrifice is that of the Skidi Pawnee, who formerly offered a female captive to the Morning Star in an annual ceremony for the fertilization of the maize fields. — See Notes 9, 19, 21, 58. Text references: Ch. II. iv {JR xxxix. 219). — Ch. IV. iv, vii (Gatschet [a]). — Ch. V. i (De Smet, pp. 977- 88, gives an account of the sacrifice of a Sioux girl by the Skidi Pawnee). — Ch. VIII. ii, vi (DuBois, p. 184; Bourke , p. 188; Russell, pp. 215-17). — Ch. IX, iv, v, vi, vii (M. C. Stevenson , pp. 34, 45, 47, 67; [c], pp. 21, 30, 46, 61, 176; Cushing , p. 429).
30. The Calumet and Tobacco Rites. — The use of tobacco is of American origin. As smoked in pipes it is North American, cigars and cigarettes being the common forms in Latin portions of the continent. The Navaho, Pueblo, and other South-Western peoples generally employ cigarettes both for smoking and for ritualistic use, though the pipe is not unknown to them. The ritual of the ceremonial pipe, or calumet, is the most important of all North American religious forms, and is certainly ancient, elaborate pipes being among the most interesting objects recovered from prehistoric mounds. The rite is essentially a formal address to the world-powers; its use in councils and other formal meetings naturally made the pipe a symbol of peace, as the tomahawk was a token of war. Cf. Notes 63 31, 63. Text references: Ch. II. iv, v (cf. De Smet, pp. 394, 681, 1008-11, and Index). — Ch. V. iv (Fletcher and La Flesche, p. 599). — Ch. VI. vii. — Ch. VIII. i, v.
31. The World-Quarters and Colour-Symbolism. — No idea more constantly influences Indian rites than that of the fourfold division of the earth’s surface, in conjunction with the conception of a world above and a world below. The four quarters, together with the upper and the under worlds, form a sixfold partition of the cosmos, affording a kind of natural classification of the presiding
NOTES
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world-powers, to whom, accordingly, sacrifice is successively made and prayers addressed, as in the calumet ritual. The addition of colour-symbolism, each of the quarters having a colour of its own, forms the basis for a highly complex ritualism; for objects of all kinds — stones, shells, flowers, birds, animals, and maize of dif- ferent colours — are devoted to the quarter having a colour in some sense analogous. In the South-West the Navaho and Pueblo Indians employ a sixfold colour-symbolism, with a consequent elaboration of the related forms. There is, however, no uniformity in the dis- tribution of the colours to the several regions, the system varying from tribe to tribe, while in some cases two systems are employed by the same tribe (see jo BBE, “Color Symbolism,” with table). In addition to the Quarters, the Above; and the Below, the Here, or Middle Place, which typifies the centre of the cosmos, is of cere- monial and (especially in the South-West) of mythic importance. As in the Old World, the Middle Place is often termed the “Navel” of the earth. The most usual form of naming the directions is after the prevailing winds, and sometimes seven winds are mentioned for the seven cardinal points (cf. JR xxxiii. 227). Settled communities, however, employ names derived from physical characteristics (cf. Cushing , p. 356); in the South-West names of directions are appar- ently related in part to bodily orientation: thus, “East is always ^the before’ with the Zuni” (M. C. Stevenson , p. 63). It may be taken as certain that the division of the horizon by four points, naming the directions, is fundamentally based upon the fact that man is a four-square animal: “The earliest orientation in space, among Indo-Germanic peoples,” says Schrader (Indogermanische Al- tertumskunde^ Strassburg, 1901, p. 371), “arose from the fact that man turned his face to the rising sun and thereupon designated the East as ‘the before,’ the West as ‘the behind,’ the South as ‘the right,’ and the North as ‘ the left.’ ” Evidence from Semitic tongues indicates that a similar system prevailed among the early desert dwellers of Arabia. In America orientation to the rising sun is abundantly illus- trated in the sun rituals and shrines, and to some degree in burials. Colour-symbolism, too, points in the same direction, the white or red of dawn being the hue ordinarily assigned to the east. See Notes II, 13, 30, 66, 68. Text references: Ch. II. v (De Smet, p. 1083; Converse, p. 38). — Ch. III. ii. — Ch. IV. iv (Gatschet [a], p. 244; Bushnell [a], p. 30; , p. 526). — Ch. V. ix (J. O. Dorsey [d], pp. 523-33; McClintock, p, 266). — Ch. VI. vii. — Ch. VIII. i, ii, iii. — Ch. IX. ii (Fewkes [a], [e]; M. C. Stevenson , [c]; Cushing , pp. 369-70). — Ch. XI. iv.
32. Thunderers. — The well-nigh universal American conception of the thunder is that it is caused by a bird or brood of birds — the
288 NORTH AMERICAN MYTHOLOGY
Thunderbirds. Sometimes the Thunderbird is described as huge, carrying a lake of water on his back and flashing lightnings from his eyes; sometimes as small, like some ordinary bird in appear- ance — even the humming-bird occurring as an analogy. Very often the being is the ‘‘^medicine’’ or tutelary of one who has seen him in vision, and Thunderbird effigies are common among the Plains tribes. Almost the only tribal groups unacquainted with the con- cept are the Iroquois, in the East, whose Dew Eagle is related to the Thunderbird idea, and some of the tribes of the far West and the South-West, such as the Zuni, who regard the thunder as made by the gaming stones rolled by the celestial Rain-Makers and the light- ning as the arrows of celestial Archers. It is notable that a huge man-devouring bird appears in the mythologies of the South-West- ern peoples, from whose lore the Thunderbird is absent. See Notes 2, 27, 33, SO- Text references: Ch. II. vi (Converse, pp. 36-44; JR V. 223; X. 45, and note 3; Schoolcraft , part iii, p. 322). — Ch. V. ix (De Smet, pp. 936, 945; Fletcher and La Flesche, pp. 122-26). — Ch. VI. iii. The belief that stone axes, arrow-heads, and celts are “thunderstones’’ or lightning-bolts is world-wide (cf. C. Blinkenberg, The Thunderweapon in Religion and Folklore^ Cam- bridge, 1911). The cult of the lightning in almost its Roman form, i. e. the erection of bidentalia, was practised by the Peruvians (Gar- ciLASSO DE LA Vega, Royal Commentaries, book ii, ch. i); and a similar suggestion is found in the Struck-by-Lightning Fraternity of the Zuni (M. C. Stevenson [c]). The Omaha have a ^"'Thunder Society’’ (Fletcher and La Flesche, p. 133), whose talisman is a black stone — suggestive enough of the black baetyl brought to Rome, 205 B, c., as an image of Rhea-Cybele, or of the hoary sanctity of the Black Stone of Mecca. — Ch. VIL iii, iv (Lowie , p. 231; Powell, p. 26). — Ch. VIII. iv (Matthews [a], pp. 265-75; [c], pp. 143-45). — Ch. IX. i, iii (M. C. Stevenson [c], pp. 65, 177, 308, 413). — Ch. X. V (Frachtenberg [a], No. 2); vi (Dixon [c], No. 3; Kroeber [c], p. 186). — Ch. XL ii (Swanton [e], p. 454; Boas [j], p. 47; [g], passim),
33. Rip Van Winkle. — In a note to Rip Fan Winkle, Irving describes an Indian goddess of the Catskills who presides over the clouds, controls the winds and the rains, and is clearly a meteoro- logical genius. She may be a thunder spirit also, for the incident of the gnomes playing at ninepins, and so producing the thunder, has a parallel in the Zuni Rain-Makers, who cause the thunder by a similar celestial game with rolling stones. The incident of foreshortened time, years being passed in the illusion of a brief space, occurs in several stories of visits to the Thunder; but this is a common theme in tales of guestship with all kinds of supernatural beings. Text
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this is clearly the meaning of the Modoc myth of Kumush, the creator, who annihilated by fire the beautiful blue man, but could not destroy the golden disk which was his life, and so used it to transform himself into the empyrean (Curtin , pp. 39-45). Doublet suns and moons, in the worlds below and above our own, are fre- quently mentioned; often the sun is supposed to pass to the under- world after the day’s journey is completed, in order to return to his starting-point; possibly the notion of an underworld whose days and seasons interchange with ours (a Pacific-Coast notion) is due to the assumption that the sun alternates in the world above and the world below. Among the important sun-myths are: (a) the well-nigh uni- versal story of the hero or heroic brothers whose father is the sun or some celestial person closely akin to the sun (cf. Note 44); (b) the Phaethon myth, common in the North-West, in which the Mink is permitted to carry the sun-disk and, as a consequence, causes a con- flagration; (c) the related legend of the creation of the sun, which, until it is properly elevated, overheats the world; (d) traditions of the theft of the sun, which are variants of the Promethean tale of the theft of fire (cf. Note 51), Text references: Ch. 1 . v (Rink, No. 35; Rasmussen, pp. 173 - 74 ; Boas [a], pp. 597-98). — Ch. II. vi {JR vi. 223; Converse, pp. 48-51; Hoffman , p. 209). — Ch. III. i, vi (for the “Ball-Carrier” story, see Schoolcraft [a], part iii, p. 318; Hoffman , pp. 223-38). — Ch. IV, ii (Mooney [a], p. 340; , pp. 239-49, ^56; Lafitau, i. idy'-dS); iv. — Ch. V. vi (Fletcher, pp. 30, 134-40; for Sun-Dance references see Note 39). — Ch. VI. iii, iv (G. A. Dorsey [e], No. id; [h], Nos. 14, 15; [a], pp. 212-13; Dorsey and Kroeber, Nos. 134-38; Simms, FCM ii, No. 17; Mooney [c], pp. 238-39; Lowie [a], No. 18). — Ch. VII.
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iii (Teit [a], No. 8; Lowie , No. 8; Powell, p. 24); Iv (Powell, pp. 52-56). — Ch. VIIL ii, iii (James Stevenson, pp. 275-76); v (Russell, p. 251; Lumholtz [a], i. 295 ff., 311; , pp. 357 ff.). — Ch. IX. iii, iv, vi, vii. — Ch. X. vi (Goddard [c], Nos. 3, 4). — Ch. XL iv, V (Boas [j], pp. 28-36; [g], v. 2; viii. 2; xv. i; xviii, i; xx. i, la; xxii. I, 19; xxiii. i, 3, 4; Swanton [a], p. 14. For the Mink cycle: Boas [g], xvii. i; xviii. 7; xx. 2, 3; xxi. 2; xxii. i, 2; Boas and Hunt , pp. 80-163; Boas [j], p. 95).
14. Stars and Constellations. — No group of myths is more uniform on the North American continent than those relating to constellations; usually they are extremely simple. The Great Bear, Pleiades, and Orion’s Belt are the groups most frequently men- tioned; and the commonest tale is of a chase in which the pursued runs up into the sky, followed by eternally unsuccessful pursuers. This myth seems quite natural as a description of Ursa Major — the four feet of a fleeing quadruped (usually in America, too, a bear), and three pursuers. Equally obvious is the conception of Pleiades as a group of dancers, or of Corona Borealis as a council circle. Of the stars, Venus, as morning star, which is generally regarded as a young war- rior, messenger of the Sun, and the Pole Star, believed by the Pawnee to be the chief of the night skies, are the only ones widely indi- vidualized in myth. The Milky Way is universally the Spirit Path. Star-myths are especially abundant and vivid among the Pawnee (cf. Ch. VI. iii). Text references: Ch. I. v (Rink, pp. 48, 232; Boas [a], p. 636; Rasmussen, pp. 176-77, 320). — Ch. II. vi (Converse, pp. 53-63; Smith, pp. 80-81; cf. E. G. Squier, American Review^ new series, ii, 1848, p. 256). — Ch. V. viii (Fletcher, p. 129. G. A. Dorsey [e] states that the Evening Star is of higher rank among the Pawnee. The legend of Poia has been made the subject of an opera by Arthur Nevin and Randolph Flartley. The version here followed is that of Walter McClintock, The Old North Trails ch. xxxviii. Other versions are Grinnell [a], pp. 93-103; Wissler and Duvall, ii. 4. The story belongs to a wide-spread type; cf. G. A. Dorsey [e]. No. 16, and note 117; [f]. Nos. 14, 15; Note 36, infra. For constellation-myths see Fletcher, p. 234; Lowie [a], p. 177; McClintock, pp. 488-90; J. 0 , Dorsey [d], p. 517). — Ch. VI. i (Morice, Transactions of the Canadian Institute^ v. 28-32); iii (G. A. Dorsey [e], No. i, and Introd.); iv (see Note 13 for references); v (G. A. Dorsey [e], No. 2; [g]. No. 35). — Ch. VIIL v (Lumholtz [a], pp. 298, 3 1 1, 361, 436). — Ch. IX. iii, vi.
15. Cosmogony. — American cosmogonies ought perhaps to be described as cosmic myths of migration and transformation. In a few instances (notably the Zuni cosmogony and some Californian legends) there is a true creation ex nihilo; but the typical stories
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are of sky-world beings who descend to the waters beneath and magically expand a bit of soil into earth, or the characteristically southern tale of an ascent of the First People from an underground abode, followed by a series of adventures and transformations which make the world habitable. The cataclysmic destruction of the first inhabitants by flood, sometimes by fire, is universal in one form or another; it is succeeded by the transformation of the survivors of the antediluvian age into animals or men, by the creation of the present human race, and frequently by a confusion of tongues and a dispersion of peoples. There can be no doubt as to the truly aborig- inal character of all these episodes, though in some instances the native stories have clearly been coloured by knowledge of their Biblical analogues. See Notes 6, ii, 31, 40, 49, 57, 70. Text refer-- ences: Ch. 1 . v. — Ch. III. i (Hewitt [a] gives an Onondaga, a Seneca, and a Mohawk version of the Iroquois genesis, the first of these being the one here mainly followed; other authorities on Iroquoian cosmogony are: Hewitt and ‘‘Cosmogonic Gods of the Iroquois,” in Proceedings of the American Association for the Ad- vancement of Science^ 1895; Brebeuf, on the Huron, JR x, 127-39; Brinton [a], pp. 53-62; Parkman [a], pp. Ixxv-lxxvii; Hale, JAFL i. 177-83; Converse, pp. 31-36; Schoolcraft [a], part iii, p. 314; and, for the Cherokee, Mooney , pp. 239 ff.); ii (important sources on Algonquian cosmogony are: JR^ Index, “Manabozho”; Charle- voix, Journal historique, Paris, 1840; Perrot, MSmoire^ English translation in Blair, i. 23-272; Schoolcraft [a], i.; Brinton [d]; Rand; Hoffman [a], ; A. F. Chamberlain, “Nanibozhu amongst the Otchipwe, Mississagas, and other Algonkian Tribes,” in JAFL iv. 193-213). — Ch. IV. iv (Mooney , pp. 239-49; Gatschet [a], ; BusHnell [a], ). — Ch. V. ix (Fletcher and La Flesche, pp. 63, 570). — Ch. VI. i (Morice, “Three Carrier Myths,” in Transactions of the Canadian Institute^ v.; Lofthoxjse, “Chipewyan Stories,” in ib. x.); ii (Lowie [a]. Nos. i, 2, 22, et al.; Will and Spinden, pp. 138-41; Fletcher and La Flesche; J. O. Dorsey
[a] ; Eastman ; see Mooney [c], p. 152, for a Kiowa instance); iii (G. A. Dorsey [e], No. i, is the authority chiefly followed here for one of the finest of American cosmogonic myths); vii (G. A. Dorsey , pp. 34-49). — Ch. VIII. ii (Matthews [a]); v (Russell, pp. 206-38; cf. Lumholtz [a], pp. 296 ff.; , pp. 357 ff-); vi (Bourke
; Kroeber ; DuBois; James, chh. xii, xiv). — Ch. IX. vi (M. C. Stevenson , pp. 26-69; Voth, Nos. 14, 15, 37); vii (M. C. Stevenson [a], [c]; Cushing , [c]). — Ch. X. iii. — Ch. XL vi (see Note 48 for references).
16. Origin of Death. — Stories of the origin of death are found from Greenland to Mexico. What may be termed the Northern type
X — 20
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NORTH AMERICAN MYTHOLOGY
represents a debate between two demiurgic beings, one arguing for the bestowal of immortal life upon the human race, the other in- sisting that men must die; sometimes the choice is determined by- reason, sometimes by divination maliciously influenced. A South- Western type tells of a first death, caused by witchcraft or malice, which sets the law. On the Pacific Coast the two motives are com- bined; the first death is followed by a debate as to whether death shall be lasting or temporary; and often a grim reprisal upon the person (usually Coyote) who decrees the permanency of death appears in the fact that it is his child who is the second victim. Other motives are occasionally found. These myths seem to be typi- cally American. Text references: Ch. 1 . v (Rasmussen, pp. 99-102; Rink, p. 41). — Ch. III. vii {JR vi. 159). — Ch. VI. v (G. A. Dor- sey [e]. No. 2; [g]. No. 35; Wissler and Duvall, i. 3, 4; Dorsey and Kroeber, No. 41). — Ch. VII. v (Powell, pp. 44-45; cf. Lowie
, No. 2). — Ch. VIII. ii (Matthews [a], “Origin Myth”); v (God- dard [a]. No. i); vl (DuBois). — Ch. IX. vi. — Ch. X. iii (Dixon [d], Nos. I, 2); vii (Kroeber [c]. Nos. 9, 12, 17, 38; Dixon , No. 7;
[c] , No. 2; Frachtenberg [a], No. 5; Curtin [a], pp. 163-74; , pp, 60, 68; Goddard , p. 76). — Ch. XL vi (Boas [g], xxiv. i); vii (Boas [g], xiii. 2, 6b).
17. Miscegenation. — Stories of supernatural and unnatural marriages and sexual unions are very common. Sometimes they are legends of the maid who marries a sky-being and gives birth to a son who becomes a notable hero; sometimes a young man weds a supernatural girl, as the Thunder’s Daughter or the Snake Girl, thereby winning secrets and powers which make him a great theur- gist; sometimes it is the marriage of the dead and the living; fre- quently the union of women with animals is the theme, and a story found the length of the continent tells of a girl rendered preg- nant by a dog, giving birth to children who become human when she steals their dog disguises. This legend is frequently told with the episode found in the tradition of the incest of sun-brother and moon- sister: the girl is approached by night and succeeds in identifying her lover only by smearing him with paint or ashes. See Notes 13, 32, 50. Text references: Ch. 1 . v (Rasmussen, p. 104; Boas [a], p. 637; Rink, No. 148). — Ch. II. vi (Mooney , pp. 345-47). — Ch. IV. ii (Mooney , p. 256). — Ch. VL i (Morice, Transactions of the Canadian Institute^ v. 28-32). — Ch. IX. vii (M. C. Stevenson [c], p. 32; Cushing , pp. 399 ff.). — Ch. X. v (Dixon [c], No. 7; , Nos. X, 2; Curtin [a], “Two Sisters”).
18, Transmigration. — Belief in the possibility of rebirth is gen- eral, although some tribes think that only young children may be reincarnated, and certain of the Californians who practise crema-
NOTES
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tion bury the bodies of children that they may the more easily be reborn. Again, rebirth is apparently easier for souls that have passed to the underworld than for those whose abode is the sky. The Bella Coola allow no reincarnation for those who have died a second death and passed to the lowest underworld. See Notes 10, 20, 46. Text references: Ch. I. vi (Rasmussen, p. 116). — Ch. V. ii, viii (J. 0 . Dorsey [d], p. 508). — Ch. XL iv (Boas [j], pp. ay-zS).
19. Cannibals and Man-Eaters. — Cannibals occur in many stories. Three forms of anthropophagy, practised until recently by North American tribes, are to be distinguished: (i) the devouring of a portion of the body, especially the heart or blood, of a slain warrior in order to obtain his strength or courage (cf. JR i. 268; De Smet, p. 249); (2) ceremonial cannibalism, especially in the North-West, where it is associated with the Cannibal Society; (3) cannibalism for food. This latter form, except under stress of famine, is rare in recent times, although archaeological evidence indicates that it was formerly wide-spread. The ill repute borne by the Tonkawa is an indication of the feeling against the custom, which, on the whole, the cannibal-myths substantiate (cf. Ch. VIII. v). In many legends the anthropophagist’s wife appears as a protec- tor of his prospective victim, as in European tales of ogres, and it is interesting to find the ‘‘Fe fo fum” episode of English folk-lore recurring in numerous stories. The grisly “cannibal babe’’ tradi- tion of the Eskimo has a kind of parallel in a Montana tale (Ch. VIL vi); while the obverse motive, of the old female cannibal who lures children to their destruction, is a frequent North-West story. • Legends of man-eating bears and lions are to be expected; the man- devouring bird of the Plateau region is more difficult to explain, though the idea may be connected with that of the Thunderbird and the destructiveness of lightning. See Notes 2, 37. Text refer-- ences: Ch. I. vi (Rasmussen, p. 186; Rink, No. 39). — Ch. IV. vii. — Ch. VII. iii (Teit [a], No. ; vi (O. D. Wheeler, The Trail of Lewis and Clark^ New York, 1904, ii. 74; cf. McDermott, No. 5, where Coyote takes vengeance on the babe). — Ch. VIII. ii. — Ch. XL ii (Boas [f], pp. 372 - 73 ; Igl Sj 6, 7; [j], pp. 83-90; Boas and Hunt [a]); iii (Boas [f], pp. 394-466; [g], xv. 9; xvii. 8, 9; xx. 8; SwANTON [a], ch. xi).
20. Names and Souls. — Ghosts and souls are very generally distinguished. The disembodied soul, or spirit, is mythically con- ceived as related to fire and wind, and as transiently human in form, sometimes as a manikin. Names also have a kind of person- ality. Individuals believed to be the reincarnation of one dead are given the same appellation as that borne by him, and Curtin tells a story of a babe that persistently cried until called by the right name
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(, p. 6). A curious custom of renaming a living man after a dead chief, that the character and traits of the departed may not be lost, is described by the Jesuit Fathers {JR xxii. 289; xxvi. ISS™'63). See Notes 12, 18, S3- references: Ch. 1 . vi (Stefansson, pp.
395-400). — Ch. III. V (De Smet, pp. 1047-53). — Ch. V. ii. — Ch. VIL vi (Lowie , Nos. 38, 39; Teit , pp. 342, 358; [d], p. 611). — Ch. XI. iii (Boas [f], pp. 418 ff.; [j], p. 37); vii (Boas [f], p. 482; [g], xiiL 2, 6; Swanton [a], p. 34 )-
21. Ordeals. — Ordeals may be classified as follows: (i) initia- tion trials and tortures, of which flogging and fasting are the com- monest methods; (2) trials of a warrior’s fortitude, in the forms of torture of captives, expiatory sacrifices and purifications of men setting out on the war-path, and fulfilment of a vow for deliverance from peril or evil; the famous Sun-Dance tortures belong to the latter class; body scarring and the offering of finger-joints are fre- quent modes of expiation; (3) punishment for crime, especially mur- der; (4) mourning customs involving mutilation and hardship, par- ticularly severe for widows; (5) duels, especially the magical duels of shamans, which range from satirical song-duels to contests of skill resulting in degradation or even death for the defeated. Text refer^ ences: Ch. 1 . vi (Rasmussen, p. 312). — Ch. V. vi. — Ch. IX. iv. — Ch. X. vi (Frachtenberg [a]. No. 4).
22. Orphans and Poor Boys. — Tales of orphans and poor boys who are neglected and persecuted form a whole body of litera- ture, second in extent only to the “Trickster-Transformer” stories. The return of the hero, after a journey to some beneficent god, who often is his father, and his subsequent elevation to power, as a chief or medicine-man, are recurrent motives. The whole group might be called Whittington stories, but there are many variations. Text references: Ch. I. vi. — Ch. IV. vii. — Ch. VI. vii (G. A. Dorsey [e] makes a class of “Boy Hero” stories, many of them tales of orphans). — Ch. VIII. iv.
23. The Five Nations, or tribes of the original Iroquois Confed- eracy, included the Mohawk, Oneida, Onondaga, Cayuga, and Seneca; later the Tuscarora were admitted, whence the league is also called the Six Nations.
24. Agriculture. — Pumpkins, squash, beans, sweet potatoes, and tobacco are other crops cultivated in various localities by the aborigines. Wild rice and the seeds of grasses were gathered; roots and wild fruits were eaten; in the maple-tree zone maple sugar is a native food, and particularly in the far West acorn meal forms an important article of aboriginal diet. It seems certain that the Algon- quians came from the north and learned agriculture of the south- ern nations, especially the Iroquois. The northern Algonquians ~
NOTES
283
Montagnais, etc. — practised no agriculture when the Jesuits began missionary work among them, though the cultivation of maize was well established among the New England tribes before the appear- ance of the Colonists. The introduction of maize among the Chippewa is remembered in the myth of Mondamin (cf. Brinton [d], ch. vi, and Perrot, Memoir ch. iv, English translation in Blair, i). The Omaha, Navaho, and a number of other tribes among whom agriculture is recent have traditions or myths recording the way in which they first learned it. See Notes 35, 39. Text references: Ch. II. i. — Ch. III. ii. — Ch. V. i. — Ch. IX. i.
25. Areskoui. — Lafitau, i. 126, 132, 145, discusses Areskoui, or Agriskoue, whom he regards as an American reminiscence of the Greek Ares. This seems to be the primary ground for the assertion that Areskoui is a god of war, though it is to a degree borne out by the nature of the allusions to him in the Jesuit Relations^ especially Jogues’s letter (JR xxxix. 219). The members of the Huron mission, who had a better chance to understand this deity, evidently con- sidered him a supreme being, or Great Spirit; cf. with the passage
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NOTES 271 an evil reputation. The tendency toward formal and hereditary priesthoods is naturally confined to the socially advanced peoples (of whom the Creek and Pueblo are examples), while “mystery” societies and ceremonies, the aim of which is spiritual and physical well-being, and often material prosperity in addition, occur in all but the lowest tribal stocks. The principal text references are: Ch, 1 . iii. — Ch. IV. vii (Mooney , p. 392). — Ch. VI. vi (G. A. Dorsey , pp. 46-49). — Ch. VII. vii (Mooney [d], for trans- lated songs, pp. 958-1012, 1052-55). — Ch. VIII. iv (Matthews [a], “Natinesthani,” “The Great Shell of Kintyel”; [c], “The Vision- ary,” “So,” “The Stricken Twins,” “The Whirling Logs”; James Stevenson, “The Floating Logs,” “The Brothers”; cf. Goddard [a], Nos. 18, 22, 23). — Ch. IX. iii (M. C. Stevenson [c], pp. 32-33, 62-67, 289-90; Fewkes [a], pp. 310-11). — Ch. X. ii. — CL XL iii (SwANTON [a], pp. 163-64; Boas [f]).
6. Great Spirit. — The Greenlander’s Tomarsuk is another ex- ample of the faineant supreme being for which Lang so astutely argued {Myth, Ritual and Religion, 3d ed., London, 1901, Introd.), citing Atahocan and Kiehtan as early instances. Writers on Ameri- can Indian religion frequently assert that the idea of a “Great Spirit” is not aboriginal (cf. Brinton [a], p. 69; Fewkes [f], p. 688). Thus Morgan (Appendix B, sect. 62): “The beautiful and elevating conception of the Great Spirit watching over his red children from the heavens and pleased with their good deeds, their prayers, and their sacrifices, has been known to the Indians only since the Gospel of Christ was preached to them.” Yet in the section just preceding, on Indian councils, he says: “The master of ceremonies, again ris- ing to his feet, filled and lighted the pipe of peace from his own fire. Drawing three whiffs, one after the other, he blew the first toward the zenith, the second toward the ground, and the third toward the Sun. By the first act he returned thanks to the Great Spirit for the preservation of his life during the past year, and for being permitted to be present at this council. By the second, he returned thanks to his Mother, the Earth, for her various productions which had minis- tered to his sustenance. And by the third, he returned thanks to the Sun for his never-failing light, ever shining upon all.” No one ques- tions the aboriginal character of this pipe ritual, its pre-Columbian antiquity, or its universality (cf., e. g., De Smet, Index, “Calumet”); and equally there is abundant evidence that Morgan’s interpreta- tion of its meaning is correct: the first whiff is directed to the Great Spirit, the Master of Life, whose abode is the upper heaven. Very commonly this being is referred to as “Father Heaven,” and invari- ably he is regarded as beneficent and all-seeing, and as “pleased with the good deeds of his red children.” The only truth in the as-
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sertion that the Indian’s idea of a Great Spirit is derived from white missionaries is that the Indian conception is less anthropomorphic than that commonly entertained by an unphilosophic white (though it is one that would have been readily comprehended by the Stoics of antiquity, and would not have seemed remote to the thought of Plato or Aristotle). If a separation of ideas be made, and the Bibli- cal epithet “Heavenly Father” be understood for what it doubtless originally was, a name for a being who was (i) the sky-throned ruler of the world, and (2) its creator, a better comprehension of Indian ideas will follow; for it is rare in America to find Father Heaven in the creative rdle (the Zuni and Californian cosmogonies are excep- tions). It is partly for this reason that he plays so small a part in myth; he belongs to religion rather than to mythology proper. Lang is probably wrong in regarding the Supreme Being as fainSa 7 it, a do-nothing; occasionally the Indian expresses himself to this effect, but no one can follow the detail of Indian ritual without being impressed by his intense reverence for the Master of Life and his firm conviction in his goodness. That the Indian more often addresses prayer to the intermediaries between himself and the ruler of the high heaven, or makes offerings to them, is as natural as that a Latin should approach his familiar saints. A particularly good bit of evidence, if more were needed, for the aboriginal char- acter of the heaven-god is given by S wanton ([a], p. 14). “The- Chief-Above” is the Haida name for God, as taught them by the missionaries; “ Power-of-the-Shining-Heavens ” is their aboriginal Zeus: “Some Masset people once fell to comparing The-Chlef-Above with Power-of-the-Shining-Heavens in my presence. They said they were not the same. The idea that I formed of their attitude toward this being was, that, just as human beings could ‘receive power’ or ‘be possessed’ by supernatural beings, and supernatural beings could receive power from other supernatural beings, so the whole of the latter got theirs in the last analysis from the Power-of- the-Shining-Heavens.” The same idea of a hierarchy in space with the heaven-god at its summit appears in the ritual of the Midewiwin, in the Hako Ceremony, and in the Olelbis myth. These are only a few instances from different parts of the continent; there are numer- ous other examples, for wherever the breath of Heaven is identi- fied with the descent of life from on high, and the light of day is regarded as the symbol of blessings bestowed upon man, the con- ception of Father Heaven, the Great Spirit, is found. See Notes 13, 15, 25, 26, 30, 34, 63. Text references: Ch. 1 . iii (cf. Boas [a], p. 583: “The Central Eskimo . , • believe in the Tornait of the old Green- landers, while the Tornarsuk (i. e. the great Tornaq of the latter) is unknown to them”). — Ch. 11 . ii {JR xxxiii. 225); iv (see Note
NOTES
273
28). — Ch. V. iii (Fletcher, pp. 27, 216, 243); iv (Morice ; De Smet, p. 936; Eastman , pp. 4--6). — Ch. VIL v. — Ch. IX. iii (M. C. Stevenson [c], pp. 22-24). — Oh. X. iii (Kroeber [c], pp. 184, 348; [e], p. 94; Goddard , No. i; Gatschet [c], p. 140; Curtin [a]; , pp. 39-45). — Ch. XL iv (Swanton [a], pp. 13-15, 190; , p. 284; [c], pp. 26-30).
7. Goddesses. — There are several occurrences in North Ameri- can mythology of a goddess as the supremely important deity of a pantheon. Nerrivik, ‘Tood Dish,’^ is the epithet given by Rasmus- sen to the divinity called Arnarksuagsak, ‘'Old Woman,” by Rink, Arnakuagsak by Thalbitzer, and Sedna and Nuliajoq by Boas. Her character as the ruler of sea-food sufficiently accounts for her impor- tance in the far North. A somewhat similar goddess appears among the North-West Coast tribes; she is the owner of the food animals of the sea which come forth from a chest that is always full (Boas [g], XX. 7). Foam Woman, the Haida ancestral divinity, is perhaps the same personage. The Bella Coola deity, Qamaits, who dwells in the highest heaven, belongs to a different class; apparently she is the one example of a truly supreme being in feminine form in North America, for she is a cosmic creator and ruler rather than a food- giver; on the other hand, the fact that she has a lake of salt water as her bath may indicate a marine origin. In the South-West god- desses are important both in cosmogony and in cult. There is no higher personage in the Navaho pantheon than Estsanatlehi, and her doublets in Pueblo myth enjoy nearly equal rank. Again it is her association with food-giving from which this goddess derives her status, for in the South-West the Great Goddess of the West presides over the region whence come the fructifying rains. Cos- mogonic Titanesses occur in many myths, in almost every instance as personifications of the Earth, which in turn is almost universally recognized as the great giver of life and food. See Notes 34, 35, 43. Text references: Ch. I. iii (cf. Rasmussen, pp. 142, 151; Rink, p. 40; Boas [a], pp. 583-87), — Ch. VI. vii. — Ch. VIII. i (Matthews [a]). — Ch. IX. V (see Note 35 for references), vi, — Ch. XL ii: The marine god of the North-West Coast is a masculine equivalent of Sedna (Boas [f], p. 374; [g], passim); iv (Boas [j], pp. 27-28).
8. The Perilous Way. — Descriptions of the dangers besetting the journey to the Land of Spirits, whether for the dead souls that are to return no more, the adventurous spirits of shamans, or the still more daring heroes of myth who seek to traverse the way in the flesh, are found in practically all Indian mythologies. The analogues with Old-World myth will occur to every reader. The special perils associated with the moon in journeys to the sky-world are interest- ingly similar in Greenland and on the North-West Coast. Cf. Notes
NORTH AMERICAN MYTHOLOGY
274
10, 42, 53. Text references: Ch. 1 . lii, iv. — Ch. Ill, vil {JR vi. 181; Converse, pp. 51-52; De Smet, p. 382). — CL VIL vi. — CL VIIL ii. — Ch. X. vi, — Ch. XL v.
9. Water Monsters. — There is a striking similarity in the per- sonnel of the mythic sea-powers among the Eskimo and on the North-West Coast, nearly every type of being in the one group hav- ing its equivalent in the other — mermen, phantom boatmen, mouth- prowed and living boats, and, most curious of all, the Fire-People. Nowhere else in North America, except for the Nova Scotian Mic- mac, has any considerable body of marine myths been preserved. Everywhere, however, there are well defined groups of under-water beings, sometimes reptilian or piscine, sometimes human in form. Among the important myths in which under-water monsters are conspicuous are: (a) the common legend of a hero swallowed by a huge fish or other creature (not always a water-being; cf. Note 41), from whose body he cuts his way to freedom, or is otherwise released; (b) the flood story, in which the heroes brother, or companion, is dragged down to death by water monsters which cause the deluge when the hero takes revenge upon them (see Note 49); (c) the South-Western myth of the subterranean water monster who threat- ens to inundate the world in revenge for the theft of his two children, and who is appeased only by the sacrifice of other two children or of a youth and a maid (cf. Note 29). Text references: Ch. I. iv (Rink, p. 46; Rasmussen, pp. 307-08). — Ch. II. vii. — CL III. iv. — Ch. IV, vi (Mooney , pp. 320, 349). — Ch. V. ix (J. O. Dorsey [d], p. 538; Fletcher and La Flesche, p, 63). — CL VIIL i. — CL X. iv.
10. Abode of the Dead. — Cavernous underworlds, houses in heaven, the remotely terrene village beyond the river, or the earthly town on the other side of the western sea are all included in the American’s mythic homes of the dead. In the Forest and Plains regions a western village, situated beyond a river which the living cannot cross even if they win to its banks, is perhaps the most common idea, though throughout this portion of the continent the Milky Way is the “Pathway of Souls.” In the South-West the sub- terranean land of souls is usual, and on the Pacific the spirits of the dead are supposed to fare to oversea isles ; but nowhere is there great consistency of belief. The idea of divergent destinies for different classes of people finds what is doubtless its most primitive form in the notion that those who die by violence, especially in war, and women in child-birth have a separate abode in the after-life. The Eskimo, Tlingit, and Haida place the dwelling-place of persons so dying in the skies, and it is interesting to note that the same dis- tinction was observed by the Aztecs, who believed that men dying
NOTES
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in battle, persons sacrificed to the gods (except underworld gods), and women dead in child-birth all went to the house of the Sun, others to a subterranean Hades. The Norse Valhalla is a European counterpart, though it is difficult to say whether the American in- stances had any clearly conscious moral value in view. The Zufil make a similar discrimination for a different reason, the souls of the members of the Bow priesthood going to the sky-world, but only because of their office as archers and hence as lightning and storm- bringers. A further Zuni distinction limits entrance to the Dance- House of the Gods, inside a mountain, to initiates in the Kotikili. A moral value is clear enough in the Tlingit conception of the judge- ment of Nascakiyetl, and in this and other North-West notions it appears that the possibility of rebirth is more or less dependent upon the abode attained, though it may be doubted whether the mode of death is not really the final crux even here, the mutilated and slain finding reincarnation more difficult. One of the most ghastly of North American superstitions is the belief that scalped men lead a shadowy life (ghosts rather than spirits) about the scenes where they met their fate, but this properly belongs to ghost-lore. See Notes
47 ? S3- references: Ch. I. iv. — Ch. III. vii (Perrot, Memoire^ English translation in Blair, i. 39; JR x. 153-55; Rand, Nos. x, XXXV, xlii; Hoffman , pp. 118, 206). — Ch. IX. iii, vii (M. C. Stevenson [c], p. 66). — Ch. X. vii. — Ch. XI. iii (Boas [g], xxv. 3); vii (Boas [g], zv. i; [j], pp. 37-38; Swanton [a], pp. 34-36; [d], p. 81).
II. The Cosmos. — All American tribes recognize a world above the heavens and a world below the earth. Many of them multiply these worlds. Thus the Bella Coola believe in a five-storey universe, with two worlds above and two below our earth. Four worlds above and four below is a recorded Chippewa and Mandan conception, and in the South-West the four-storey underworld is the common idea. It is of extraordinary interest to find the same belief in Green- land. The fact that the earth is divided into quarters, in the Indian’s orientations, and that offerings are made to the tutelaries of the quar- ters in nearly every ritual, may be the analogy which has suggested the multiplication of the upper and under worlds, but it is at least curious that the conception of a storeyed universe should be so. defi- nite among the Northern and North-Western Coast peoples, with whom the cult of the Quarters is absent or rare. The notion of a series of upper worlds appears in the rituals of some Plains tribes; thus the Pawnee recognize a “circle” of the Visions (apparently the level of the clouds), a “circle” of the Sun, and the still higher “circle” of Father Heaven; and the Chippewa believe in a series of powers dwelling in successive skyward regions. It is possible that the analogy
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of this upper-world series has been symmetrically extended to the world below, and yet it is the four-fold underworld that recurs most definitely. See Notes 6, lo, 31, 66, 68. Text references: Ch. 1 . iv. — Ch. IL V (45 BBE, p. 21; Mooney , pp. 236-40, 430, note i). — Ch. V. ix (J. 0. Dorsey [d], pp. 520-26; Fletcher and La Flesche, pp. 134-41; cf. J. 0. Dorsey , [e]). — Ch. VI. ii (Will and Spinden); iii (G. A. Dorsey [e], note 2, states that ‘^Tirawahut’’ refers to “^^the entire heavens and everything con- tained therein”; Tahirussawichi, the Chaui priest quoted in 22 JRBE, part 2, p. 29, said: “Awahokshu is that place • . . where Tirawa-atius, the mighty power, dwells. Below are the lesser powers, to whom man can appeal directly, whom he can see and hear and feel, and who can come near him. Tirawahut is the great circle in the sky where the lesser powers dwell.”). — Ch. VII. iii (Teit [a], p. 19, and Nos. 2, ro, 27, 28; , p. 337; Mason, No. 26). — Ch. VIII. ii. — Ch. IX. ii (Cushing ; M. C. Stevenson , [c]; Fewkes [a], [e]). — Ch. XL iv (Swanton [a], ch. ii; [e], pp. 451-60; Boas Ul PP- 27-37)-
12. Ghosts. — The ghost or wraith of the dead is generally con- ceived to be different from the soul, and is closely associated with the material remains of the dead. Animated skeletons, talking skulls, and scalped men are forms in which the dead are seen in their former haunts; sometimes shadows and whistling wraiths represent the de- parted. In a group of curious myths the dead appear as living and beautiful by night, but as skeletons by day. Marriages between the dead and the living, with the special tabu that the offspring shall not touch the earth, occur in several instances, as the Pawnee tale (Ch. VI. v) or the Klickitat story of the girl with the ghost lover (Ch. VIL vi), for which Boas gives a Bella Coola parallel in which the offspring of the marriage is a living head that sinks into the earth so soon as it is inadvertently allowed to touch the ground ([g], xxii. 17). See Notes 8, 20, 53. Text references: Ch. I. iv. — Ch. VI. v (G. A. Dorsey [g], Nos. 10, 34; [e]. No. 20; Grinnell [c], "'The Ghost Wife”). — Ch. VII. vi (see Notes 20, 53 for references). — Ch. VIII. i.
13. Sun and Moon. — The sun is the most universally venerated aboriginal deity of North America; and this is true to such an extent that the Indians have been reasonably designated " Sun-Worshippers.” Nevertheless, there are many tribes where the sun-cult is unimpor- tant, but on the other hand, there are well defined regions where it becomes paramount, particularly among the southern agricultural peoples. The moon is regarded as a powerful being, yet quite fre- quently as a baneful or dangerous one (cf. Note . Usually the sun is masculine and the moon feminine, though in a curious exception
NOTES
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(Cherokee, Yuchi) the sun is the woman and the moon the man; in the South-West and North-West both are generally described as masculine. Husband and wife is the usual relation of the pair, and the Tlingit explain the sun’s eclipse as due to a visit of wife to hus- band; but in a myth which is told by both Eskimo and Cherokee, sun and moon are brother and sister, guilty of incest (cf. Note 17). In the South-West, and more or less on the Pacific Coast, the sun and moon are conceived as material objects borne across the sky by carriers, and the yearly variations of the sun’s path are explained by mechanical means — poles by which the Sun-Carrier ascends to a sky-bridge,. which he crosses and which is as broad as the ecliptic, etc. While the sun is a great deity — “Father Sun” — he is seldom truly supreme; he is the loftiest and most powerful of the interme- diaries between man and Father Heaven, and both he and the moon are invariably created beings. Sometimes, however, the sun seems to be regarded as the life of heaven itself, and as its immortal life;
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VII. SOULS AND THEIR POWERS
In no section of America is the belief in possession by spirits and spiritistic powers more deeply seated than in the North- West; shamanism is the key to the whole conception of life which animates myth and rite. Scarcely any idea connected with spiritualism is absent: stories of soul-journeys are fre- quent, while telepathic communication, prophetic forewarnings of death and disaster, and magic cures through spirit aid are a part of the scheme of nature; there are accounts of crystal- gazing, in which all lands and events are revealed in the trans- lucent stone, which recurs again and again as a magic object; and there are tales of houses haunted by shadows and feathers, of talking skulls and bones that are living beings by night, and of children born of the dead, which are only abortively human. There is also a kind of psychology which is well de- veloped among some tribes.®® The disembodied soul is not a whole or hale being: “Why are you making an uproar, ghosts? You who take away men’s reason!” is a fragment of Kwakiutl song; and a certain story tells how a sick girl, whose heart was painted, went insane because the colouring was applied too strongly. The Haida have three words for “ soul ” ; two of these apply to the incarnate soul, and are regarded as synonyms; the third designates the disembodied soul, although the latter is not the same as the ghost, which is marked by a distinct name. A curious feature of Haida psychology is that the word for mind is the same as that for throat — less strange, perhaps, when we reflect upon the importance of speech in any descrip- tion of the mind’s most distinctive power, that of reason.
The origin of death is explained in many ways.'® A Tlingit story has been given, and a Nootka tale tells of a chieftain who kept eternal life in a chest; men tried to steal it from him
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and almost succeeded, but their final failure doomed them to mortality. A significant Wikeno (Kwakiutl) myth recounts the descent from heaven of two ancestral beings who wished to endow men with everlasting life, but a little bird wished death into the world: “Where will I dwell,” he asked, “if ye always live.? I would build my nest in your graves and warm me.” The two offered to die for four days, and then arise from the tomb ; but the bird was not satisfied, so finally they concluded to pass away and be born again as children. After their death they ascended to heaven, whence they beheld men mourning them; whereupon they transformed themselves into drops of bipod, carried downward by the wind. Sleeping women in- breathe these drops and thence bear children.
The abodes of the dead are variously placed.^® Beneath the sea is one of the most frequent, and there is an interesting story telling of the waters parting and the ghost, in the form of a butterfly, rising before a young man who sat fasting beside the waters. The Haida believe that the drowned go to live with the killer whales; those who perish by violence pass to Taxet’s house in the sky, whence rebirth is difficult, though not impos- sible for an adventurous soul; while those who die in the sick- bed pass to the Land of Souls — a shore land, beyond the waters, with innumerable inlets, each with its town, just as in their own country. Although the dying could decide for them- selves to what town in the Land of Souls they wished their own spirits to go, there is occasionally, nevertheless, an appor- tionment of the future abode on a moral basis; thus, in Tlingit myth, after Nascakiyetl has created men, he decrees that when the souls of the dead come before him, he will ask: “What were you killed for.? What was your life in the world.?” Destiny is determined by the answer; the good go to a Paradise above; the wicked and witches are reborn as dogs and other animals. The Bella Coola assign the dead to the two lower worlds, from the upper of which alone is return possible through reincarna- tion. An old woman who, in trance, had seen the spirit world,
X — 19
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described it as stretching along the banks of a sandy river. When it is sumnaer in the world above, it is winter in the earth below (an idea which appears in Hopi conceptions of the world order); and the ghosts, too, are said to walk with their heads downward. They speak a different language from that in the world above, and each soul receives a new name on entering the lower realms.
The ever-recurring and ever-pathetic story of the dead wife and of her grieving lord’s quest for her — the tale of Orpheus and Eurydice — appears in various forms in the North-West.*® Sometimes it is the story of a vain journey, without even a sight of the beloved, though the Land of the Dead be dis- covered; sometimes the searcher is sent back with gifts, but not with the one sought; sometimes the legend is made a part of the incident of the carved wife — the bereaved husband making a statue of the lost spouse, which may show a dim and troubled life, as if her soul were seeking to break through to him; and again it is the true Orphean tale with the partial success, the tabu broken through anxiety or love, and the spirit wife receding once more to the lower world. It is not necessary to invoke the theory of borrowings for such a tale as this ; the elemental fact of human grief and yearning for the departed will explain it. Doubtless a similar universality in human na- ture and a similar likeness in human experiences will account for the multitude of other conceptions which make the mythic universe of the men of the Old World and the men of the New fundamentally and essentially one.
NOTES
NOTES
I. Spelling. — Kahluna {kavdlundk^ qadluna are variants) is the Eskimo’s word for “white man”; kablunait is the plural. Simi- larly, tornit {tunnit) is the plural of tunek {tuniq, tunnek); tornait of tornak {tornaq, tornat ) ; angakut of angakok^ other forms of which are angekkoky angatkuk^ angaqok^ etc. These differences in spelling are due in part to dialectic variations in Eskimo speech, in part to the phonetic symbols adopted by investigators. Their number in a language comparatively so stable as is Eskimo illustrates the diffi- culties which beset the writer on American Indian subjects in choos- ing proper representation for the sounds of aboriginal words. These difficulties arise from a number of causes. In the first place, aboriginal tongues, having no written forms, are extremely plastic in their phonetics. Dialects of the same language vary from tribe to tribe; within a single tribe different clans or families show dialectic pecu- liarities; while individual pronunciation varies not only from man to man but from time to time. In the second place, the printed records vary in every conceivable fashion. Divergent systems of trans- literation are employed by different investigators, publications, and ethnological bureaux; translations from French and Spanish have introduced foreign forms into English; usage changes for old words from early to later times; and finally few men whose writings are extensive adhere consistently to chosen forms; indeed, not infre- quently the form for the same word varies in an identical writing. In formulating rules of spelling for a general work, a number of considerations call for regard. First, it is undesirable even to seek to follow the phonetic niceties represented by the more elaborate transliterative systems, which represent sound-material unknown in English or other European tongues. Aboriginal phonetics is impor- tant to the student of linguistics; it is unessential to the student of mythology; and it is detrimental to that literary interest which seeks to make the mythological conceptions available to the general reader; for the mythologist or the literary artist a symbol conform- ing to the genius of his own tongue is the prime desideratum. In the light of these considerations the following rules of spelling for aboriginal terms have been adopted for the present work:
(i) In the spelling of the names of tribes and linguistic stocks the usage of the Handbook of American Indians North of Mexico (50
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BBE) has been chosen as the standard. The same form (as a rule) is used for the singular and for the collective plural; also, frequently, for the adjective.
(2) Where a term has attained, through considerable usage, a frequent English form, especially if this has literary (as distinct from scientific) sanction, such form is preferred. This rule is neces- sarily loose and difficult to apply. Thus the term manito^ which has many variants, is almost equally well known under the French form manitou, for which there is the warrant of geographical usage. Again, Manabozho is preferred to Nanabozho (used for the title of the article in jo BBE) for the reason that Manabozho is more widely employed in non-technical works.
(3) In adaptations of transliterations all special characters are rendered by an approximation in the Anglo-Roman alphabet and all except the most familiar diacritical marks are omitted. This is an arbitrary rule, but in a literary sense it seems to be the only one possible.
(4) Vowels have the Italian values. Thus tipi replaces the older form teepee. Changes of this type are not altogether fortunate, but the trend of usage is clearly in this direction. In a few cases (notably from Longfellow’s Hiawatha) older literary forms are kept.
2. Monsters. — Monstrous beings and races occur in the my- thology of every American tribe, and with little variation in type. There are: (a) manlike monsters, including giants, dwarfs, cannibals, and hermaphrodites; (b) animal monsters, bird monsters, water monsters, etc.; (c) composite and malformed creatures, such as one- eyed giants, headless bodies and bodiless heads, skeletons, persons half stone, one-legged, double-headed, and flint-armoured beings, harpies, witches, ogres, etc. As a rule, these creatures are in the nature of folk-lore beings or bogies. In some cases they have a clear- cut cosmologic or cosmogonic significance; thus, myths of Titans and Stone Giants are usually cosmogonic in meaning; legends of serpents and giant birds occur especially in descriptions of atmos- pheric and meteorological phenomena; the story of the hero swal- lowed by a monster is usually in connexion with the origin of ani- mals.^ See Notes 9, 12, 19, 32, 36, 37, 38, 40, 41, 49, 50, 64. The principal text references are: Ch. I. i (cf. Rink, Nos. 54, 55). — Ch. IL vii. — Ch. IV. vi (Mooney , pp. 325-49). — Ch. V. ii (Jette [a]). — Ch. VII. ii (Lowie . Nos. 10-15, 3^; Teit [a]. Nos. 29-30; Powell, pp. 45-49). — Ch. VIIL i, ii. — Ch. IX. vi (Cushing [c], Lummis, Voth). — Ch. XL iv.
3. Animism. — The Eskimo’s Inue belong to that universal group of elementary powers commonly called “animistic,” though some writers object to this term on the ground that it implies a clear-cut
NOTES
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spiritism in aboriginal conceptions (cf. Clodd, Hartland, et aL, in Transactions of the Third International Congress for the History of Religions j Oxford, 1908; Marett, Threshold of Religion, London, 1909; Lang, ^‘Preanimistic Religion,” in Contemporary Review, 1909; see also, Powell, i ARBE, pp. 29-33). Taking anima in its primitive sense of ‘^breath,” “wind,” no other word seems really preferable as a description of the ancient notion of indwelling lives or powers in all things, — “panzoism,” if that term be preferred. The American forms under which this idea appears are many, manito, orenda, and wakanda being the terms most widely known. The application of the words varies somewhat, (a) Manito, the Algonquian name, desig- nates not only impersonal powers, but frequently personified beings, (b) Orenda, an Iroquoian term, is applied to powers, considered as attributes, (c) Wakanda, the Siouan designation, connotes, in the main, impersonal powers, though It is sometimes used of individuals, and apparently also for the collective or pantheistic power of the world as a whole. Usually in Indian religion there is some sense of the difference between a personality as a cause and its power as an attribute, but in myths the tendency is naturally toward lively per- sonification. Cf. Note 4. Text references: Ch. 1. iii {inua, plural inue, is cognate with inuk, “man,” and means “its man” or “owner”). — Ch. 11. iii (Brinton [a], p. 62; Hewitt [a], pp. 134, 197, note a; JR V. 157, 17s; Ixvi. 233 ff.). — Ch. V. ii (Jette [a], ); iv (Fletcher and La Flesche, pp. 597-99). — Ch. VIIL i (Matthews [a]). — Ch. X. V. — Ch. XI. ii (Boas [f]; Swanton [a], chh. viii, ix); iv (S WANTON [e], p. 452).
4. Medicine. — The term “medicine” has come to be applied in a technical sense to objects and practices controlling the animistic powers of nature, as the Indian conceives them. “Medicine” is, therefore, in the nature of private magical property. It may exist in the form of a song or spell known to the owner, in the shape of a symbol with which he adorns his body or his possessions, or in the guise of a material object which is kept in the “medicine-bag,” in the “sacred bundle,” or it may be present in some other fetishistic form. It may appear in a “medicine dance” or ceremony, or in a system of rites and practices known to a “medicine lodge” or so- ciety. The essential idea varies from fetishism to symbolism. On the fetishistic level is the regard for objects themselves as sacred and powerful, having the nature of charms or talismans. Such fetishes may be personal belongings — the contents of the “medicine- bag,” etc. (sometimes even subject to barter) — or they may be tribal or cult possessions, such as the sacred poles and sacred bundles of the Plains tribes, or the fetish images, masks, and sacra of the Pueblo and North-West stocks; a not infrequent form is the sacred
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drum or rattle. Symbolism is rarely absent even from the fetishistic object, and usually the fetish is lost in the symbol, which is the token of the union of interests between its owner and his “helper/’ or tutelary. It is in this latter sense, as designating the relation between the owner and his guardian or tutelary, that the Algon- quian term “totem” is most used. The totem is not a thing mate- rially owned, as is the fetish; it is a spirit or power, frequently an animal-being, which has been revealed to the individual in vision as his tutelary, or which has come to him by descent, his whole clan participating in the right. The Tornait of the Eskimo belong to this latter class; the word “totem,” however, is not used in connexion with such guardians, and indeed is now mainly restricted to the tute- laries of clans, right to which passes by inheritance. Text references: Ch. 1 . iii. — Ch. V. V (De Smet, pp. 1068-69). — Ch. VIL vi. — Ch. IX. iii (Cushing [a]; M. C. Stevenson [c]; Fewkes, passim).
5. Shamanism. — The terms applied to Indian priests and wonder- workers are many, but they do not always bear a clear distinction of meaning. The word “shaman” is especially common in works on the Eskimo and the North-West tribes; “medicine-man” is used very largely with reference to the eastern and central tribes; “priest” is particularly frequent in descriptions of Pueblo institutions. In general, the following definitions represent the distinctions implied:
(a) Shaman. A wonder-worker and healer directly inspired by a “medicine ’’-power, or group of such powers, “shamanism” signify- ing the recognition of possession by powers or spirits as the primary modus operandi in all the essential relations between man and the world-powers.
(b) Medicine’-Man, Doctor. Not radically different from shaman, though the employment of naturalistic methods of healing, such as the use of herbal medicines, the sweat-bath, crude surgery, etc., is often implied, especially where the term “doctor” is employed.
(c) Priest. One authorized to preside over the celebration of tradi- tional ceremonies. Such persons must be initiates in the society or body owning the rites, which are sometimes shamanistic in char- acter, though more frequently the shaman is supposed to get his powers as the result of an individual experience.
Every degree of relationship is found for these offices. In tribes of low social organization (e. g. the Eskimo and the Californians) the shaman is the man of religious importance; in tribes with well developed traditional rites the priestly character is frequently com- bined with the shamanistic (as in the North-West); still other peo- ples (as the Pueblo) elevate the priest far above the medicine-man, who may be simply a doctor, or medical practitioner, or who, on the shamanistic level, may be regarded as a witch or wizard, with
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of the mosquito, for in a myth frequent throughout the North- West these insects spring from the ashes to which the Cannibal is reduced in the effort to destroy herd’’ Various inferior gods, including the Fates and the ten deities presiding over the great ceremonies, dwell in the House of Myths; at the rear of it are two rooms, in the first of which lives the Cannibal, organizer of the Cannibal Society, and in the second another ecstasy-giv- ing god: these two are the sons of Senx and Alkuntam. In- tercessors and Messengers, Sun Guardians and Sky Guardians (whose business it is to feed the sky continually with firewood), the Flower Goddess, and the Cedar-Bark Goddess are other per- sonages of the Bella Coola pantheon. Four brothers, dwellers in the House of Myths, gave man the arts, teaching him carv- ing and painting, the making of canoes, boxes, and houses, fishing, and hunting.*® They are continually engaged in carv- ing and painting, and seem to be analogous to the Master Car- penter, who often appears in Haida myths. Earth, in Bella Coola lore, is the home of a multitude of spirits — chiefly Animal Elders — and in the ocean are similar beings, though there seems to be no power corresponding to the Haida Nep- tune, The-Greatest-One-in-the-Sea. The two underworlds have their own raison d^Hre, the upper one belonging to reve- nant spirits, who are at liberty to return to heaven, whence they may be reborn on earth; and the lower being the abode of those who die a second death, from which there is no re- lease.^®
V. THE SUN AND THE MOON«
The place of sunrise, according to the Bella Coola, is guarded by the Bear of Heaven,*® a fierce warrior, inspirer of martial zeal in man; and the place of sunset is marked by an enor- mous pillar which supports the sky. The trail of the Sun is a bridge as wide as the distance between the winter and summer solstices; in summer he walks on the right-hand side of the bridge, in winter on the left; the solstices are “where the sun
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sits down.” Three guardians accompany the Sun on his course, dancing about him; but sometimes he drops his torch, and then an eclipse occurs.
Not many Pacific-Coast tribes have as definite a concep- tion of the Sun’ as this, and generally speaking the orb of day is of less importance in the myths of the northern than in those of the southern stocks of the North-West. It is conceived both as a living being, which can even be slain, and as a material object — a torch or a mask — carried by a Sun-Bearer. One of the most wide-spread of North-Western legends is a Phae- thon-like story of the Mink, son of the Sun, and his adventures with his father’s burden, the sun-disk. A woman becomes preg- nant from sitting in the Sun’s rays; she gives birth to a boy, who grows with marvellous rapidity, and who, even before he can talk, indicates to his mother that he wants a bow and ar- rows ; other children taunt him with having no father, but when his mother tells him that the Sun is his parent, he shoots his arrows into the sky until they form a ladder whereby he climbs to the Sun’s house; the father requests the boy to relieve him of the sun-burden, and the boy, carelessly impatient, sweeps away the clouds and approaches the earth, which becomes too hot — the ocean boils, the stones split, and all life is threatened; whereupon the Sun Father casts his offspring back to earth condemning him to take the form of the Mink. In some ver- sions the heating of the world results in such a conflagration that those animal-beings who escape it, by betaking themselves to the sea, are transformed into the men who thereafter people the earth. It is obvious that in these myths we have a special North-Western form of the legend of the Son of the Sun who climbs to the sky, associated with the cataclysm which so fre- quently separates the Age of Animals from that of Man.
A curious Kwakiutl tradition tells of a Copper given up by the sea and accidentally turned so that the side bearing a pic- tured countenance lay downward; for ten days the sun failed to rise or shine: then the Copper was laid face upward, and the
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light again appeared. It would seem from this that copper is associated with the sun. Other myths tell of a hero who marries a copper woman, whose home — an underworld or undersea mansion — is also made of copper. The connexion of the bones of the dead with an abundance of food and mineral wealth would imply that the hero of this tale, Chief Wealthy, is a kind of Pluto. One of the most widely disseminated of North- Western legends, in which the Raven is usually the principal figure, tells of a time when darkness reigned throughout the world. The sun, or daylight, was kept imprisoned in a chest, under the jealous protection of a chieftain. The hero of the story realizes that daylight cannot be obtained by force, so he enters the womb of the chieftain’s daughter when she comes to the spring for water; thence he is born, an infant insatiate until he gets possession of the precious box, from which the light is freed. A Salish version makes the Gull the guardian of the chest; the Raven wishes a thorn into the Gull’s foot; then he demands light to draw the thorn; and thus day and light are created. Still another tale (which seems to be derived from the South-West) narrates how the Raven bored his way through the sky or persuaded the beings above to break it open, thus permitting sunlight to enter the world below.
The origin of fire®^ is sometimes associated with the sun, as in a Salish account which tells how men lived “as in a dream” without fire until the Sun took pity upon them and gave it to them; but in very many North-Western myths the element is secured, curiously enough, from the ocean — perhaps a remi- niscence of submarine volcanoes. Thus another Salish story recounts how the Beaver and the Woodpecker stole fire from the Salmon and gave it to the ghosts; the Mink captured the head of the ghost-chief and received fire as its ransom. Possibly the salmon’s red flesh may account for its connexion with the igneous element, but the most plausible explanation of the fire as the gift of the sea is in the popular tale which ascribes its theft to the stag. An old man had a daughter who owned a
PLATE XXXII
Haida crests, from tatu designs. Upper left, the Sun; right, Moon and Moon Girl. Central, left, Eagle; right, Sea-Lion. Lower, left, Raven; right, Killer Whale. After MAM viii, Plate XXL
THE PACIFIC COAST, NORTH 257
wonderful bow and arrow; in the navel of the ocean, a gigan- tic whirlpool, pieces of wood suitable for kindling were carried about, and when the daughter shot her arrows into this mael- strom the wood was cast ashore, and her father lit a huge fire and became its keeper; but the stag, concealing bark in his hair, entered by craft, lay down by the flame as if to dry him- self, caught the spark, and made off with the treasure.
The Sun and the Moon are sometimes described as hus- band and wife, and the Tlingit say that eclipses are caused by the wife visiting her husband. Again, they are the “eyes of heaven,” and it is quite possible that the prominence of eyes and eyelashes in North-Western myth is associated primarily with these heavenly bodies. The Sun’s rays are termed his eyelashes; one of the sky-beings recognized by the Haida is called Great Shining Heaven, and a row of little people is said to be suspended, head down, from his eyelashes. The Haida, Kwakiutl, and Tlingit believe that they see in the moon figure a girl with a bucket, carried thither by the Moon; and the Kwakiutl have also a legend of his descent to earth, where he made a rattle and a medicine lodge from an eagle’s beak and jaw, and with the power so won created men, who built him a wonderful four-storeyed house, to be his servants. An interest- ing Tsimshian belief makes the Moon a kind of half-way house to the heavens, so that whoever would enter the sky-world must pass through the Home of the Moon. The Keeper of this abode is Pestilence, and with him are four hermaphrodite dwarfs.®^ When the quester appears, he must cry out to the Keeper, “I wish to be made fair and sound”; then the dwarfs will call, “ Come hither, come hither!” If he obeys them, they will kill him; but if he passes on, he is safe.® A certain hero found his way to the Moon’s House by the frequent mode of the arrow ladder, and was there made pure and white as snow. Finally the Keeper sent him back to the world, with the com- mand: “Harken what you shall teach men when you return to Earth. I rejoice to see men upon the Earth, for otherwise
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there would be no one to pray to me or to honor me. I need and enjoy your worship. But when you undertake to do evil I will thwart you. Man and wife shall be true to one another; ye shall pray to me; and ye shall not look upon the Moon when attending to nature’s needs. I rejoice in your smoke. Ye shall not spend the evening in riotous play. When you undertake to do what I forbid I will deny you.” This revelation of the law is a truly primitive mixture of morality and tabu, based upon the do ut des relationship of god and man so succinctly expressed in a Haida prayer recorded by Swanton: “I give this to you for a whale; give one to me, Chief.”
VI. THE RAVEN CYCLE'®
The most characteristic feature of the mythology of the North-West is the cycle of legends of which the hero is the Raven ^ — the Yeti of the Northern tribes. Like Coyote in the tales of the interior. Raven is a transformer and a trickster — half demiurge, half clown; and very many of the stories that are told of Coyote reappear almost unchanged with Raven as their hero; he is in fact a littoral and insular substitute for Coyote.
Nevertheless, he is given a character of his own. Like Coyote, he is greedy, selfish, and treacherous, but gluttony rather than licentiousness is his prevailing vice. He is engaged in an in- satiable food-quest: “Raven never got full,” says a Tlingit teller, “because he had eaten the black spots off of his own toes. He learned about this after having inquired everywhere for some way of bringing such a state about. Then he wandered through all the world in search of things to eat.” The journeys of Raven form the chief subject of most of the myths ; he trav- els from place to place, meets animals of every description, and in contests of wit usually succeeds in destroying and eating them or in driving them off and securing their stores of food. As is the case with Coyote, he himself is occasionally over-
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come, but always manages to make good his escape, even (again like Coyote) returning to life after having been slain. A touch of characteristic humour is added to his portrait by the derisive “Ka, ka,” with which he calls back to his oppon- ents as he flies away — frequently through the smoke-hole, to which he owes his blackness, having once been uncomfortably detained in this aperture.
Despite all their ugliness and clownishness, the acts of Raven have a kind of fatefulness attached to them, for their conse- quence is the establishment of the laws that govern life, alike of men and animals. A Haida epithet for Raven is He-Whose- Voice-is-Obeyed, because whatever he told to happen came to pass, one of his marked traits being that his bare word or even his unexpressed wish is a creative act. In one Haida version there is a suggestion of Genesis in the Raven’s creative lacon- ism: “Not long ago no land was to be seen. Then there was a little thing on the ocean. This was all open sea. And Raven sat upon this. He said, ‘Become dust.’ And it became Earth.” The Haida, Swanton says, make a distinction between the events in the flrst portion of the Raven story — the truly crea- tive acts — and the mad adventures of the later anecdotes : the flrst division is called “the old man’s story,” and the chiefs will not allow the young men to laugh while it is being told, hilarity being permissible only during the latter part.
Raven is not, apparently, an object of worship, although it is said that in former times people sometimes left food on the beach for him. Rather he is numbered among those heroes of the past about whom indecorous tales may be narrated without sullying the spirit of reverence which attaches to the regnant gods. One of the most comprehensive of Raven stories — a Tlingit version — states that at the beginning of things there was no daylight; the world was in darkness.^® In this period lived Raven-at-the-Head-of-Nass, who had in his house the sun, moon, stars, and daylight. With him were two aged men, Old-Man-Who-Foresees-All-Trouble-in-the-World and He-
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Who-Knows-Everything-that-Happens, while Old-Woman-Un- derneath was under the world. Raven-at-the-Head-of-Nass had a sister, who was the mother of many children, but they all died young, the reason, according to the legend, being the jealousy of her brother, who did not wish her to have any male offspring. Advised by Heron, who had already been created, she circumvented his malicious intent by swallowing a red- hot stone, as a consequence of which she gave birth to Yeti, the Raven, who was as hard as rock and so tough that he could not easily be killed. Nascakiyetl (Raven-at-the- Head-of-Nass) thereupon made Raven the head man over the world. Nascakiyetl appears as the true creator in this myth, however, for it is he who brought mankind into existence. He undertook to make people out of a rock and a leaf at the same time, but the rock was slow and the leaf quick; there- fore human beings came from the latter. Then the creator showed a leaf to the new race and said, “You see this leaf. You are to be like it. When it falls off the branch and rots there is nothing left of it.” And so death came into the world.^® A striking Tsimshian myth tells how a woman died in the throes of child-birth; how her child lived in her grave, nour- ished by her body; how he later ascended to heaven, by means of Woodpecker’s wings, and married the Sun’s daughter; and how her child by him was cast down to earth and adopted by a chieftain there, but abandoned because the gluttonous in- fant ate the tribe out of provisions; this child was the Raven. Usually, however, the myth begins abruptly with the wander- ing Raven. The world is covered with water and Raven is seeking a resting-place. From a bit of flotsam or a rocky islet upon which he alights he creates the earth. His adventures, creative in their consequences rather than in Intention, follow. He steals the daylight and the sun, moon, and stars from an old man who keeps them in chests or sacks and who seems to be a kind of personification of primeval night. Raven’s mode of theft being to allow himself to be swallowed by the
PLATE XXXIII
Chilkat blanket. The design is interpreted as a Killer Whale motive. Above the lower fringe arc two kites in profile. Above these the mouth and teeth of the whale, whose nostrils are central in the mouth. The whale’s eyes are just above, the figure between them representing water from the blowhole, which is indicated by the central human face. The body of the whale is denoted by the upper face, the figures on either side of the two faces representing fins. The upper eyes represent the lobes of the whale’s tail; the figure between them, the dorsal fin. After MAM xn^ Plate XXVII.
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old man’s daughter, from whom he is born again. He steals water from its guardian, the Petrel, and creates the rivers and streams, and he forces the tide-keeper to release the tides. He captures fire from the sea and puts it in wood and stone for the use of man. He seizes and opens the chest containing the fish that are to inhabit the sea, also creating fish by carving their images in wood and vivifying them; or he carries off the Sal- mon’s daughter and throws her Into the water, where she be- comes the parent of the salmon klnd.^^ In addition he enters the belly of a great fish, where he kindles a fire, but his ever- present greed causes him to attack the monster’s heart, thereby killing It; he wishes the carcass ashore, and is released by the people who cut up its body. In some versions the walrus is Raven’s victim, the story being a special North-West form of the myth of the hero swallowed by the monster, which is found from ocean to ocean In North America. Finally, in various ways he is responsible for the flood which puts an end to the Age of Animal Beings and inaugurates that of Men.'*® A Haida legend repeats the Tlingit tale of the jealous uncle, who is here Identified with the personified Raven, Nankilstlas (He- Whose-VoIce-is-Obeyed) . The sister gives birth to a boy, as a result of swallowing hot stones, but the uncle plots to de- stroy the child, and puts on his huge hat (the rain-cloud?), from which a flood of water pours forth to cover the earth. The infant transforms himself Into Yeti, the Raven, and flies heavenward, while the hat of Nankilstlas rises with the Inun- dation; but when Yeti reaches the sky, he pushes his beak into it and, with his foot upon the hat, presses Nankilstlas back and drowns him. This tale appears in many forms in the North-West, the flood-bringing hat often belonging to the Beaver. After the deluge, the surviving beings of the first age are transformed into animals, human beings are created, with their several languages, and the present order of the world is established — all as in Californian myths. One curious in- version of events, in a Kwakiutl story, tells how the ante-
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diluvian wolves, after the subsidence of the flood, took off their wolf-masks and became human beings.^®
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excellence in art, and more than one myth is adorned with tales of houses in which the sculptured pillars or the painted pictures are evidently alive, while stories of living persons rooted to the floor apparently have a similar origin. The carv- ing of a wife out of wood is a frequent theme, and occasionally she, like Galatea, is vivified; when the husband’s name is Sitting-on-Earth, we may suspect that here, too, we have a myth connected with the house-post. In creation stories the first human pair are sometimes represented as carved from wood by the demiurge and then endowed with life, although this may be a version of the Californian legend of the creation of men from sticks, modified by a people with a native genius for wood carving.
III. SECRET SOCIETIES AND THEIR TUTELARIES
Of even greater ceremonial significance than the possession of crests is membership in the secret societies of the North- West. Everywhere in North America, as the clan system loos- ens in rigidity, the Medicine Lodge or the Esoteric Fraternity grows in importance. In its inception the medicine society is seldom unrelated to the clan organization, but it breaks free from this either in the form of a ceremonial priesthood, as among the Pueblo, or in that of a tribal or inter-tribal religious order, as in the mystery societies of the Great Plains. Among the peoples of the North-West the fraternities have had a de- velopment of their own. Apparently they originated with the Elwakiutl tribes, among whom the social organization Is either a compromise or a transitional stage between the matrilinear clans of the northward stocks and the patriarchal family or village-groups of the southerly Coast-Dwellers. Membership in the secret societies Is in a sense dependent upon heredity, for certain of the tutelary spirits of the societies are supposed to appear only to members of particular clans or families; but with this restriction the influence of the clan upon society
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membership ends. Perhaps no sharper indication of the differ- ence could be given than the very general custom of changing the names of the society members, during the season of their ceremonials, from their clan names to the spirit names given them at the time of their initiation; the family system tem- porarily yields place to a mystic division into groups defined by patron spirits, the genii or guardians of the societies.
These spirits are distinguished from the totems that mark descent in that the latter are not regarded as giving continued revelations of themselves: the totem appeared to the ancestor and revealed his mystery, which then became traditionary; the spirits of the societies manifest themselves to, and indeed must take possession of, every initiate; they still move among men, and the ceremonials in their honour take place in the winter season, when these supernatural beings are supposed to be living in association with their neophytes.’’® The most famed and dreaded of the secret society tutelarics is the Canni- bal, whose votaries practise ceremonial anthropophagy, biting the arms of non-initiates (in former times slaves were killed and partly eaten).’’® Cannibals are common characters in the myths of the North-West, as elsewhere; but the Cannibal of the society is a particular personage who is supposed to dwell in the mountains with his servants, the man-eating Grizzly Bear and the Raven who feeds upon the eyes of the persons whom his master has devoured, and who is a long-beaked bird which breaks men’s skulls and finds their brains a daintymorsel. The cult of the Cannibal probably originated among the Heil- tsuk Kwakiutl, whence it passed to neighbouring tribes in com- paratively recent times. The Warrior of the North is a second spirit, his gifts being prowess in war, and resistance ^to wounds and disease. Still others are the Bird-Spirit which makes one able to fly, and the ghosts who bestow the power of returning to life after being slain. The Dog-Eating Spirit, whose votaries kill and eat a dog as they dance, is the inspirer of yet another society with a wide-spread following. The more potent spirits
PLATE XXXI
Kwakiutl ceremonial masks. Upper, an ancestral or totemic double mask, the bird mask, representing the totem being opened out to show the inner man- faced mask. Lower, mask representing the Sisiutl, or double-headed and horned serpent. After MAM viii, Plates XLIX, LX.
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e regarded as malignant in character, but there are milder ings and gentler forms of inspiration derived from the greater iwers, some of these latter types belonging to societies exclu- tqIj for women.
The winter ceremonials, accompanying initiations into the sret societies, are the great festivals of the North-West, ley are made the occasion for feasts, mask dances of the clan itiates in honour of their totems, potlatches, with their rival- ;s, and varied forms of social activity and ceremonial puri- ation. The central event, however, is the endowment of the ophyte with the powers which the genius of the society is be- ved to give. The underlying idea is shamanistic;® the initiate ust be possessed by the spirit, which is supposed to speak and t through him: he must become as glass for the spirit to ter him, as one myth expressively states. The preparation the. novice is various: sometimes he is sent into the wilder- ss to seek his revelation; sometimes he is ceremonially killed entranced; but in every instance seizure by the controlling irit is the end sought. The Haida call this “the spirit speak- g through” the novice; and an account of such possession ' the Cannibal Spirit, Ulala, is given by Swanton: “The one lo was going to be initiated sat waiting in a definite place. 2 always belonged to the clan of the host’s wife. When the ief had danced around the fire awhile, he threw feathers upon e novice, and a noise was heard in the chiefs body. Then e novice fell flat on the ground, and something made a noise side of him. When that happened, all the ‘inspired’ said, o and so fell on the ground.’ A while after he went out of e house. Walala (the same as Ulala) acted through him. le novice was naked; but the spirit-companions wore dancing irts and cedar-bark rings, and held oval rattles (like those ed by shamans) in their hands. Wherever the novice went in, e town people acted as if afraid of him, exclaiming, ‘ Hoy-hoy- ly-hoy hiya-ha-ha hoyil’ Wherever he started to go in, the irit-companions went in first in a crowd. All the uninitiated
X — 18
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hid themselves; not so the others. When he passed in through the doorway, he made his sound, ^ Ap ap ap!’ At the same time the Walala spirit made a noise outside. As he went around the fire he held his face turned upward. In his mouth, too, some- thing (a whistle) sounded. His eyes were turned over and showed the whites.’’ The cannibal initiate among the Kwakiutl is called ‘‘hamatsa”; and Boas has recorded (Report of the United States National Museum^ 1895, pp. 458-62) a number of hamatsa songs which reveal the spirit of the society and its rites better than mere description. The poetry of the North- West tribes, like their mythology, seems pervaded with a spirit of rank gluttony, which naturally finds its most unveiled ex- pression in the cannibal songs: —
Food will be given to me, food will be given to me, because I ob- tained this magic treasure.
I am swallowing food alive: I eat living men.
I swallow wealth; I swallow the wealth that my father is giving away [in the accompanying Potlatch].
This is an old song, and typical. A touch of sensibility and a grimly imaginative repression of detail is in the following: —
Now I am going to eat.
My face is ghastly pale.
I shall eat what is given to me by Baxbakualanuchsiwae.
Baxbakualanuchsiwae is the Kwakiutl name for the Cannibal Spirit, and the appellation signifies ^^the first to eat man at the mouth of the river,” i. e., in the north, the ocean being con- ceived as a river running toward the arctic regions. In some of the songs the cosmic significance of the spirit is clearly set forth: —
You will be known all over the world; you will be known all over the world, as far as the edge of the world, you great one who safely returned from the spirits.
You will be known all over the world; you will be known all over the world, as far as the edge of the world. You went to Bax- bakualanuchsiwae, and there you first ate dried human flesh.
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You were led to his cannibal pole, in the place of honor in his house, and his house is our world.
You were led to his cannibal pole, which is the milky way of our world.
You were led to his cannibal pole at the right-hand side of our world.
From the abode of the Cannibal, the Kwakiutl say, red smoke arises. Sometimes the “cannibal pole” is the rainbow, rather than the Milky Way; but the Cannibal himself is re- garded as living at the north end of the world (as is the case with the Titanic beings of many Pacific-Coast myths), and it is quite possible that he is originally a war-god typified by the Aurora Borealis. A Tlingit belief holds that the souls of all who meet a violent death dwell in the heaven-world of the north, ruled by Tahit, who determines those that shall fall in battle, of what sex children shall be born, and whether the mother shall die in child-birth.^® The Aurora is blood-red when these fighting souls prepare for battle, and the Milky Way is a huge tree-trunk (pole) over which they spring back and forth. Boas is of opinion that the secret societies originated as warrior fraternities among the Kwakiutl, whose two most famed tute- laries are the Cannibal and Winalagilis, the Warrior of the North. Ecstasy is supposed to follow the slaying of a foe; the killing of a slave by the Cannibal Society members is in a sense a celebration of victory, since the slave is war booty; and it is significant that in certain tribes the Cannibals merely hold in their teeth the heads of enemies taken in war.
IV. THE WORLD AND ITS RULERS
The usual primitive conception of the world’s form prevails in the North-West. It is flat and round below and surmounted above by a solid firmament in the shape of an inverted bowl. As the people of this region are Coast-Dwellers, Earth is regarded as an island or group of islands floating in the cosmic waters. The Haida have a curious belief that the sky-vault rises and
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falls at regular intervals, so that the clouds at times strike against the mountains, making a noise which the Indians say they can hear. The world above the firmament is inhabited, and one Haida myth (which closely resembles the Pueblo cosmogony) tells of Raven, escaping from the rising flood in the earth below, boring his way through the firmament and discovering five successive storeys in the world above; a five- row town is the more characteristically North-West concep- tion, given in another version. The Bella Coola believe that there are five worlds, one above the other, two being heaven- worlds, two underworlds, and our Earth the mid-world — an arrangement which is of significance in their theology. Belief in an underworld, and especially in undersea towns and coun- tries, is universal in this region; while the northern tribes all regard the Earth itself as anchored in its mobile foundation by a kind of Atlas, an earth-sustaining Titan. According to the Haida, Sacred-One-Standing-and-Moving, as he is called, is the Earth-Supporter; he himself rests upon a copper box, which, presumably, is conceived as a boat; from his breast rises the Pillar of the Heavens, extending to the sky; his movements are the cause of earthquakes. The Bella Coola, following a myth which is clearly of a South-Coast type, also believe in the Earth- Titan, who is not, however, beneath the world, but sits in the distant east holding a stone bar to which the earth island is fastened by stone ropes; when he shifts his hold, earthquakes occur. The Tsimshian and Tlingit deem the Earth-Sustainer to be a, woman. The earth, they say, rests upon a pillar in charge of this Titaness, Old-Woman-Undemeath;'^ and when the Raven tries to drive her from the pillar, earthquake follows.
The sun, moon, stars, and clouds are regarded as material things, — sometimes as mechanically connected with the firma- ment; sometimes as the dwellings of celestial creatures; some- times, as in the South-West, as masks of these beings.^® The winds are personified according to their prevailing directions, but there is little trace in the North-West of the four-square
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conception of the world, amounting to a cult of the Quarters.®^ As might be expected among seafarers, tide-myths are common. Among the southern tribes animal heroes control the movement of the sea, as in the Kwakiutl story of the Mink who stole the tail of the Wolf that owned the tides, and caused them to ebb or flow by raising or lowering it. In the north a different con- ception prevails : the Haida regard the command of the tide as the possession of an Old Man of the Sea, from whom the ebb and flow were won by the craft of the Raven, who wished to satisfy his gluttony on the life of the tide-flats ; the. same story is found among the Tlingit, who, however, also believe the tide to issue from and recede into a hole at the north end of the world, an idea which is similar to the Bella Coola notion of an undersea man who twice a day swallows and gives forth the waters.
The universe so conceived is peopled by an uncountable number of spirits or powers, whom the Tlingit call Yek.® According to one of Swanton’s informants, everything has one principal and several subordinate spirits, “and this idea seems to be reflected in shamans’ masks, each of which repre- sents one main spirit and usually contains effigies of several subsidiary spirits as well.” There is a spirit on every trail, a spirit in every fire, the world is full of listening ears and gazing eyes — the eyes so conspicuous in the decorative emblems of the North-West. Earth is full and the sea is full of the Keres loosed by Pandora, says Hesiod, and an anonymous Greek poet tells how the air is so dense with them that there is no chink or crevice between them; for the idea is universal to mankind.
Among these spirits appear, up and down the Coast, almost every type of being known to mythology.® There are the one- eyed Cyclops, the acephalous giant with eyes in his breast; the bodiless but living heads and talking skulls, sea-serpents, mermen, Circes, the siren-like singers of Haida lore, anthro- pophagi of many types. Harpy-like birds, giants, dwarfs.
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treasure-wardens, witches, transformers, werefolk, ghosts, and a multitude of genii locorum, to say nothing of magically endowed animals, birds, and fishes. The Haida even have a double nomenclature for the animal kinds; as “Gina teiga” they are creatures of their several sorts, and the proper prey of the hunter; as “Sgana quedas” they are werefolk or man- beings, capable of assisting the human race with their magic might.'*® The Haida make another interesting distinction be- tween the world-powers, classifying them, as their own tribes are divided, into Ravens and Eagles; and they also arrange the ruling potencies in a sort of hierarchy, sky, sea, and land having each its superior and subordinate powers.
The greatest of these potencies is a true divinity, who is named Power-of-the-Shining-Hcavens,® and who, in a prayer recorded by Swanton, is thus addressed: “ Power-of-the-Shin- ing-Heavens, let there be peace upon me; let not my heart be sorry.” He is not, however, a deity of popular story, although a legend is told of his incarnation. Born of a cockle-shell which a maiden dug from the beach, he became a mighty getter of food; a picturesque passage tells how he sat “blue, broad and high over the sea”; and at his final departure for heaven, he said, “When the sky looks like my face as my father painted it there will be no wind; in me (i. e., in my days) people will get their food.” It is Power-of-the-Shining-Heavens who de- termines those that are to die, although Wigit, another celestial deity, who is the same as the Raven, is the one who apportions the length of life of the new-born child, according as he draws a long or a short stick from the faggot which he keeps for this purpose. The Tsimshian have a conception of the sky-god similar to that of the Haida, their name for him being Laxha.
The idea of a Fate in the sky-world, deciding the life of men, is common to the northern tribes. Tahit, the Tlingit divinity of this type, has already been mentioned; and the same god (Taxet, “the House Above”) is recognized by the Haida, though here he is the one who receives the souls of
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those slain by violence, rather than the determiner of death. The Bella Coola have an elaborate system of Fates. When Senx creates the new-born child, an assistant deity gives it its individual features, while a birth goddess rocks It in a pre- natal cradle; and this is true also of animals whose skins and flesh are foreordained for the food and clothing of man. Death, according to the Bella Coola, is predestined by the deities who rule over the winter solstice (the season of the great cere- monies) : two divinities stand at the ends of a plank, balanced like a seesaw, while the souls of men and animals are collected about them; and as the plank rises or falls, the time of the pass- ing of the souls is decided.
It is among the Bella Coola that the hierarchic arrangement of the world-powers has reached, apparently, the most system- atic and conscious form on the North Pacific. As stated above, this tribe separates the universe into five worlds or storeys, two above and two below the earth. In the upper heaven re- sides Qamaits,^ who is also called “Our Woman” and “Afraid- of-Nothlng.” The house of this goddess is in the east of the treeless and wind-swept prairie which forms her domain, and behind her home is the salt-water pond in which she bathes and which forms the abode of the Sisiutl. In the beginning of the world she is said to have waged war against the moun- tains, who made the world uninhabitable, and to have con- quered them and reduced them in height. Qamaits is regarded as a great warrior, but she is not addressed in prayer, and her rare visits to earth cause sickness and death. In the centre of the lower heaven stands the mansion of the gods, called the House of Myths. Senx, the Sun,^® Is master of this house, “the Sacred One” and “Our Father” are his epithets; and it is to him that the Bella Coola pray and make offerings. Almost equal In rank to Senx is Alkuntam, who, with the sun, presided over the creation of man.^® Alkuntam’s mother is described as a Cannibal, who inserts her long snout into the ears of men and sucks out their brains. She seems to be a personification
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loved ones depart, and over and again occurs the story of the quest for the dead, at times almost in the form of Orpheus and Eurydice.^® Thus the Yokut tell of a husband grieving beside his wife’s grave, until, one night, her spirit rises and stands beside him. He follows her to the bridge that arches the river separating the land of the living from the realm of them that have passed away, and there wins consent from the guardians of the dead for her return to earth, but he is forbidden to sleep on the return journey; nevertheless, slumber overtakes him on the third night, and he wakes in the morning to find that he lies beside a log. The Modoc story of Kumush and his daughter and of the creation of men from the bones of the dead is surely akin to this, uniting life and death in one unbroken chain. This conception is brought out even more clearly in a second version of the Yokut tale, wherein the man who has visited the isle of the dead tells how, as it fills, the souls are crowded forth to become birds and fish.
That the home of those who have gone hence should lie beyond the setting sun is a part of that elemental poetry by which man sees his life imaged and painted on the whole field of heaven and earth: the disk of morning is the symbol of birth, noon is the fullness of existence, and evening’s decline is the sign of death. But dawn follows after the darkness with a new birth, for which the dead that be departed do but wait — where better than in those Fortunate Isles which all men whose homes have bordered on the western sea have dreamed to lie beyond its gleaming horizons?
CHAPTER XI
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I. PEOPLES OF THE NORTH-WEST COAST
F rom Puget Sound northward to the neighbourhood of Mt. St. Elias and the Copper River the coast is cut hy innumerable fiords and bays, abutted by glaciated mountains, and bordered by an almost continuous archipelago. The rainy season is long and the precipitation heavy on this coast, which, on the lower levels, is densely forested, conifers forming the greater part of the upper growth, while the shrubbery of bushes furnishes a wealth of berries. The red cedar {Thuja flicata) is of especial importance to the natives of the coast, its wood serving for building and for the carvings for which these people are remarkable, while its bark is used for clothing, ropes, and the like. Deer, elk, bear, the wolf, the mountain goat, the beaver, the mink, and the otter inhabit the forest, the hills, and the streams, and are hunted by the Indians; though it is chiefly from the sea that the tribes of this region draw their food. Besides molluscs, which the women gather, the waters abound in edible fish ; salmon and halibut, for which the coast is famous, herring, candlefish, from which the natives draw the oil which is an important article of their diet, and marine mammals, such as the seal, sea-lion, and whale. The region is adapted to support a considerable population, even under aboriginal conditions of life, while at the same time its easy internal communication by water, and its relative inacces- sibility on the continental side, encourage a unique and special culture.
Such, indeed, we find. While no less than siz linguistic divi-
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sions are found on the North-West Coast, accompanied by a corresponding diversity of physical types, the general cul- ture of the region Is one, and of a cast unlike anything else on the continent. Its foundation is maritime, the Indians of this region building large and shapely canoes, and some tribes, such as the Nootka and Quileute, even attacking the whale in the open sea. Villages are built facing the beach, and the timber houses, occupied by several families, represent the high- est architectural skill of any Indian structures north of the pueblos. The wood-working craft is nowhere in America more developed, not only in the matter of weapons and utensils, but especially in carvings, of which the most famous exam- ples are the totem-poles of the northern tribes. Work in shell, horn, and stone is second in quality only to that in wood, while copper has been extensively used, even from aboriginal times. Basketry and the weaving of mats and bark-cloth are also native crafts. In art the natives of the North-West at- tained a unique excellence, their carvings and drawings show- ing a type of decorative conventionalizing of human and animal figures unsurpassed in America, as is also the skill with which these elements are combined. The impulse of this art is almost wholly mythical, and it finds its chief expression in heraldic poles, grave-posts, and house-walls, in ceremonial masks and rattles, and in the representation of ancestral animals on clothing and utensils.
The social structure of the peoples of the North-West re- flects their advancement In the crafts. The majority of the tribes are organized into septs and clans determining descent and marriage relations. In the northern area descent is counted matrillnearly, in the southern by the patrilinear rule. The Kwakiutl have an institution which seems to mark a transi- tion between the two systems: descent follows the paternal line, but each individual inherits the crest of his maternal grandfather. In some village-groups parents are at liberty to place their children in either the maternal or the paternal
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clan. Clan exogamy is the rule. Within the tribe the various clans are not of equal status; consequently, there is a similar gradation in the rank of the nobles who are the clan heads or chiefs. These nobles are the real rulers of the North-West peoples, whose government is thus of an oligarchic type. Clan membership carries with it the right to use the ancestral crest, certain totems involving the privileges of rank, while others mark plebeian caste. Slavery is another institution prominent in the North-West, slaves being either prisoners of war or hopeless debtors.
Perhaps the most distinctive feature of these tribes is the Potlatch. Primarily this word designates a festival at which a chieftain or a man of means distributes a large amount of property, often the accumulation of years. These riches are not, however, a free presentation, since the recipients are bound to return, with interest, the gifts received, so that a wealthy man thus ensures to himself competence and revenue, as well as importance in the tribal councils. Rivalry of the intensest sort is generated between the great men of the several clans, each striving to outdo the others in the munificence of his feasts, which thus become a matter of family distinction, enti- tled to record on the family crest. The recognized medium of exchange is the blanket, but a curious and interesting device is the “Copper” — the bank-note of the North-West — a ham- mered and decorated sheet of copper of a special form, having the value of many hundred or of several thousand blankets, according to the amount offered for it at a festal sale. These Coppers are, in fact, insignia of wealth; and since the destruc- tion of property is regarded as the highest evidence of social importance, they are sometimes broken, or even entirely de- stroyed, as a sign of contempt for the riches of a less able rival.
Of the stocks of the North-West the most northerly is the Koluschan, comprising the Tlingit Indians, whose region ex- tends frond the Copper River, where they border upon the Eskimoan Aleut, south to Portland Canal. The Skittagetan
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stock, of the Queen Charlotte Islands and the southern part of Prince of Wales Island, is formed of the Haida tribes; while on the opposite mainland,. following the Nass and Skeena riv- ers far inland, is the district of the Tsimshian and other Chim- mesyan peoples. South of these begin the territories of the Wakashan stock, which extend on the mainland to Johnston Strait and, beyond, over the whole western part of the is- land of Vancouver. Powell divided this stock into the Aht and Haeltzuk (Bellabella) tribes, but later authorities prefer Kwakiutl and Nootka, the latter holding the seaward side of Vancouver. The fifth group comprises the Coast Salish: a northern division, about Dean Inlet and the Salmon and Bella Coola rivers, adjoining the Wakashan territories; a central di- vision extending from the head of the Strait of Georgia south- ward to Chinook lands about the Columbia; and a southern group holding the Oregon coast south of the Chinook peoples. A single tribe, the Quileute, about Cape Flattery in Wash- ington, represents the almost extinct Chimakuan stock. In general, the culture of the Tlingit and Haida tribes show an identity of form which distinguishes them as a group from the like community manifested by the Tsimshian, Kwakiutl, Nootka, and North-Coast Salish.
II. TOTEMISM AND TOTEMIC SPIRITS*
The ceremonies of the tribes of the North-West fall into two classes, following their social and ceremonial organi?:ation. The social division into clans, which are matrilinear and exo- gamic in the north, while patrilinear or mixed systems prevail in the south, finds outward expression in totemic insignia and in ceremonial representations of the myths narrating the be- ginnings of the septs. These origins are ascribed to an ancestor who has been initiated by animal-beings into their mysteries, or dances, thus conferring upon him the powers of the initiating creatures; the animals themselves are not regarded as ancestral,
PLATE XXX
Frame of Haida house with totem-pole. After MAM viii, Plate XL
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nor are the members of the clan akin to the totemic being, except in so far as they possess the powers and practise the rites obtained through the ancestral revelation. The manner of revelation is precisely that in which the Indian everywhere in North America acquires his guardian or tutelary, his personal totem : in fast or trance the man is borne away by the animal- being, taken perhaps to the lodge of its kind, and there given an initiation which he carries back to his people. The dis- tinctive feature of the North-Western custom, however, is that a totem so acquired may be transmitted by inheritance, so that a man’s lineage may be denoted by such a series of crests as appears upon the totem-pole.®^ Correspondingly, the number and variety of totemic spirits become reduced, ani- mals or mythic beings of a limited and conventionalized group forming a class fixed by heredity. Yet the individual character of the totem never quite disappears; what is transmitted by birth is the right to initiation into the ancestral mysteries; without this ceremony the individual possesses neither the use of the crest nor knowledge of its myths and songs.
The animal totems of the Tlinglt, as given by Boas, are the Raven and the Wolf; of the Haida, the Raven and the Eagle; of the Tsimshian, Raven, Eagle, Wolf, and Bear; of the Heiltsuk Kwakiutl, Raven, Eagle, and Killer Whale; while the Haisla (like the Heiltsuk Kwakiutl of Wakashan stock) have six totems, Beaver, Eagle, Wolf, Salmon, Raven, and Killer Whale. Among the remaining tribes of the region — Nootka, Kwakiutl, and Salishan — family crests, rather than clan totems, are the marks of social distinction; but even in the north, where the totemic clan prevails, crests vary among the clan families: thus, the families of the Raven clan of the Stikine tribe of the Tlinglt have not only the Raven, but also the Frog and the Beaver, as hereditary crests.
In addition to acquisition by marriage and inheritance, rights to a crest may pass from one family or tribe to another through war; for a warrior who slays a foe is deemed to have
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acquired the privileges of the slain man’s totem; if this be one foreign to the conqueror’s tribe, slaves may be called upon to give the proper initiation, which is still essential. Thus the rights to certain crests pass from clan to clan and from tribe to tribe, forming the foundation for a kind of intertribal relation- ship of persons owning like totems. Wars were formerly waged for the acquisition of desired totemic rights, and more than once, the legends tell, bitter conflicts have resulted from the appropriation of a crest by a man who had no demonstrable right to it, for no prerogatives are more jealously guarded in the North-West. Only persons of wealth could acquire the use of crests, for the initiation must be accompanied by feast- ing and gift-giving at the expense of the initiate and his kin- dred. On the other hand, the possession of crests is a mark of social importance; hence, they are eagerly sought.- The origin of crests was referred to mythic ancestors. The . Haida are divided into Eagles and Ravens. The ancestress of the Raven clan is Foam Woman, who rose from the sea and is said to have had the power of driving back all other super- natural beings with the lightnings of her eyes; Foam Woman, like Diana of the Ephesians, had many breasts, at each of which she nourished a grandmother of a Raven family of the Haida. The oldest crest of this clan is the Killer Whale, whose dorsal fin, according to tradition, adorned the blanket of one of the daughters of Foam Woman; but they also have for crests the Grizzly Bear, Blue Hawk, Sea-Lion, Rainbow, Moon, and other spirits and animals. Curiously enough, the Raven crest among the Haida does not belong to families of the Raven clan, but to Eagles, whose ancestor is said to have obtained it from the Tsimshian. All the Eagles trace their descent from an ancestress called Greatest Mountain, probably denoting a mainland origin of this clan, but the Eagle is regarded as the oldest of their crests. The animals themselves are not held to be ancestors, but only to have been connected in some signifi- cant fashion with the family or clan progenitor; thus, an Eagle
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chief appeared at a feast with a necklace of live frogs, and his family forthwith adopted the frog as a crest.
Many creatures besides animals appear as totemic or family crests, and the double-headed snake (represented with a head at each end and a human head in the middle), known to the Kwakiutl as Sisiutl, is one of the most important of these beings.®® A Squawmish myth tells of a young man who pur- sued the serpent Senotlke for four years, finally slaying it; as he did so, he himself fell dead, but he regained life and, on his return to his own people, became a great shaman, having the power to slay all who beheld him and to make them live again — a myth which seems clearly reminiscent of initiation rites. The Sisiutl is able to change itself into a fish, whose flesh is fatal to those who eat it, but for those who obtain its super- natural help it is a potent assistant. Pieces of its body, owned by shamans, are powerful medicine and command high prices. The Bella Coola believe that its home is a salt-water lake be- hind the house of the supreme goddess in the highest heaven, and that the goddess uses this mere as a bath. The skin of the Sisiutl is so hard that it cannot be pierced by a knife, but it can be cut by a leaf of holly. In one Bella Coola myth the mountain is said to have split where it crawled, making a passage for the waters of a river. It would appear from these and other legends that the Sisiutl, like the horned Plumed Snake of the Pueblos, is a genius of the waters, perhaps a personification of rain-clouds. A Comox tradition, in many ways analogous to the South-Western story of the visit of the Twin Warriors to the Sun, tells of the conquest of Tlaik, chief of the sky, by the two sons of Fair Weather, and of the final destruction of the sky-chief, who is devoured by the double- headed snake — a tale which suggests clearly enough the efface- ment of the sun by the clouds.
Another being important in clan ritual is the Cannibal woman (Tsonoqoa, Sneneik),^® whose offspring are represented as wolves, and in whose home is a slave rooted to the ground
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from eating the food which the demoness gave her. This anthro- pophagous monster dwells in the woods and carries a basket in which she puts the children whom she steals to eat, and she also robs graves; but at last she is slain by a sky-boy to whose image, reflected in the water, she makes love. Komokoa, the Rich One,'^ is the protector of seals, and lives at the bottom of the sea; the drowned go to him, and stories are narrated of persons who have penetrated to his abode and afterward returned to give his crest to their descendants. A frequent form of legend recounts how hunters harpoon a seal and are dragged down with incredible velocity until the home of Komokoa is reached; there they are initiated, and receive crests and riches with which they go back to their kindred, who have believed them long since dead. The Thunderbird,^^ described as a huge creature carrying a lake on its back and flashing lightnings from its eyes, is also a crest, traditions telling of clan ancestors being carried away to its haunts and there initiated. Whales are said to be its food, and the bones of cetaceans devoured by it may be seen upon the mountains. Monstrous birds are of frequent occurrence in the myths of the North-West, as in California, many of them seeming to derive their characteristics from the Thunderbird, while the latter is sometimes asserted to resemble types of the Falconidae, as the hawk or the eagle.
The wooden masks, carved and painted, employed in the initiation ceremonies connected with the clan totems are the ritual representations of the clan myth.®® Many of these masks are double, the inner and outer faces representing two moods or incidents in the mythic adventure. Frequently the outer is an animal, the inner a human, face — a curious ex- pression of the aboriginal belief in a man-soul underlying the animal exterior. Masks are not regarded as idols; but that a kind of fetishistic reverence attaches to wood-carvings of super- natural beings in the North-West is shown by the number of myths telling of such figures manifesting life. “The carvings on the house posts wink their eyes,” is a Haida saying denoting
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tance of the action: it is as if the motives and deeds of the natural world were being tried out, fitted, like vestments, now upon this type of being, now upon that, with a view to the dis- covery of the most suitable character. It indicates, too, that the tales are probably far older than the environment, which they have been gradually transformed to satisfy. To be sure, certain elements are constant, for they represent unchangeable factors in human experience — as the relation of Earth and Sky, Light and Darkness, Rain, Fire, Cloud, and Thunder; but the animal personalities, and to a less extent the monstrous beings, vary for the same plot in different tribes and differ- ent tellings — vary, yet with certain constancies that deserve note. Coyote, over the whole western half of North America, is the most important figure of myth: usually, he is not an edifying hero, being mainly trickster and dupe by turns; yet he very generally plays a significant role in aiding, willy-nilly, the First People to the discovery of their final and appropriate shapes. He is, in other words, a great transformer; he is fre- quently the prime mover in the theft of fire, which nearly all tribes mark as the beginning of human advancement; and in parts, at least, of California, his deeds are represented as al- most invariably beneficent in their outcomes; he is a true, if often unintentional, culture hero. Other animals — the Elk, the Bear, the Lion — are frequent mythic figures, as are cer- tain reptiles — the Rattlesnake, the exultant Frog Woman, who floats on the crest of the world-flood, and the Lizard who, because he has five fingers and knows their usefulness, similarly endows man when the human race comes to be created. But it is especially the winged kind — the birds — that play, after Coyote, the leading roles in West-Coast myth. The Eagle, the Falcon, the Crow, the Raven, and to a less degree the Vulture and the Buzzard, are most conspicuous, for it is noticeable that among birds, as among animals, it is the stronger, and especially the carnivorous, kinds that are the chiefs of legend. Nevertheless, this is no Invariable rule, and the Woodpecker,
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whose red head-feathers were used as money among the Cali- fornian tribes, the Humming-Bird, and indeed most other birds known to them, figure in the myths of the region. Nor are smaller creatures — the Louse, the Fly, and the Worm — too insignificant for the maker of traditions.
All of these beings, in the age of the First People, were human in form; the present order of existence began with their transformation into the birds and animals we now know. In West-Coast myth, this metamorphosis often follows directly upon the cataclysm of fire or flood by which the First World was destroyed, thus giving the two periods a distinctness of separation not common in Indian thought. In many versions the transformation is the work of the world-shaper — Coyote or another — as in the myth of Olelbis, who apportions to each creature its proper shape and home after the earth has been restored. Even more frequently there is a contest of some sort, the outcome of which is that victor and vanquished are alike transformed. This may be a battle of wits, as in the Coos story of the Crow whose voice was thunder and whose eyes flashed lightning:®^ a certain man-being persuaded the Crow first to trade voices with him, and then to sell the light- nings of his eyes for the food left by the ebb-tide, whereupon the Crow degenerated into what he now is, a glutton with a raucous voice, while the man became the Thunderer. Again, the struggle may be of the gaming type: in a Miwok legend Wek-wek, the Falcon, participated with a certain winged giant, Kelok, in a contest at which each in turn allowed himself to be used as a target for red-hot stones hurled by his opponent; through over-confidence Wek-wek is slain, but he is restored to life again by Coyote, who is shrewd enough to beat the giant at his own game; while from the body of the slain monster is started the conflagration that destroys the world.®® In a third case, the contest is one of sorcery: the story of the Loon Woman tells how she fell in love with the youngest of her ten brothers as they danced in the sweat-lodge; by her magic she com-
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pelled him to accompany her, but he escaped, and the brothers, with the aid of their elder sister. Spider Woman, ascended to heaven in a basket; Loon Woman perceived them, set fire to the sweat-house, and all save the Eagle fell back into the flames; their bodies were burned and Loon Woman made herself a neck- lace of their hearts. Nevertheless, her triumph was brief, for the Eagle succeeded in slaying her, and placing her heart along with those of his brothers in a sweat-house, brought them all back to life, but with the forms and dispositions which they now possess.
The creation of the human race ™ marks the close of the age of the First People. Usually the World-Maker is also the shaper of men, and it is the West-Coast mode to conceive the process quite mechanically: men are fashioned from earth and grass, or appear as the transformations of sticks and feathers; the Kato story is altogether detailed, telling how Nagaitcho made a trachea of reed and pounded ochre to mix with water and make blood. A more dignified creation was that of Gudatri- gakwitl, the Wishosk Maker, who used no tools, but formed things by spreading out his hands. “When Gudatrigakwitl wanted to make people, he said, ‘I want fog.’ Then it began to be foggy. Gudatrigakwitl thought: ‘No one will see it when the people are born.’ Then he thought: ‘Now I wish people to be all over, broadcast. I want it to be full of people and full of game.’ Then the fog went away. No one had seen them before, but now they were there.” Most imaginative of all is the Modoc myth, recorded by Curtin. Kumush, the man of the beautiful blue, whose life was the sun’s golden disk, had a daughter. He made for her ten dresses: the first for a young girl, the second the maturity raiment in which a maiden clothes herself when she celebrates the coming of womanhood, the third to the ninth festal and work garments such as women wear, the tenth, and most beautiful of all, a burial shroud. When the girl was within a few days of maturity, she entered the sweat-house to dance; there she fell asleep and dreamed
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that some one was to die, and when she came out she demanded of Kumush her burial dress. He offered her each of the others in turn, but she would have only this ; when she had donned It, she died, and her spirit set out for the west, the home of them that had passed away. Kumush, however, would not let her go alone, and saying, “ I know all things above, below, and in the world of ghosts; whatever is, I know,” he accompanied her down into the caverns of the dead. There father and daughter dwelt, by night dancing with the spirits, which became skeletons by day. But Kumush wearied of this, and determined to return to earth and restore life upon It. He took a basketful of the bones and set out, but they resisted and dug sharply Into his body. Twice he slipped and fell back, but the third time he landed in the world above, and sowing there the bones of the ghosts, a new race sprang up from them — the race of men who have since inhabited the earth.
VI. FIRE AND LIGHTS
In the beginning the First World was without light or heat; blackness and cold were ever)rwhere, or if there were light and warmth, they were distant and inaccessible: “the world was dark and there was no fire; the only light was the Morning, and it was so far away in the high mountains of the east that the people could not see it; they lived in total darkness” — with this suggestive image of valley life begins a Miwok tale of the theft of Morning. Sometimes it is Morning or Day- light that is stolen, sometimes it Is the Sun, oftenest it is Fire; but the essential plot of the story seldom varies : on the con- fines of the world there is a lodge in which the Light or the Fire is guarded by jealous watchmen, from whom their treasure must be taken by craft; generally, the theft is discovered and a pursuit is started, but relays of animals succeed in bearing off a fragment of the treasure.
Coyote is the usual plotter and hero of myths of fire and light.
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In a dramatic Kato story he dreams of the sun In the east.^^ With three mice for companions he sets out, coming at last to the lodge where two old women have the sun bound to the floor. When they sleep, the mice gnaw the bands that hold the sun, and Coyote seizes it, pursued by the awakened women, whom he changes into stone. From the stolen sun he fashions all the heavenly bodies: ^^Moon, sun, fly into the sky. Stars become many in it. In the morning you shall come up. You shall go around the world. In the east you shall rise again in the morning. You shall furnish light.’’ Not always, however, is the venture so successful; in the Mlwok tale the stealing of the sun results in the transformation of the First People into animals, and the like metamorphosis follows on the theft of fire as narrated by the Modoc. Sometimes the fire-origin story is literal and simple, as in the Wishosk legend of the dog who kindled the first flame by rubbing two sticks; sometimes it is dramatic and grim, as in the duel of magicians, which the Coos tradition narrates, in which one is eaten by maggots till he is nothing but bones, before he finally succeeds in so terrifying his opponent that the latter flees, and his wealth of fire and water — a unique combination — is taken.^^ Again, there are poetic versions — the Shasta story which makes Pain and his children the guardians of fire; or the Miwok tale of the Robin who got his red breast from nestling his stolen flame, to keep it alive; or that of the Mouse who charmed the fireowners with music and hid a coal in his flute.
The Maidu, naturally enough, make Thunder and his Daugh- ters (who must be the lightnings) the guardians of fire.®^ They tell, in a hero story, how the elder of two brothers is lured away by, and pursues, a daughter of Thunder. He shoots an arrow ahead of her, and secures it from her pack-basket (the storm- cloud) without harm. He makes his way through a briar field by the aid of a flint which cuts a path for him. Protected by moccasins of red-hot stone, he follows her through a field of rattlesnakes, and when he finds her he cuts off the serpent teeth
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?which surround her vagina (a variant of one of the most wide- spread of North American myth-incidents) . On his moccasins he crosses a frozen lake, and with the assistance of a feather — the universal symbol of life — he fords a deep river and passes the Valley-of-Death-by-Old-Age.® Arrived at the house of Thunder, he avoids poisoned food, breaks a pitch-log for firewood, escapes a water monster that nearly drowns him, and slays a grizzly bear which pursues him, when on a deer- hunt, by shooting it in the left hind foot, its only vulnerable spot. These labours performed, the North American Hercules takes the daughter of Thunder to wife, and returns to his home.
This is one of the many hero tales in which the West-Coast mythology is rich. The red-hot moccasins suggest the personi- fication of volcanic forces, so that the whole myth may well be the story of a volcano, wedded to its lightnings, cleaving lake and river and valley, and overcoming the mighty of earth. A similar origin may be that of the Miwok giant Kelok, hurl- ing his red-hot rocks and setting the world ablaze — surely a volcanic Titan.
Another type of hero is the child of the Sun.^® The Maidu story of the exploits of the Conquerors, born a't one birth to Cloud Man and a virgin, is strikingly like the South-Western tales of the divine twins, sons of the Sun; and a somewhat similar legend is narrated by the Yuki.^ The kind of hero more distinctive of the West Coast, however, is “Dug-from- the-Ground.” In the Hupa recension a virgin, forbidden by her grandmother to uproot two stocks (the mandrake super- stition), disobeys, and digs up a child. He grows to manhood, visits the sky-world, and finally journeys to the house of the sun in the east, where he passes laborious tests, and in the game of hockey overcomes the immortals, including Earthquake and Thunder. Tulchuherris is the Wintun name for this hero; he is dug up by an old woman, and when he emerges a noise like thunder is heard in the distant east, the home of the sun.
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Curtin regards Tulchuherris as the lightning, born of the fog which issues from the earth after sunrise.
In another story, one of the most popular of Californian tales,®^ the Grizzly Bear and the Doe were kindred and friends, living together and feeding in the same pasture. One day while afield the Bear killed the Doe, but her two Fawns dis- covered the deed, and beguiling the murderess into letting them have her cub for a playmate, they suffocated it in a sweat- house. Pursued by the Bear, they were conveyed to heaven by a huge rock growing upward beneath them ; and there they found their mother. The story has many forms, but the Fawns are always associated with fire. Sometimes they trap the mother bear, but usually they kill her by hurling down red- hot rocks. They themselves become thunders, and it is in- structive that the Doe, after drinking the waters of the sky-world, dies and descends to earth — clearly she is the rain-cloud and her Fawns are the thunders. The legend of the heaven-growing rock, lifting twins to the skies, occurs more than once in California, most appropriate surely when applied to the great El Capitan of the Yosemite.'^^
It is perhaps too easy to read naturalistic interpretations into primitive myth. In many instances the meaning is un- mistakably expressed and seems never to be lost, as in the Promethean theft of fire; but in others — and the hero of Herculean labours is a fair example — it is by no means cer- tain that long and varied borrowing has not obscured the original intention. Volcanic fire, lightning, and sunlight itself seem to be the figures suggesting the adventures; but it may well be that for the aboriginal narrators these meanings have long since vanished.
VII. DEATH AND THE GHOST-WORLD
The source of death, no less than the origin of life, is a riddle which the mind of man early endeavours to solve; and in the
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New World, as sometimes in the Old, the event is made to turn upon a primal choice. In the New-World tales, however, it is not the creature’s disobedience, but deliberate selection hy one of the primal beings that establishes the law. The typ- ical story is of a conflict of design : the Author of Life in- tends to create men undying, but another being, who is Coyote far more often than any other, jealous of the new race, wishes mortality into the world, and his wish prevails. In very many versions, neither rational nor ethical principle is concerned in the choice; it is a result of chance; but on the West Coast not a few examples of the legend involve both reason and morals. As it is told, one of the First People loses a child; its resurrec- tion is contemplated; but Coyote interferes, saying, “Let it re- main dead; the world will be over-peopled; there will be no food; nor will men prize life, rejoicing at the coming of chil- dren and mourning the dead.” “So be it,” they respond, for Coyote’s argument seems good. But human desires are not satisfied by reason alone, as is shown in the grimly ironical conclusion; Coyote’s real motive is not the good of the living; selfishness and jealousy prompt his specious plea; now his own son dies, and he begs that the child be restored to life; but “Nay, nay,” is the response, “the law is established.”
The most beautiful myth of this type that has been recorded is Curtin’s “Sedit and the Two Brothers Hus,” of the Wintun. Sedit is Coyote; the brothers Hus are buzzards. Olelbis, about to create men, sends the brothers to earth to build a ladder of stone from it to heaven; half way up are to be set a pool for drink and a place for rest; at the summit shall be two springs, one for drinking and the other for bathing — internal and external purification — for these are to be that very Foun- tain of Youth whose rumour brought Ponce de Leon from Spain to Florida. When a man or a woman grows old, says Olelbis, let him or her climb to Olelpanti, bathe and drink, and youth will be restored. But as the brothers build. Coyote, the tempter, comes, saying, “I am wise; let us reason”; and he pictures con-
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temptuously the destiny which Olelbis would bestow: “Sup- pose an old woman and an old man go up, go alone, one after the other, and come back alone, young. They will be alone as before, and will grow old a second time, and go up again and come back young, but they will be alone, just the same as at first. They will have nothing on earth whereat to rejoice. They will never have any friends, any children ; they will never have any pleasure in the world; they will never have anything to do but to go up this road old and come back down young again.” “Joy at birth and grief for the dead is better,” says Coyote, “for these mean love.” The brothers Hus are con- vinced, and destroy their work, though not until the younger one says to Coyote: “You, too, shall die; you, too, shall lie in the ground never to rise, never to go about with an otter- skin band on your head and a beautiful quiver at your back!” And when Coyote sees that it is so, he stands muttering: “What am I to do now.^ I am sorry. Why did I talk so much.^ Hus asked me if I wanted to die. He said that all on earth here will have to die now. That is what Hus said. I don’t know what to do. What can I do?” Desperate, he makes him- self wings of sunflowers — the blossoms that are said always to follow the sun — and tries to fly upward; but the leaves wither, and he falls back to earth, and is dashed to death. “It is his own deed,” says Olelbis; “he is killed by his own words; hereafter all his people will fall and die.”
Such is the origin of death; but death is, after all, not the end of a man; it only marks his departure to another world than this earth. The body of a man may be burned or buried, but his life is a thing indestructible; it has journeyed on to another land. The West-Coast peoples find the abode of the dead in various places.^® Sometimes it is in the world above, and many are the myths detailing ascents to, and descents from, the sky; sometimes it is in the underworld; oftenest, it is in the west, beyond the waters where the sun is followed by night. Not always, however, are mortals content to let their
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than help the beneficent intentions of the creator, toll, pain, and death being due to his Interference. “I was the oldest in the olden time, and if a person die he must be dead,” says Coyote to Earth-Maker in a Maidu myth, reported by Dixon.^® The first act of this Maidu creation already implies the covert antagonism ;
“When this world was filled with water, Earth-Maker floated upon it, kept floating about. Nowhere in the world could he see even a tiny bit of earth. No person of any kind flew about. He went about in this world, the world itself being invisible, transparent like the sky. He was troubled. ‘ I wonder how, I wonder where, I wonder in what place, in what country we shall find a world!’ he said. ‘You are a very strong man, to be thinking of this world,’ said Coyote. ‘I am guessing in what direction the world is, then to that distant land let us float!’ said Earth-Maker.” The two float about seeking the earth and singing songs : “ Where, 0 world, art thou ? ” “ Where are you, my great mountains, my world mountains?” “As they floated along, they saw something like a bird’s nest. ‘Well that is very small,’ said Earth-Maker. ‘It is small. If it were larger I could fix it. But It Is too small,’ he said. ‘ I wonder how I can stretch It a little!’ . . . He extended a rope to the east, to the south he extended a rope, to the west, to the northwest, and to the north he extended ropes. When all were stretched, he said, ‘Well, sing, you who were the finder of this earth, this mud! “In the long, long ago, Robin-Man made the world, stuck earth together, making this world.” Thus mortal men shall say of you, in myth-telling.’ Then Robin sang, and his world-making song sounded sweet. After the ropes were all stretched, he kept singing; then, after a time, he ceased. Then Earth-Maker spoke to Coyote also. ‘Do you sing, too,’ he said. So he sang, singing, ‘My world where one travels by the valley-edge; my world of many foggy mountains; my world where one goes zigzagging hither and thither; range after range,’ he said, ‘I sing of the country I
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shall travel in. In such a world I shall wander,’ he said. Then Earth-Maker sang — sang of the world he had made, kept singing, until by and by he ceased. ‘Now,’ he said, ‘it would be well if the world were a little larger. Let us stretch it!’ ‘Stop!’ said Coyote. ‘ I speak wisely. The world ought to be painted with something so that it may look pretty. What do ye two think?’ Then Robin-Man said, ‘I am one who knows nothing. Ye two are clever men, making this world, talking it over; if ye find anything evil, ye will make it good.’ ‘Very well,’ said Coyote, ‘I will paint it with blood. There shall be blood in the world; and people shall be born there, having blood. There shall be birds born who shall have blood. Everything — deer, all kinds of game, all sorts of men without any exception — all things shall have blood that are to be created in this world. And in another place, making it red, there shall be red rocks. It will be as if blood were mixed up with the world, and thus the world will be beautiful!’ ” After this Earth-Maker stretched the world, and he inspected his work, journeying through all its parts, and he created man-beings in pairs to people earth’s regions, each with a folk speaking differently. Then he addressed the last-created pair, saying: “‘Now, wherever I have passed along, there shall never be a lack of anything,’ he said, and made motions in all directions. ‘The country where I have been shall be one where nothing is ever lacking. I have finished talking to you, and I say to you that ye shall remain where ye are to be born. Ye are the last people; and while ye are to remain where ye are created, I shall return, and stay there. When this world becomes bad, I will make it over again; and after I make it, ye shall be born,’ he said. (Long ago Coyote suspected this, they say.) ‘This world will shake,’ he said. ‘This world is spread out flat, the world is not stable. After this world is all made, by and by, after a long time, I will pull this rope a little, then the world shall be firm. I, pulling on my rope, shall make it shake. And now,’ he said, ‘there shall be songs, they shall not be lacking,
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ye shall have them/ And he sang, and kept on singing until he ceased singing. ^Ye mortal men shall have this song,’ he said, and then he sang another; and singing many different songs, he walked along, kept walking until he reached the middle of the world; and there, sitting down over across from it, he remained.”
In another myth of the Maidu, Earth-Maker descends from heaven by a feather rope to a raft upon which Turtle and a sorcerer are afloat. Earth-Maker creates the world from mud brought up by the Turtle, who dives for it, and Coyote issues from the Underworld to introduce toil and death among men. The Maidu Earth-Maker has close parallels among neigh- bouring tribes,® perhaps the most exalted being Olelbis, of the Wintun: ^^The first that we know of Olelbis is that he was in Olelpanti. Whether he lived in another place is not known, but in the beginning he was in Olelpanti (on the upper side), the highest place.” Thus begins Curtin’s rendering of the myth of creation. The companions of Olelbis in this heaven-world — completing the triad which so often recurs in Californian cosmogonies — are two old women, with whose aid he builds a wonderful sweat-house in the sky: its pillars are six great oaks; its roof is their intertwining branches, from which fall endless acorns; it is bound above with beautiful flowers, and its four walls are screens of flowers woven by the two women; ‘‘all kinds of flowers that are in the world now were gathered around the foot of that sweat-house, an enormous bank of them; every beautiful color and every sweet odor in the world was there. The sweat-house grew until it became wonder- ful in size and splendour, the largest and most beautiful thing in the world, placed there to last forever — perhaps the most charmingly pictured Paradise in Indian myth.
Other creators, in the myths of this region, are Taikomol, He-Who-Goes-Alone, of the Yuki; Yimantuwinyai, Old-One- Across-the-Ocean, of the Hupa; K’mukamtch, Old Man, of the Klamath, tricky rather than edifying in character; and the
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Wishosk Maker Gudatrigakwitl, Old-Man-Above, who per- forms his creative work by “joining his hands and spreading them out.” Among these the Hupa creator seems not to have existed forever: “It was at Tcoxoltcwedin he came into being. From the earth behind the inner house wall he sprang into existence. There was a ringing noise like the striking together of metals at his birth. Before his coming smoke had settled on the mountain side. Rotten pieces of wood thrown up by someone fell into his hands. Where they fell there was fire.” This surely implies a volcanic birth of the universe, natural enough in a land where earthquakes are common and volcanoes not extinct. Something of the same suggestion is conveyed by a myth of the neighbouring Coos Indians, in which the world is created by two brothers on a foundation of pieces of soot cast upon the waters.'** In this Kusan myth the third person of the recurrent Californian triad is a medicine-man with a red-painted face, whom the brothers slay, spilling his blood in all directions — an episode reminiscent of the role of Coyote in the Maidu genesis. When the world Is completed, the brothers shoot arrows upward toward the heavens, each successive bolt striking into the shaft of the one above, and thus they build a ladder by means of which they ascend into the sky.
IV. CATACLYSMS*®
The notion of cataclysmic destructions of the world by flood or fire, often with a concomitant falling of the sky, is frequent in West-Coast myth. Indeed, many of the creation-stories seem to be, in fact, traditions of the re-forming of the earth after the great annihilation, although in some myths both the creation and the re-creation are described. One of the most interesting is the genesis-legend of the Kato, an Athapascan tribe closely associated with the Porno, who are of Kulanapan stock.
The story begins with the making of a new sky, to replace
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the old one, which is soon to fall. ^^The sandstone rock which formed the sky was old, they say. It thundered in the east; it thundered in the south; it thundered In the west; It thundered in the north. ‘The rock is old, we will fix it,’ he said. There were two, Nagaitcho and Thunder. ‘We will stretch it above far to the east,’ one of them said. They stretched it.®^ They walked on the sky.” So the tale begins. Nagaitcho, the Great Traveller, and Thunder then proceed to construct an outer cosmos of the usual Californian type: a heaven supported by pillars, with openings at each of the cardinal points for winds and clouds and mist, and with winter and summer trails for the sun’s course. They created a man and a woman, presum- ably to become the progenitors of the next world-generation. Then upon the earth that was they caused rain to fall: “Every day it rained, every night It rained. All the people slept. The sky fell. The land was not. For a very great distance there was no land. The waters of the oceans came together. Animals of all kinds drowned. Where the water went there were no trees. There was no land. . . . Water came, they say. The waters completely joined everywhere. There was no land or mountains or rocks, but only water. Trees and grass were not. There were no fish, or land animals, or birds. Human beings and animals alike had been washed away. The wind did not then blow through the portals of the world, nor was there snow, nor frost, nor rain. It did not thunder nor did it lighten. Since there were no trees to be struck, it did not thunder. There were neither clouds nor fog, nor was there a sun. It was very dark. . . . Then it was that this earth with its great, long horns got up and walked down this way from the north. As It walked along through the deep places the water rose to Its shoulders. When It came up into shallower places, it looked up. There is a ridge in the north upon which the waves break. When it came to the middle of the world, In the east under the rising of the sun, it looked up again. There where it looked up will be a large land near to the coast. Far away to the south it
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continued looking up. It walked under the ground. Having come from the north it traveled far south and la7 down. Nagaitcho, standing on earth’s head, had been carried to the south. Where earth lay down Nagaitcho placed its head as it should be and spread gray clay between its eyes and on each horn. Upon the clay he placed a layer of reeds and then another layer of clay. In this he placed upright blue grass, brush, and trees. ‘I have finished,’ he said. ‘Let there be mountain peaks here on its head. Let the waves of the sea break against them.’”
The Wintun creation-myth, narrated by Curtin, possesses a plot of the same type. Just as he perceives that the end of the First World and of the First People is approaching, Olelbis, He-Who-Sits-Above, builds his paradisic sweat-house in the sky-world to become a refuge for such as may attain to it. The cataclysm is caused by the theft of Flint from the Swift, who, for revenge, induces Shooting Star, Fire Drill, and the latter’s wife, Buckeye Bush, to set the world afire.®^ “Olelbis looked down into the burning world. He could see nothing but waves of flame; rocks were burning, the ground was burning, everything was burning. Great rolls and piles of smoke were rising; fire flew up toward the sky in flames, in great sparks and brands. Those sparks are sky eyes, and all the stars that we now see in the sky came from that time when the first world was burned. The sparks stuck fast in the sky, and have remained there ever since. Quartz rocks and fire in the rocks are from that time; there was no fire in the rocks before the world fire. . . . During the fire they could see noth- ing of the world below but flames and smoke.” Olelbis did not like this; and on the advice of two old women, his Grand- mothers, as he called them, he sent the Eagle and the Humming- Bird to prop up the sky in the north, and to summon thence Kahit, the Wind, and Mem Loimis, the Waters, who lived be- yond the first sky.® “The great fire was blazing, roaring all over the earth, burning rocks, earth, trees, people, burning
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everything. Mem Loimis started, and with her Kahit. Water rushed in through the open place made by Lutchi when he raised the sky. It rushed in like a crowd of rivers, covered the earth, and put out the fire as it rolled on toward the south. There was so much water outside that could not come through that it rose to the top of the sky and rushed on toward Olel- panti. . . . Mem Loimis went forward, and water rose moun- tains high. Following closely after Mem Loimis came Kahit. He had a whistle in his mouth; as he moved forward he blew it with all his might, and made a terrible noise. The whistle was his own; he had had it always. He came flying and blow- ing; he looked like an enormous bat with wings spread. As he flew south toward the other side of the sky, his two cheek feathers grew straight out, became immensely long, waved up and down, grew till they could touch the sky on both sides.” Finally the fire was quenched, and at the request of Olelbis, Kahit drove Mem Loimis, the Waters, back to her underworld home, while beneath Olelpanti there was now nothing but naked rocks, with a single pool left by the receding waters. The myth goes on to tell of the refashioning and refurnishing of the world by Olelbis, assisted by such of the survivors of the cataclysm of fire and flood as had managed to escape to Olelpanti. A net is spread over the sky, and through it soil, brought from beyond the confines of the sky-capped world, is sifted down to cover the boulders. Olelbis marks out the rivers, and water is drawn to fill them from the single lakelet that remains. Fire, now sadly needed in the world, is stolen from the lodge of Fire Drill and Buckeye Bush — the parents of flame — without their discovering the loss (an unusual turn in the tale of the theft of fire). The earth is fertilized by Old Man Acorn and by seed dropping down from the flower lodge of Olelbis in the skies. Many animals spring into being from the feathers and bits of the body of Wokwuk, a large and beautiful bird, with very red eyes; while numerous others are the result of the transformations wrought by Olelbis, who now metamorphoses
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the survivors of the first world Into the animals and objects whose nature they had In reality always possessed.^^ A par- ticularly charming episode tells of the snaring of the clouds. These had sprung into being when the waters of the flood struck the fires of the conflagration, and they were seeking ever to escape back to the north, whence Kahit and Mem Loimis had come. Three of them, a black, a white, and a red one, are cap- tured; the skin of the red cloud is kept by the hunters, who often hang it up in the west, though sometimes in the east; the black and the white skins are given to the Grandmothers of Olelbis. “Now,” said the two old women, “we have this white skin and this black one. When we hang the white skin outside this house, white clouds will go from it, — will go away down south, where its people began to live, and then they will come from the south and travel north to bring rain. When they come back, we will hang out the black skin, and from it a great many black rain clouds will go out, and from these clouds heavy rain will fall on all the world below.” The Pacific Coast is a land of two seasons, the wet and the dry, and these twin periods could scarcely be more beautifully symbolized.^®
V. THE FIRST PEOPLE^
A little reflection upon the operations of animistic imagina- tion will go far to explain the conception of a First People, manlike In form, but animal or plant or stone or element in nature, which is nowhere In America more clearly defined than on the West Coast.® The languages of primitive folk are built np of concrete terms; abstract and general names are nearly unknown; and hence their thought is metaphorical in cast and procedure. Now the nearest and most intelligible of meta- phors are those which are based upon the forms and traits of men’s own bodies and minds: whatever can be made familiar in terms of human instinct and habit and desire is truly familiar, — “Man is the measure of all things,” and primitive
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mythic metaphor is the elementary form of applying this stand- ard. At first it is the activities rather than the forms of things that are rendered in terms of human nature; for it is always the activities, the powers of things, that are important in practical life; the outward, the aesthetic, cast of experience becomes significant only as people advance from a life of need to a life of thought and reflection. Hence, at first, mythopoetic fancy is content to ascribe human action and intention, human speech and desires, to environing creation; the physical form is of small consequence in explaining the conduct of the world, for physical form is of all things the most inconstant to the animistic mind, and it is invariably held suspect, as if it were a guise or ruse for the deluding of the human race. But there comes a period of thought when anthro- pomorphism — an aesthetic humanizing of the world — is as essential to mental comfort and to the sense of the intelligi- bility of nature as is the earlier and more naive psychomor- phism: when the phantasms, as well as the instincts and powers, of the world call for explanation.
Such a demand, in its incipiency, is met by the conception of the First People. This is a primeval race, not only regarded as human in conduct, but imagined as manlike in form. They belong to that uncertain past when all life and all nature were not yet aware of their final goal — a period of formation and transformation, of conflict, duel, strife, of psychical and physi- cal monstrosities, before the good and the bad had been clearly separated. “As the heart is, so shall ye be,” is the formula ever in the myth-maker’s half unconscious thought, and the whole process of setting the earth in order seems to consist of the struggle after appropriate form on the part of the world’s primitive forces.^®
West-Coast lore is in great part composed of tales of the First People, and it is instructive that the stories and events in this mythology are far more constant than are the personali- ties of the participants. This harks back to the prime impor-
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“‘Even so,’ said the Sky-father; ‘Yet not alone shalt thou helpful be unto our children, for behold!’ and he spread his hand abroad with the palm downward and into all the wrinkles and crevices thereof he set the semblance of shining yellow corn-grains ; in the dark of the early world-dawn they gleamed like sparks of fire, and moved as his hand was moved over the bowl, shining up from and also moving in the depths of the water therein. ‘See!’ said he, pointing to the seven grains clasped by his thumb and four fingers, ‘by such shall our chil- dren be guided; for behold, when the Sun-father is not nigh, and thy terraces are as the dark itself (being all hidden therein), then shall our children be guided by lights — like to these lights of all the six regions turning round the midmost one — as in and around midmost place, where these our children shall abide, lie all the other regions of space! Yea! and even as these grains gleam up from the water, so shall seed-grains like to them, yet numberless, spring up from thy bosom when touched by my waters, to nourish our children.’ Thus and in other ways many devised they for their offspring.”
The Zuni legend continues with events made familiar in other narratives. As in the Navaho Genesis, the First People pass through four underworlds before they finally emerge on earth: “the Ashiwi were queer beings when they came to this world; they had short depilous tails, long ears, and webbed feet and hands, and their bodies and heads were covered with moss, a lengthy tuft being on the fore part of the head, projecting like a horn”; they also gave forth a foul odour, like burning sulphur, but all these defects were removed by the Divine Ones, under whose guidance the emergence and early journey- ing of the First People took place. These gods, Kowwituma and Watsusi, are twins of the Sun and Foam, and are obviously doublets of the Twin Gods of War (whose Zuni names are variants of those known to the Sia), by whom they are later replaced.^^ Other incidents of the Zuni story tell of the origins of institutions and cults near the place of emergence, of the
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hardening of the world, of the search for the Middle Place, and of the cities built and shrines discovered on the way. Incidents of the journey include the incest of a brother and sister, sent forward as scouts,^’ to whom a sterile progeny was born, and who created Kothluwalawa, the mountain home of the ancestral gods; the accession and feats of the diminutive twins, the Gods of War; the coming of the Corn Maidens, already recounted; the flood and the sacrifice of a youth and a maid, which caused the waters to recede; the assignment of languages and the dispersal of tribes; stories of Poshaiyanki,®^ the culture hero, and of the wanderings of Kiaklo, who visited Pautiwa, the lord of the dead, and re- turned to notify the Ashiwi of the coming of the gods to endow them with the breath of life “so that after death they might enter the dance house at Kothluwalawa before proceeding to the undermost world whence they came.”
In the cosmogonies of the Pueblo dwellers, thus sketched, the events fall into two groups: gestation of life in the un- derworld and birth therefrom, and the journey to the Middle Place — Emergence and Migration, Genesis and Exodus. The historical character of many of the allusions in the migration- stories has been made plausible by archaeological investiga- tions, which trace the sources of Pueblo culture to the old cliff-dwellings in the north. Characteristically these abodes are in the faces of canyon walls, bordering the deep-lying streams whose strips of arable shore formed the ancient fields. May it not be that the tales of emergence refer to the abandonment of these ancient canyon-set homes, never capable of supporting a large population? Some of the tribes identify the Sipapu with the Grand Canyon — surely a noble birthplace! — and when in fancy we see the First People looking down from the sunny heights of the plateau into the depths whence they had emerged and beholding, as often happens in the canyons of the South-West, the trough of earth filled with iridescent mist, with rainbows forming bridgelike spans and the arched entrances
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to cloudy caverns, we can grasp with refreshened imagination many of the allusions of South-Western myth. Possibly a hint as to the reason which induced the First People to come forth from so fairylike an abode is contained in the Zuhi name for the place of emergence, which signifies “an opening in the earth filled with water which mysteriously disappeared, leaving a clear passage for the Ashiwi to ascend to the outer world.”
One other point in South-Western myth is of suggestive in- terest. This is the moral implication which clearly appears and marks the advancement of the thought of these Indians over more primitive types. In the world below the First People dwelt long in Paradisic happiness; but sin (usually the sin of licentiousness) appeared among them, and the angry waters drove them forth, the wicked being imprisoned in the nether darkness. The events narrated might be ascribed to mission- ary influence, were it not that these same events have close analogues far and wide in North American myth, and for the further fact of the pagan conservatism of the Pueblos. That the people are capable of the moral understanding implied is indicated by the reiterated assertion of priest and story that '‘the prayer is not effective except the heart be good.”
CHAPTER X
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L THE CALIFORNIA-OREGON TRIBES
A GLANCE at the linguistic map of aboriginal North America will reveal the fact that more than half of the radical languages of the continent north of Mexico — nearl7 sixty in all — are spoken in the narrow strip of territory extend- ing from the Sierras, Cascades, and western Rockies to the sea, and longitudinally from the arid regions of southern Cali- fornia to the Alaskan angle. In this region, nowhere extending inland more than five degrees of longitude, are, or were, spoken some thirty languages bearing no relation to one another, and the great majority of them having no kindred tongue. The exceptional cases, where representatives of the great continen- tal stocks have penetrated to the coast, comprise the Yuman and Shoshonean tribes occupying southern California, where the plateau region declines openly to the sea; small groups of Athapascans on the coasts of California and Oregon; and the numerous Salishan units on the Oregon-Washington coast and about Puget Sound.
It is this latter intrusion, the Salishan, which divides the Coast Region into two parts, physiographically and ethnically distinct. From Alaska to Mexico the Pacific Coast is walled off from the continental interior by high and difficult moun- tain ranges. There are, in the whole extent, only two regions in which the natural access is easy. In the south, where the Si- erra Nevada range subsides into the Mohave Desert, the great Southern Trail enters California; and here we find the ab- origines of the desert interior pressing to the sea. The North-
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ern, or Oregon, Trail follows the general course of the Missouri to its headwaters, crosses the divide, and proceeds down the Columbia to its mouth; and this marks the general line of Salishan occupancy, which extends northward to the more difficult access opened by the Fraser River. The Salishan tribes form a division, at once separating and transition- ally uniting a northern and a southern coastal culture of markedly distinct type. Indeed, the Salish form a kind of key to the continent, touching the Plains civilization to the east and that of the Plateau to the south, as well as the two coastal types; so that there is perhaps no group of Indians more difficult to classify with respect to cultural relationships.
The linguistic diversity of the southern of the two Coast groups bounded by the Salish is far greater than that of the northern. In California alone over twenty distinct linguistic stocks have been noted, and Oregon adds several to this score. Such a medley of tongues is found nowhere else in the world save in the Caucasus or the Himalaya mountains — regions where sharply divided valleys and mountain fastnesses have afforded secure retreat for the weaker tribes of men, at the same time holding them in sedentary isolation. Similar con- ditions prevail in California, the chequer of mountain and valley fostering diversity. Furthermore, the nature of the lit- toral contributed to a like end. The North-Western coast, from Puget Sound to Alaska, is fringed by an uninterrupted archipelago; the tribes of this region are the most expert In maritime arts of all American aborigines; and the linguistic stocks, owing to this ready communication, are relatively few. From the mouth of the Columbia to the Santa Barbara Is- lands, on the contrary, the coast is broken by only one spacious harbour — the bay of San Francisco — and little encourage- ment is offered to seafarers. Among the tribes of this coast the art of navigation was little known: the Chinook, on the Colum- bia, and the Chumashan Indians, who occupied the Santa Barbara Islands, built excellent canoes, and used them with
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skill; but among the intervening peoples rafts and balsas, crud- est of water transports, took the place of boats, and even sea- food was little sought, seeds and fruits, and especially acorn meal, being the chief subsistence of the Californian tribes.
In the general character of their culture the tribes of this region form a unity as marked as is their diversity of speech. Socially their organization was primitive, without centralized tribal authority or true gentile division. They lived in village communities, whose chiefs maintained their ascendancy by the virtue of liberal giving; and a distinctive feature of many of the Californian villages was the large communal houses occupied by many families. Grass, tule, brush, and bark were the common housing materials, for skill in woodworking was only slightly advanced; northward, however, plank houses were built, such as occur the length of the North-West Coast. Of the aboriginal arts only basket- making, in which the Californian Indians, and especially the Athapascan Hupa, excel all other tribes, was the only one highly developed; pottery-making was almost unknown. In other respects these peoples are distinctive: they were unwarlike to the point of timidity; they did not torture prisoners; and in common with the Yuman and Piman stocks, but in con- trast to most other peoples of North America, they very gen- erally preferred cremation to burial. Intellectually they are lethargic, and their myths contain no element of conscious history; they regard themselves as autochthones, and such they doubtless are, in the sense that their ancestors have con- tinuously occupied California for many centuries. Physical and mental traits point to a racial unity which is in part borne out by their language itself; for although their speech is now divided into many stocks between which no relationship can be traced — a clear indication of long and conservative segre- gation, — yet there is a similarity in phonetic material, the Californian tongues being notable, among Indian languages, for vocalic wealth and harmony.
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II. RELIGION AND CEREMONIES
The religious life and conceptions of the Californian tribes reflect the simplicity of their social organization. In northern California and Oregon the religious life gains in complexity as the influence of the North-West becomes stronger, and a similar increase in the importance of ceremonial is observed in the south; but in the characteristic area of the region, central California, the development of rites is meagre. The shaman is a more important personage than the priest and ritual is of far less consequence than magical therapy; in fact, the Cali- fornian Indians belong to that primitive stratum of mankind for which shamanism is the engrossing form of religious inter- est, the western shamans, like the majority of Indian “medi- cine-men,” acquiring their powers through fast and vision In which the possessing tutelary is revealed.®
Of ceremonies proper, the most distinctive on this portion of the Coast Is the annual rite in commemoration of the dead, known as the “burning” or the “cry” or the “dance of the dead.” This is an autumnal and chiefly nocturnal ceremony in which, to the dancing and wailing of the participants, various kinds of property are burned to supply the ghosts; the period of mourning Is then succeeded by a feast of jollity. In few parts of America are the tabus connected with the dead so stringent: typical customs Include the burning of the house in which death occurs; the ban against speaking the name of the deceased, or using, for the space of a year, a word of which this name is a component; and the marking of a widow by smearing her with pitch, shearing her hair, or the like, until the annual mourning releases her from the tabu. Such usages, along with cremation, disappear as the North-West is approached.
A second group of rites have to do with puberty. Her first menstruation is marked by severe tabus for the girl concerned; and a dance is given when the period is passed. Boys undergo
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an initiation into the tribal mysteries, the ceremony including the recounting of myths. Rites of this character are not al- ways compulsory, nor are they limited to boys, since men who have passed the age period without the ceremony sometimes participate later. The body of initiates forms a kind of Medi- cine Society, having in charge the religious supervision of the village. Still a third ceremonial group includes magic dances intended to foster the creative life of nature, the number of such rites varying from tribe to tribe.
Ceremonial symbolism, so elaborate in many portions of America, is little developed in the West-Coast region. Picto- graphs are unknown and fetishes little employed; nor is there anything approaching in character the complicated use of mask personations which reaches its highest forms in the neighbouring South-West and North-West. Mythic tales and ritual songs have a similar inferiority of development, the ex- tremes of the region, north and south, showing the greatest advancement in this as in other respects. In one particular the Californians stand well in advance: throughout the cen- tral region, their idea of the creation is clearly conceptualized; and it is their cosmogonic myths, with the idea of a definite and single creator, which form their most unique contribution to American Indian lore. The creator is sometimes animal, sometimes manlike, in form, but he is usually represented as dignified and beneficent, and there is an obvious tendency to humanize his character.
Northern California and Oregon, however, know less of such a single creator. In this section stories of the beginnings start with the Age of Animals — or rather, of anthropic beings who on the coming of man were transformed into animals — whose doings set the primeval model after which human deeds and institutions are copied. Here is a cycle assimilated to the myth of the North-West, just as the lore of the south Cali- fornian tribes approaches the type of the plateau and desert region.
PLATE XXVIII
Maidu image for a woman, used at the Burning Ceremony in honour of the dead (see p. 215). After BAM xvii, Plate XLIX.
PLATE XXIX
Maidu image for a man, used at the Burning Cere- mony in honour of the dead. After BAM xvii, Plate XLVIII.
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HI. THE CREATOR!®
In the congeries of West-Coast peoples it is inevitable that there should be diversity in the conception of creation and creator, even in the presence of a general and family likeness. But the differences in the main follow geographical lines. To the south, while creation is definitely conceived as a primal act, the creative beings are of animal or of bird form, for the winged demiurge is characteristic of the Pacific Coast through- out its length.^® In the central region of California and Oregon the creator is imaged in anthropomorphic aspect, the animals being assistants or clumsy obstructionists in his work. To the north, and along the coast, the legend of creation fades into a delineation of the First People, whose deeds set a pattern for mankind.
Tribes of the southerly stocks very generally believed in primordial waters, the waters of the chaos before Earth or of the flood enveloping it. Above this certain beings dwell — the Coyote and the birds. In some versions they occupy a moun- tain peak that pierces the waves, and on this height they abide until the flood subsides; in others, they float on a raft or rest upon a pole or a tree that rises above the waters. In the latter case, the birds dive for soil from which to build the earth; it is the Duck that succeeds, floating to the surface dead, but with a bit of soil in its bill — like the Muskrat in the east- ern American deluge-tales. The Eagle, the Hawk, the Crow, and the Humming-Bird are the winged folk who figure chiefly in these stories, with the Eagle in the more kingly role; but it is Coyote — though he is sometimes absent, his place being taken by birds — who is the creator and shaper and magic plotter of the way of life.
In the region northward from the latitude of San Francisco — among the Maidu, Porno, Wintun, Yana, and neighbouring tribes — the Coyote-Man, while still an important demiurgic being, sinks to a secondary place; his deeds thwart rather
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NORTH AMERICAN MYTHOLOGY
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